THE WEEK IN WOMEN News: GIRLS TRIP, Patty Jenkins, Geena Davis and Women Texas Film Fest

The hit comedy “Girls Trip” has crossed the $100 million mark at the box office and broken a couple of records in the process. Patty Jenkins, whose “Wonder Woman” is another of this summer’s box office hits, says she hopes the superhero movie’s success will lead to more job openings for women in and beyond the film industry. Geena Davis returns to big screens in the scifi indie,“Marjorie Prime,” about a woman who helps her mother fight dementia by getting her a hologram of her deceased husband to activate her memory. The Dallas-based Women Texas Film Festival announced its award winners, with Brooke and Doug Purdy’s “Quality Problems” taking home the award for Best Feature Film. Read more on THE WEEK IN WOMEN.

read more

THE WEEK IN WOMEN: Latest on Patty Jenkins, Saoirse Ronan, Reese Witherspoon and Annie Clark aka St. Vincent — Brandy McDonnell reports

Annie Clark, aka St. Vincent, is set to direct a new version of Oscar Wilde’s Picture of Dorian Gray, starring a woman in the title role. Saoirse Ronan takes on the title role in Mary, Queen of Scots, opposite Margot Robbie as Elizabeth. Reese Witherspoon talks rom com evolution as represented by her latest, Home Again, the directorial debut Hallie Meyers-Shyer, daughter of acclaimed director Nancy Meyers. And, Patty Jenkins is upping the income ante on Wonder Woman II, following the first film’s mega box office success. Read details on THE WEEK IN WOMEN.

read more

THE WEEK IN WOMEN: Patty Jenkins and WONDER WOMAN Lasso Records — Brandy McDonnell reports

Patty Jenkins’ Wonder Woman is the highest-grossing live-action film directed by a woman. The superhero adventure eclipsed the $609.8 million racked up by 2008’s Mamma Mia!, the Abba movie musical directed by Phyllida Lloyd. Since Jenkins directed Charlize Theron to Oscar victory with her acclaimed biopic Monster (2003), she’s directed episodes of television’s Arrested Development and Entourage, and the Emmy-nominated pilot for The Killing, but she has had to wait 14 years before directing another feature film. Wake up, Hollywood! Continue reading on THE WEEK IN WOMEN…

read more

THE WEEK IN WOMEN News: McGowan @ Tallgrass FF, Gerwig @ Austin FF, Payday for Jenkins, Curtis and HALLOWEEN — Brandy McDonnell reports

Rose McGowan is being honored by the Tallgrass International Film Festival in Wichita, Greta Gerwig’s well-reviewed ‘Lady Bird’ has been selected to open the Austin Film Festival, Patty Jenkins has sealed a deal for ‘Wonder Woman 2′ that makes her the highest paid female director in history, and , and Jamie Lee Curtis returns to the ‘Halloween’ franchise. Read all the details on THE WEEK IN WOMEN.

read more

THE WEEK IN WOMEN: Jenkins and Coppola Make Movie History

Between Patty Jenkins’ Wonder Woman and Sofia Coppola’ The Beguiled, the past two weeks have been benchmark for female filmmakers. Wonder Women is the highest earning female director, and The Beguiled won prizes for Coppola at Cannes. Read the details on THE WEEK IN WOMEN.

read more

THE WEEK IN WOMEN: Fisher in STAR WARS IX, Rothwell joins in WONDER WOMAN 1984, Hodson writes BIRDS OF PREY — Brandy McDonnell reports

Although Carrie Fisher filmed some powerful Leia moments for Rian Johnson’s The Last Jedi before she died, there’s no doubt that one of the tragedies of her sudden passing is the missed opportunity to delve more deeply into the character she became most known and beloved for playing. With support and blessing from her daughter, Billie, some of the unused, previously unseen footage shot for Episode VII will be included in the upcoming Episode IX, to honor Carrie’s legacy and her iconic role as Leia Organa. Natasha Rothwell (HBO’s Insecure) joins Patty Jenkins’ Wonder Woman 1984, along with fellow franchise newcomer Kristen Wiig and returning Gal Gadot and Chris Pine. Tapped to script Margot Robbie’s , Christina Hodson says having a woman write the Harley Quinn spin off changes everything for the colorful DC Comics character. Continue reading on THE WEEK IN WOMEN

read more

From Comic-Con: #FemaleFilmmakerFunko for #FemaleFilmmakerFriday — Leslie Combemale comments

