I watched the six episodes two at a time, three nights running. (I had admired Fox’s 80s doc Beirut: The Last Home Movie.) I was fascinated. Fox took five years of her own life and turned it into the narrative through-line for a survey of women and their life choices in different cultures. Read more>>
Essays and Features,
Women on Film
Well, I’ve seen Roland Emmerich’s latest pixel-fest 10,000 B.C., and it’s no Quest for Fire. Would that it had been silent! Read more>>
Reviews and Criticism,
Women on Film
Finally, the long-in-the-works “American Teen” deal went down late Tuesday night, marking the fourth movie to sell at Sundance in the last two days. Paramount Vantage acquired all world rights (excluding the U.K.) for $1 million to Nanette Burstein’s Indiana high school cinema verite doc. After the A & E Indie Films documentary screened Friday night, Fox Searchlight made a bid which later expired; Sony Pictures Classics also pursued a deal but pulled out Tuesday afternoon, leaving the pic to Vantage, which is promising a significant P & A commitment. Sellers were Cinetic and CAA.
Uncategorized
Sheila Nevins’ HBO documentary unit has acquired North American rights to Marina Zenovich’s Polanski: Wanted and Desired, the hot buzz title of the 2008 Sundance Film Festival. Read more>>
News and Previews,
Uncategorized,
Women on Film
My class ate up Juno like it was strawberry ice cream. Read more
Essays and Features,
Women on Film
Gone Baby Gone is a tough piece of gritty entertainment. What Miramax will be able to wring out of the boxoffice is anyone’s guess. Read more
Essays and Features,
News and Previews,
Reviews and Criticism,
Women on Film
Lars and the Real Girl is one of those movies that walks a tightrope between laughs and genuine emotion. Read more
Essays and Features,
Women on Film
When Stacey Snider left Universal to run DreamWorks’ movie division a year ago, she transitioned seamlessly without losing valuable momentum, leading the Paramount division to box office gold, reports Anne Thompson on Variety.com. read more .
Essays and Features,
Women on Film
In her Variety column, Anne Thompson surmises that Premier Magazine’s demise signals the death of long-form entertainment journalism: Read the rest of this entry »
Essays and Features,
News and Previews
In THR’s Risky blog, Anne Thompson trumpets Diane Keaton for the star power that earned “Because I Said So” a $13-million opening, despite generally poor reviews. Read the rest of this entry »
Essays and Features,
Interviews and Profiles,
Women on Film