IDFA 2017: The Female Gaze is Gone — Jennifer Merin reports

idfa 2017 ;ogoInternational Documentary Film Festival Amsterdam, otherwise known as IDFA, has accomplished during the decades since it was co-founded by Ally Derks, who is rightly revered in the documentary film realm. But Ally Derks has moved on, and IDFA is changing its outlook. This year, the festival dropped its The Female Gaze program and is, apparently, no longer focusing on ongoing issues of gender parity faced by the international community of women filmmakers. Continue reading on CINEMA CITIZEN

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Maite Alberdi Wins IDFA 2016 AWFJ EDA Award for THE GROWN UPS, with 2,500 Euros Prize

idfa-2016For the third consecutive year, the Alliance of Women Film Journalists presented the EDA Award for Best Female-Directed Film at the International Documentary Film Festival Amsterdam. At a ceremony hosted by Chile Docs and held on November 22, IDFA director Ally Derks introduced AWFJ jurors Jennifer Merin and Dorothy Woodend who were attending the festival, and they in turn announced winner of the award and the cash prize of 2,500 Euros. The winner of the IDFA 2016 AWFJ EDA Award for Best Female-Directed film is The Grown Ups, directed by Chilean filmmaker Maite Alberdi. Read more…

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Asli Ozarslan on DIL LEYLA

asli-ozarslanAsli Özarslan’s Dil Leyla is the story of Imret Leyla, mayor of Cizre, a Kurdish town in Turkey. At age 26, she’s the youngest mayor in Turkey. Having left Cizre for Germany at age five, after her father, a Kurdish guerilla, was killed, she returns to help rebuild her town. Political tensions rise as Turkey’s national elections near. In profiling Leyla’s struggle, Özarslan calls forth contemplation of Turkey’s political climate and of women’s influence in bettering the outlook. Read Özarslan’s interview about the film on THE FEMALE GAZE.

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Areum Parkkang on AREUM

areum-parkkangIn her first documentary feature, South Korean teacher and filmmaker Areum Parkkang takes a look at her own difficulties in finding a boyfriend. When her numerous blind dates don’t lead anywhere, she asks her students for their advise. They tell her that it is her appearance that is off putting. They advise her to make herself more attractive by slimming down, dressing up in a more feminine way, and wearing makeup. Read her interview on THE FEMALE GAZE

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Maite Alberdi on THE GROWN-UPS

maite-alberdi-300x200Chilean documentarian Maite Alberdi’s uniquely intimate observational style give us an up close and personal glimpse into the world of four adults with Down syndrome, all of whom struggle to live more independently in a social structure that has confined them for 40 plus years in a special education school where they’ve been trained and mow work. In a most humane and compassionate way, the film embraces the dreams and frailties of its leading characters and exposes the ways in which socially conscious compassion and the need for expediency conflict in impacting the lives of people who don’t fit social ‘norms.’ Read Alberdi’s comments on making the filming The Grown Ups and filmmaking on THE FEMALE GAZE.

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EDA Awards @ IDFA 2016 Filmmaker Interview: Coco Schrijber on HOW TO MEET A MERMAID

cococroppedsmallDutch filmmaker Coco Schrijber’s highly cinematic style and essay-like approach to filmmaking transforms her personal quest for resolution about her brother’s downing suicide into a profound contemplation of life-sustaining and death-dealing aspects of the sea. She evokes the unsolved mystery of Rebecca, a cruise ship employee who disappeared while her ship was at sea and the story of a Mexican surfer who is flying across the ocean to find more challenging waves on other shores to broaden her narrative. Read what Coco Schrijber has to say about the film and filmmaking on THE FEMALE GAZE.