Proposed Patty Jenkins Pop, designed by Leslie Combemale

Proposed Patty Jenkins Pop, designed by Leslie Combemale

I approach San Diego Comic-Con annually as an avid supporter and passionate advocate of women in film, the perspective from which I have produced and moderated the panel Women Rocking Hollywood for the third consecutive year. The panel and my overal Comic-Con participation are a highlight of my professional year, especially because I have found Comic-Con to be quite receptive and progressive about recognizing women in film. My tenure has also pushed me to become a better critic and a bigger fan, and I’ve become an obsessive collector of Funko Pops, those wonderful figures that memorialize the characters I love. Unlike my husband, who hunts down the yearly releases that will later be found on Ebay for upwards of a thousand dollars, I buy only the occasional figure that strikes my fancy. When they DO strike my fancy, I absolutely positively must have them.Continue reading…

read more

Cannes Film Festival 2018: The Fight for Inclusion Continues — Moira Sullivan reports

cannes festival 2018 logoOfficially, this was the year for women at Cannes. It is a year that is only meaningful if the number of films made by women selected to the festival increases. The realization that Cannes is a hunting ground for sexual predators can never be erased thanks to Asia Argento’s face to face in the closing ceremony. Festival de Cannes may not continue under the same exclusive terms of the past, but this is the year where acknowledging the achievements of women was dynamically profiled. Inclusion is yet to come. Continue reading…

read more

The Academy’s 90th Oscars: First Promo, New Time and Shortlists — Michelle Hannett reports

oscars goldKicking of the 90 days to the 90th Oscars, the Academy revealed to movie fans that the telecast from Hollywood on Sunday, March 4, 2018, will now begin at 8:00 p.m. EST/5:00 p.m. PST, a half-hour earlier than prior telecasts. As previously announced, late-night talk show favorite Jimmy Kimmel will return to host. Nominations voting opens for the 90th Academy Awards on January 5, 2018, closes on January 12, 2018, with the announcement on Tuesday, January 23, 2018. Women filmmakers are definitely part of the conversation this awards season continue reading…

read more

Angela Robinson on PROFESSOR MARSTON AND THE WONDER WOMEN — Julide Tanriverdi interviews

angela robinson on set with cameraProfessor Marston and the Wonder Woman” tells the story of the man who created the female superhero. Consider it the other Wonder Woman movie, and it’s an indie. Like most indies it took writer/director Angela Robinson some time to get her movie made. She worked on the script on nights and weekends for over four years. Then it took another four years to get the film financed. Robonson had been a lifelong fan of Wonder Woman and was obsessed not only with the superhero but also with her creator, William Moulton Marston. He led a fascinating double life because he was hiding his polyamorous relationship with his wife and mistress. Interviewed by AWFJ.org at the Toronto International Film Festival, Angela Robinson spoke about why she needed to tell the Marston family story on screen. Continue reading…

read more

TIFF 2017: Angela Robinson on PROFESSOR MARSTON AND THE WONDER WOMEN — Pam Grady Interviews (Exclusive)

angela robinsn headtiff logoOne of the happy surprises of Toronto International Film Festival 2017, Angela Robinson’s Professor Marston and the Women, may share the same DNA as Patty Jenkins’ blockbuster Wonder Woman, but it is an altogether different animal. This erotically charged, real-life drama spins the tale of how Wonder Woman creator William Moulton Marston’s (Luke Evans) muses, his wife Elizabeth (Rebecca Hall) and their lover Olive Byrne (Bella Heathcote), led him to create the comic-book superheroine. The film is a fresh, sexy take on the origins of Amazonian warrior Diana. Writer/director Angela Robinson tells us her own origin story that starts with the gift of a book about a childhood favorite, as she reveals the wonder of William Moulton Marston and his women. Continue reading…

read more

THE WEEK IN WOMEN: James Cameron vs. Wonder Woman! — Brandy McDonnell comments

The Terminator 2: Judgment Day director calls Patty Jenkins’ Wonder Woman movie “a step back,” and confirms Hollywood’s continuing desire to lock women in the “strong” box. In a recent interview centered on the 3-D re-release of his 1991 blockbuster Terminator 2: Judgment Day, James Cameron set off a firestorm on Twitter when he reduced Wonder Woman and her depiction in Patty Jenkins’ record-setting film to “an objectified icon” that he considers “a step backwards” from his female character of Sarah Connor. Read more on THE WEEK IN WOMEN.

