AWFJ is Heading for Whistler Film Festival, Nov 29- Dec 3 — Jennifer Merin reports

whistler logo 2017The Alliance of Women Film Journalists will present two juried EDA Awards for the Best Female-Directed Feature and Short Films at this year’s Whistler Film Festival (WFF) taking place from November 29 to December 3. This is the fourth consecutive year in which AWFJ has partnered with the Whistler Film Festival to honor the work of female directors whose films are being presented. Continue reading…

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PROFESSOR MARSTON AND THE WONDER WOMEN — Review by Susan Granger

angela robinson prof marston posterThis is, undoubtedly, the most kinky, provocative comic-book superhero ‘origin’ story – and it’s true! It begins with a public burning of “Wonder Woman” comics and the stern interrogation of Harvard psychologist Dr. William Moulton Marston (Luke Evans) by Josette Frank (Connie Britton) of the Child Study Association of America, who grills him about his subversive obsession with bondage, which Marston maintains symbolizes his motivational theory. Continue reading…

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THE WEEK IN WOMEN: Judd and Mirren Honored, Chenoweth Cast and Weinstein Ousted! — Brandy McDonnell reports

In an unprecedented move, the Academy of Motion Picture Arts and Sciences has terminated Harvey Weinstein’s membership, following the storm stirred by revelations of his sexual harassment of actresses and other women in his employ. Ashley Judd, who has spoken out about Weinstein’s transgressions, is to receive The Women’s Media Center’s Speaking Truth to Power Award on Oct. 26 at Capitale in New York City. Helen Mirren has been named the recipient of The Film Society of Lincoln Center’s 45th annual Chaplin Award, to be presented at a gala on April 30, 2018. Kristin Chenoweth has signed on to star in and produce the ABC pilot “The Real Fairy Godmother,” playing a self-absorbed “real housewife” who learns that she’s descended from a secret order of Fairy Godmothers and is destined to use her magical abilities to help those in need. Read more on THE WEEK IN WOMEN…

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THE MOUNTAIN BETWEEN US — Review by Susan Granger

Despite Idris Elba’s charismatic presence, this melodramatic survival story struggles to achieve a steady pace and tone, as the characters played by Elba and Kate Winslet fight to remain alive in the wilderness. When their paths cross in the airport after their flight to Denver is cancelled because of an impending storm, Alex Martin (Winslet) and Ben Bass (Elba) are desperate. She’s a photojournalist, frantic to get home for her scheduled wedding, while he’s a British neurosurgeon, determined not to miss urgent surgery on an ailing child. Continue reading…

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THE DIVINE ORDER — Review by Cate Marquis

THE DIVINE ORDER POSTERTHE DIVINE ORDER is a tale about a group of ordinary women in a Switzerland village who fought for women to get the vote. The surprising part is that this battle for the right to vote took place in 1971. Since American women got the vote in 1920, it’s easy for us to assume Europe quickly followed. But it seems Switzerland missed out on the earlier wave of women’s rights. Which meant that in 1971, Switzerland was catching up on the 1960s Sexual Revolution and the budding 1970s women’s liberation movement, the second time in the 20th century women took to streets to demand their rights. Continue reading…

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TIFF 2017: Angela Robinson on PROFESSOR MARSTON AND THE WONDER WOMEN — Pam Grady Interviews (Exclusive)

angela robinsn headtiff logoOne of the happy surprises of Toronto International Film Festival 2017, Angela Robinson’s Professor Marston and the Women, may share the same DNA as Patty Jenkins’ blockbuster Wonder Woman, but it is an altogether different animal. This erotically charged, real-life drama spins the tale of how Wonder Woman creator William Moulton Marston’s (Luke Evans) muses, his wife Elizabeth (Rebecca Hall) and their lover Olive Byrne (Bella Heathcote), led him to create the comic-book superheroine. The film is a fresh, sexy take on the origins of Amazonian warrior Diana. Writer/director Angela Robinson tells us her own origin story that starts with the gift of a book about a childhood favorite, as she reveals the wonder of William Moulton Marston and his women. Continue reading…

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THE FALL OF TOXIC MASCULINITY AND THE RISE OF FEMININE CONSCIOUSNESS — Chaz Ebert comments

WE WOULD ALL LIKE TO BELIEVE that the “casting couch” in Hollywood had vanished over time as a relic of a less-enlightened age. People in the entertainment industry, particularly certain men in power, minimized this tradition of abuse, likening it to a rite of passage. But as a former lawyer who has handled sexual harassment cases, I can affirm that this “ritual” of men in power taking advantage of the powerless and vulnerable with unwanted sexual advances or unpermitted touching and verbal and physical abuse is entirely unacceptable and illegal, and in some cases constitutes criminal sexual assault. Continue reading…

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VICTORIA & ABDUL — Review by Susan Granger

Undiscovered until 2010, this revelatory historical footnote chronicles an improbable friendship that enhanced the elderly British monarch’s final years. Bookended by a prologue and conclusion set in India, the period dramedy begins with a vivid depiction of how widowed, 81 year-old Queen Victoria (Judi Dench) was not only weary but also utterly bored by her perpetual Royal duties. Continue reading…

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JESUS CAMP — Documentary Retroview by Jennifer Merin

Jesus Camp posterDon’t mistake Jesus Camp for Godspell! Even though it’s not a thriller, Jesus Camp is a truly terrifying film. It is, in fact, a purely observational documentary, one that serves as a galvanizing cautionary revelation about Evangelical indoctrination of children in heartland America. Framed by Justice Sandra Day O’Connor’s resignation and confirmation of ultraconservative Samuel Alito as her successor, we witness home-schooled preteens, Levi (12), Rachael (9) and Victoria (10) delivered by their Evangelical parents unto Bible camp at Devil’s Lake, ND, where Pentecostal Children’s Minister Becky Fischer ‘hooks them up’ (her words) with Jesus. Continue reading…

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LUCKY — Review by Martha K. Baker

Lucky is barely a moving picture, until it is. Watching paint dry involves more neurons at times than watching Lucky. Glaciers grow faster. And, then, just when it appears to defy the “moving” part of moving picture, Lucky perks up, like a corpse that twitches. That makes watching it worthwhile. Lucky is, after all, Harry Dean Stanton’s last film. Continue reading…

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