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Mette Carla Albrechtsen and Lea Glob on VENUS

mettecarla-and-lea-cropped-300x216Danish filmmakers Mette Carla Albrechtsen and Lea Glob explore the subject of young women’s sexuality by setting up an open ‘casting call’ at which they interview the film’s subjects about their sexual experiences and attitudes towards sexuality and their bodies as they develop from adolescence to womanhood. Through this compilation of interviews, the filmmakers contemplate their own attitudes towards sex, and offer the opportunity for women who see the film to do as, as well. Read what they have to say about Venus and filmmaking on THE FEMALE GAZE

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Lucija Stojevic on LA CHANA

lucija-stojevic-smallLucija Stojevic’s La Chana profiles the career and artistry of Antonia Santiago Amador, the hugely popular flamenco dancer, revered by dance afficiandos for her passionate spirit and extraordinary footwork. Her career peaked during the late 1960s, before she inexplicably vanished from the dance world and celebrity. Stojevic delves into Amador’s complex personality by intertwining spectacular footage of her emotional performances with current footage of her quiet live in Barcelona, coaching talented young dancers and preparing a comeback recital — and revealing, for the first time, why she stepped out of the spotlight at the height of her career. La Chana is nominated for the IDFA 2016 AWFJ EDA Award for Best Female-Directed Film. Read Lucija Stojevic’s comments about La Chana on THE FEMALE GAZE.

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Elvira Diaz on EL PATIO

elvira-diazFilmmaker Elvira Diaz was born in 1975 in France, after her father fled from Chile as a political refugee. El Patio is her third documentary about the consequences of Pinochet’s dictatorship on witnesses and victims’ lives. In the film, she follows aging gravediggers as they reveal, for the first time, their haunting memories of surreptitiously burying ‘disappeared persons’ during the dark days of the Pinochet regime. The film is nominated for the IDFA 2016 AWFJ EDA Award of 2,500 Euros. Read Diaz’s comments about making the film on THE FEMALE GAZE

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Alice Schmid on THE GIRL DOWN LOCH ANZI

alice-schmid-headshotAlice Schmid, filmmaker and novelist, tells stories from around the globe, mostly focusing on children. The Girl Down Lock Anzi, nominated for the IDFA 2016 AWFJ EDA Award, is set in rural Switzerland, where 12- year-old Laura is fascinated by and works up the courage to explore a legend about a maiden who is supposedly imprisoned in caves close to her family’s farm. The film is nominated for the IDFA 2016 AWFJ EDA Award of 2,500 Euros. Alice Schmid comments about making the film and filmmaking on THE FEMALE GAZE

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EDA Awards @ IDFA 2016 Filmmaker Interview: Alice Schmid on THE GIRL DOWN LOCH ANZI

alice-schmid-headshotAlice Schmid, filmmaker and novelist, tells stories from around the globe, mostly focusing on children. Say No (1993) is a film classic on child abuse. Working in Liberia and Sierra Leone from 1999 to 2002, she showed the lives of child soldiers. In Letter to Grown-Ups (1994) she followed a child through the mine-fields of Cambodia. In Every Drop For The Future (1996), she accompanied a Bolivian girl on her two-hour walk to school. Schmid’s latest documentary, The Girl Down Loch Anzi, is nominated for the IDFA 2016 AWFJ EDA Award for Best Female-Directed Film. Read her comments about the film on THE FEMALE GAZE.

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SPOTLIGHT November, 2016: Ally Derks, IDFA Founder, Documentaries Mogul and innovator

awfjspotlightsmallsmallallyderksIDFA’s founder and director Ally Derks is in the AWFJ SPOTLIGHT this month, as she helms the 2016 festival from November 16 to 29. During her 30-year tenure at IDFA, Derks has built the festival into the world’s preeminent documentaries showcase, marketplace and pitch forum, with year round programs to develop the art of documentary filmmaking and broaden its horizons. This will be the last IDFA under Derk’s direction, as she leaves the organization to spend 2017 living and working in Berlin as an invited fellow of the Robert Bosch Academy, an institution of the prestigious Robert Bosch Stiftung. Read on…