read more

THE WEEK IN WOMEN: Gadot Seeks Gold, Chastain Joins X-MEN, Woodard Becomes Lionesque and Lamarr Gets Documentary — Brandy McDonnell reports

Warner Bros. will mount an Oscar campaign for Wonder Woman, Gal Gadot and director Patty Jenkins, striving to get first-ever comic book film nominations. Jessica Chastain joins the X-Men: Dark Phoenix cast as Lilandra Neramani, Princess-Majestrix of the Shi’ar Empire, a humanoid species with birdlike attributes. Alfre Woodard will be the voice of Simba’s mom in director Jon Favreau’s remake of Disney’s The Lion King. And, come November, Hedy Lamarr returns to silver screens with the release of Bombshell: The Hedy Lamarr Story, a documentary directed by Alexandra Dean and distributed by Zeitgeist Films, in association with Kino Lorber. Read more in THE WEEK IN WOMEN.

read more

ATOMIC BLONDE — Review by Susan Granger

As the Berlin Wall crumbled in 1989, a behind-the-scenes spy thriller was unfolding, revolving around undercover MI6 agent Lorraine Broughton (Charlize Theron), who was dispatched to retrieve information vital to the safety of Western intelligence. As she’s being debriefed by her handlers (Toby Jones, John Goodman), it’s revealed that another MI6 agent, James Gascoigne, had a list of every espionage officer in the city on both sides of the Cold War conflict. Comtonue reading…

read more

MOVIE OF THE WEEK: Best Femme-Helmed, Femme-Centric Films of 2017, To Date

motw logo 1-35Focusing specifically on films directed by women as well as those featuring strong female lead characters and female-centric stories, AWFJ’s Team #MOTW has endorsed 31 exceptional films during 2017, to date. Because we pick only one film for our Movie of the Week endorsement, we’ve actually had to pass up a good number of other superb films that qualified, but were not our collective top choice. Now that we’ve arrived at the midway point in this year’s release schedule, we’re pausing to look back at all the films we’ve considered for #MOTW endorsement, and we are pleasantly surprised to note the volume of wonderful films made by and about women. Continue reading…

read more

THE WEEK IN WOMEN News: ‘Wonder Woman’ sets more records, ‘The Beguiled’ tests female vs. male gazes, and more

Patty Jenkins’ Wonder Woman, the first full-fledged cinematic outing for the venerable superhero, achieved another milestone, becoming the highest-grossing film within the DC Extended Universe films. Sofia Coppola’s The Beguiled tests female vs. male gazes, while comparing the careers of Colin Trevorrow and Mimi Leder tests the patience of female film fans. And Jennifer Lawrence, Zoe Saldana and Shonda Rhimes are among the women to earn 2018 stars on Hollywood Walk of Fame. Read more on THE WEEK IN WOMAN.

read more

WONDER WOMAN — Review by Susan Granger

According to Fandango, “Wonder Woman” is the summer’s most anticipated movie. It’s the fourth – and best – in DC’s Extended Universe, following “Man of Steel,” “Batman v Superman: Dawn of Justice” and “Suicide Squad.” I grew up reading “Wonder Woman” comics and watched TV’s kitschy Lynda Carter, so I’ve been eagerly awaiting Princess Diana’s standalone superhero movie. Now she’s here! Continue reading…

read more

SPOTLIGHT August 2015: Natalie Portman, Actress, Activist and Crusader for Women Directors

awfjspotlightsmallsmallportman excerptNatalie Portman is no stranger to Hollywood. The Oscar-winning actress’ first feature film, Luc Besson’s Léon: The Professional, debuted when she was only 13 years old. Since then, she’s racked up dozens of film credits, some of them—Closer, Black Swan—better than others. Looking at You, Star Wars prequels. But isn’t that the way? This consummate, classy professional has made it through decades in the film industry and earned a mantlepiece full of awards along the way… two of them, I’d be remiss not to mention, EDA Awards for Black Swan, issued in 2010 by this very group. Read on…

read more