THE WEEK IN WOMEN: Big Deals for DuVernay, Caro, Boden and Arnold, and Fallout for Weinstein — Brandy McDonnell reports

British filmmaker Andrea Arnold signs to direct Big Little Lies. Disney signs Ava DyVernay, Niki Caro and Anna Boden (partnering with Ryan Fleck) to #100-million deals. ‘and the Academy establishes a code of conduct in response to the Harvey Weinstein debacle. Read details on THE WEEK IN WOMEN.

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The Academy’s 90th Oscars: First Promo, New Time and Shortlists — Michelle Hannett reports

oscars goldKicking of the 90 days to the 90th Oscars, the Academy revealed to movie fans that the telecast from Hollywood on Sunday, March 4, 2018, will now begin at 8:00 p.m. EST/5:00 p.m. PST, a half-hour earlier than prior telecasts. As previously announced, late-night talk show favorite Jimmy Kimmel will return to host. Nominations voting opens for the 90th Academy Awards on January 5, 2018, closes on January 12, 2018, with the announcement on Tuesday, January 23, 2018. Women filmmakers are definitely part of the conversation this awards season continue reading…

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THE RAPE OF RECY TAYLOR – Review by MaryAnn Johanson

I had never heard of Recy Taylor before, and I should have: she is an absolutely badass pioneer of the American civil rights movement, but she’s been all but ignored outside of history that is specifically focused on the black experience in America, which is ridiculous. My first impulse — before I saw The Rape of Recy Taylor — would have been to say that her name should be as well known to white Americans as that of Rosa Parks’s. But as this eye-opening (for white people) documentary demonstrates, even what we white Americans “know” about Rosa Parks has almost entirely erased how absolutely badass she was, too. Continue reading…

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WHAT IF IT WORKS? — Review by Alexandra Heller-Nicholas

Australian cinema has a curious relationship with romantic comedies. While international
hits like Strictly Ballroom (1992), Muriel's Wedding (1994), and Love and Other Catastrophes
(1996) found the subgenre hitting a commercial and critical sweet spot in the early-mid
1990s, it isn’t a national trend that has been repeated. Australian cinema has generally
since then leant towards darker or more serious subject matter. Filmmaker Romi Trower’s
What if It Works? may not have gained the same traction as its romcom predecessors, but
it’s certainly the little movie that could, winning awards for Best Australian Independent
Film at the 2017 Gold Coast Film Festival in Australia, Best Debut Feature Film at Canada’s
Female Eye Film Festival, and Cinequest’ New Visions Award in San Jose. Continue reading...

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THE RAPE OF RECY TAYLOR — Review by Cate Marquis

recy taylor posterNancy Biurski’s timely documentary tells a personal story, of one woman’s brutal rape in 1944 rural Alabama, but then ties her individual experience to the larger themes of history, racism, sexism, white supremacy and patriarchy, in compelling and often surprising ways. Inspired in part by the book “At The Dark End Of The Street: Black Women, Rape and Resistance – a New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power” by Danielle L. McGuire, director Nancy Biurski skillfully blends the various elements into a documentary that is fascinating, informative and moving. Continue reading…

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COCO — Review by Susan Granger

Pixar Animation is known as “family-friendly” – and none more than their 19th feature, a fantasy that faithfully depicts Mexican culture, celebrates the Hispanic customs and folklore of Dia de los Muertos, and acknowledges cultural icons like Frida Kahlo and El Santo. Continue reading…

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CALL ME BY YOUR NAME — Review by Martha K. Baker

‘Call Me by Your Name’ seduces with academics. The time is 1983, summer. The setting is Italy, warm, open, sexy Italy, with the sous-setting being the groves of academe. A family of academics welcomes a kind of intern to their summer home in northern Italy. Oliver is solidly American to the family’s worldly, multi-lingual context. Continue reading…

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Whistler Film Festival Women on Top Summit Keynote Address — Valerie Creighton (Guest Post)

valerie-creightonThe Minister of Canadian Heritage recently announced Creative Canada, a new approach to support creativity and content making in the country. A critical piece of her announcement was the increase in federal contributions to the Canada Media Fund in 2018/2019. While this is not new money, it will offset the gap from declining cable, and direct to home revenue created by cord-cutting and cord-shaving. It was a huge accomplishment for a Cabinet Minister to achieve this commitment and announce it prior to the upcoming budget year. Anyone involved in the making of content in this country that access’s the Canada Media Fund has something to celebrate in that achievement. Continue reading on THE FEMALE GAZE

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THE TRIBES OF PALOS VERDES –Review by Cynthia Fuchs

TRIBES OF PALOS VERDES POSTER“When we were kids,” narrates Medina (Maika Monroe), “Jim and I had a treehouse in our backyard. I liked it best when it was just the two of us.” Now, the teenager adds, as you see her and her twin brother Jim (Cody Fern), surfing in the Pacific Ocean. “For the first time in a long time, it felt like we were in our treehouse again.” Continue reading…

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WONDER WHEEL — Review by Martha K. Baker

‘Wonder Wheel’ spins in too many directions. Woody Allen’s latest film joins the other wonders of the season, but “Wonder” is wonder-full, as is “Wonderstruck.” “Wonder Wheel” is not so wonderful as woeful. It refuses to find a focus, almost as if it’s been on its own Ferris wheel and is dizzy with misdirection and indecision. Continue reading…

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