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AWFJ Announces Nominees for 2,500 Euro Prize for Best Female-Directed Documentary at IDFA 2016 – Jennifer Merin reports

idfa-2016The Alliance of Women Film Journalists is pleased to name three finalists in this year’s competition for the IDFA 2016 EDA Award for Best Female-Directed Feature Length Documentary. AWFJ is partnering with IDFA (International Dcoumentary Film Festival Amstersam) for the third consecutive year to honor female filmmakers whose documentaries are on the festival schedule. This is the first year the award includes the 2,500 Euro prize. The winner of the award will be announced at IDFA on November 22, and the award will be presented at that time. Read on…

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Ten Films Nominated for the IDFA AWFJ EDA Award’s €2,500 Prize — Jennifer Merin reports

idfa-2016Programmers at IDFA have selected ten documentaries to be considered for this year’s IDFA AWFJ EDA Award, which bestows a prize of €2,500 for the Best Female-Directed Documentary. The winner will be announced and the award will be presented in Amsterdam on November 22, 2016. This year’s AWFJ jurors are Dorothy Woodend (Canada), Julide Tanriverdi (Germany) and Jennifer Merin (USA). 2016 is the third consecutive year that IDFA and AWFJ have partnered to recognize women’s outstanding achievements in documentary filmmaking, and it is the first year in which the EDA Award comes with a monetary prize. For the full list of films, read on…

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AWFJ to Present EDA Award for Best Female Directed Film @ IDFA 2016, with € 2,500 Prize! – Jennifer Merin reports

idfa-2016For the third consecutive year, The Alliance of Women Film Journalists will present the EDA Award for Best Female-Directed Documentary at IDFA, the world’s leading documentary film festival, taking place in Amsterdam from November 17 to 29. Ten new female-directed documentaries screening in the festival’s program have been nominated by the festival for the EDA Award of € 2,500 and the AWFJ certificate. The winner will be determined by AWFJ’s international jury. Nominated films and jurors will be announced shortly. Stay tuned….

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MOTLEY’S LAW and A STRANGE LOVE AFFAIR WITH EGO Win AWFJ EDA Awards @ IDFA 2015

AWFJ was on hand to present EDA Awards to two outstanding documentaries at IDFA 2015′s awards ceremony on November 25, 2015, before a full house of filmmakers and documentary industry honchos at Amsterdam’s Melkweg’s Rabozaal. Read more>>

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EDA Awards @ IDFA 2015 Filmmaker Interview: Nicole Nielsen Horanyi on MOTLEY’S LAW

Director Nicole HoranyiFilmmaker Nicole Nielsen Horanyi won the AWFJ EDA Award for Best Female-Directed Documentary at IDFA 2015 for Motley’s Law, a film about a courageous yet pragmatic woman who refuses to relinquish her mission even under death threats. Kimberly Motley, beauty queen turned litigator, is the sole American practicing in Afghan courts, navigating a corrupt legal system. Horanyi follows Motley from court in Kabul to home in the US, where she’s raising three kids. Motley’s Law is a powerful reminder of what one person can accomplish with courage and tenacity. Read Nicole Nielsen Horanyi’s comments about making the film on THE FEMALE GAZE.

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EDA Awards @ IDFA 2015 Filmmaker Interview: Ester Gould on A STRANGE LOVE AFFAIR WITH EGO

OLYMPUS DIGITAL CAMERAA Strange Love Affair With Ego won a Special Mention from the AWFJ EDA Award jury at IDFA 2015. Director Ester Gould’s very personal, brave and beautiful cinematic search for an understanding about her beloved older sister’s life and circumstances is structured as a layered tapestry of memory, projection, re-enactments of letters and imaginings — all of which are woven together to become an affecting poem about the fragility inherent in all humans. Read filmmaker Ester Gould’s comments about making the film on THE FEMALE GAZE.

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EDA Awards @ IDFA 2015 Filmmaker Interview: Alisa Kovalenko on ALISA IN WARLAND

alisa 1Alisa in Warland, one of ten films nominated for the AWFJ EDA Award for Best Female-Directed Documentary at IDFA 2015, is a film in which the director discovered that she was also the lead character. Just out of film school, Alisa Kovalenko and Liubov Durakova set out to document the war in their homeland, embedding themselves with soldiers on the front in Eastern Ukraine. Read what Alisa Kovalenko has to say about their experiences as first time filmmakers working under truly extraordinary circumstances on THE FEMALE GAZE.

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EDA Awards @ IDFA 2015 Filmmaker Interview: Ina Borrmann on EVERY 28 DAYS

inaEvery 28 Days, one of ten films nominated for the AWFJ EDA Award for Best Female-Directed Documentary at IDFA 2015, is a very personal and deeply moving documentary in which filmmaker Ina Bborrmann chronicles her efforts to become pregnant and bear a child. IDFA’s catalog description of the film is below. Read what Borrmann has to say about the challenges of making this documentary about herself and her own life choices on THE FEMALE GAZE.

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EDA Awards @ IDFA 2015 Filmmaker Interview: Mariana Viñoles on CAROLINA’S WORLD

carolinas mariana vinCarolina’s World, one of ten films nominated for the AWFJ EDA Award for Best Female-Directed Documentary at IDFA 2015, is filmmaker Mariana Viñoles’ portrait of Carolina, a 20 year old who loves to tango, and loves life and has Downs Syndrome, The film is up close and personal, entirely revealing and always respectful. Read what the filmmaker has to say about her experiences in making Carolina’s World on THE FEMALE GAZE.

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EDA Awards @ IDFA 2015 Filmmaker Interview: Beata Bubenets on CHECHEN

beata bubenetsChechen, one of ten films nominated for the AWFJ EDA Award for Best Female-Directed Documentary at IDFA 2015. Filmmaker Beata Bubenets follows a soldier, Ruslan, during the Ukrainian crisis of 2014. After protecting demonstrators in Kiev, he goes to Donbass, where pro-Russian separatists are fighting against government troops. Chechen is an intimate portrait of a mercenary who’s engagement in hostilities counters his own peaceful nature. Read what Beata Bubenets has to say about her subject and making the film on THE FEMALE GAZE.

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EDA Awards @ IDFA 2015 Filmmaker Interview: Miriam Chandy Menacherry and Maheen Zia on LYARI NOTES

lyari notes directorsLyari Notes, one of ten films nominated for the AWFJ EDA Award for Best Female-Directed Documentary at IDFA 2015, is an inspiring girl-centric film about female empowerment in through music. The film is the result of a remarkable collaboration between veteran Indian filmmaker Miriam Chandy Menacherry and first time Pakistani filmmaker Maheen Zia. In their collaboration, the filmmakers bravely confronted and overcame cultural bias towards women and ethnicity. Discover what the filmmakers have to say about their experiences on THE FEMALE GAZE

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EDA Awards @ IDFA 2015 Filmmaker Interview: Kari Anne Moe on REBELS

kari annwRebels, one of ten films nominated for the AWFJ EDA Award for Best Female-Directed Documentary at IDFA 2015, is about the problems faced by disenfranchised youths in Norway. Filmmaker Kari Anne Moe takes a tough yet sympathetic look at the struggles of Norwegian dropouts enrolled in a special social welfare program created to help them renter the mainstream. IDFA’s catalog description of the film is copied below. Read what filmmaker Kari Anne Moe has to say about her experience on THE FEMALE GAZE…

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Alliance of Women Film Journalists To Present AWFJ EDA Award @ IDFA 2015 – Nov 18-29

eda@idfa2.200The Alliance of Women Film Journalists will proudly present our juried AWFJ EDA Award @ IDFA 2015 for the Best Female Directed Film. This is the second consecutive year of the organization’s partnership with IDFA to recognize women’s accomplishments in documentary filmmaking. In 2014, the AWFJ EDA Award @ IDFA was presented to Maite Alberdi for Tea Time The AWFJ EDA Award and the Oxfam Global Justice Award are the only two independently-presented awards on the IDFA Awards roster. Read more>>

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