AWFJ Women On Film - “Stolen” - Cynthia Fuchs reviews
As Stolen looks at slavery in North Africa, it becomes clear that saying “too much” is costly for Fetim. Read more>>

As Stolen looks at slavery in North Africa, it becomes clear that saying “too much” is costly for Fetim. Read more>>
Colter, like Deckard before him, has to accept who and where he is, even as these definitions recede before him. Read more>>
As ambassador for the humanitarian organization, Mapendo International, Rose Mapendo tells her story again and again, encouraging her listeners to draw lessons from it. Read more>>
As the film makes clear, the story of the Triangle Fire is actually many stories, fragmented, frightening, and heroic. Read more>>
A single, lingering, low-angle close-up of Pete Postlethwaite’s face goes a long way toward making any movie at least a little compelling. Read more>>
The young students’ stories are surely Waiting for ‘Superman’’s most effective strategy, but it’s hard not to wonder at how they are being used in such a slick enterprise. Read more>>
The possible “openness” of Facebook here hinges on the definitive closed system embodied by this fictional Mark Zuckerberg. Read more>>
Teenage Paparazzo establishes at least a couple of foci, namely, Adrian Grenier’s relationship with the picture-snapping press and his relationship with that relationship, as he portrays it on TV. Read more>>
Freakonomics’ four sections offer various takes on the source book’s premise: what happens when you ask “a different kind of question entirely?” Read more>>
Marwencol shows a process of self-imagining and storytelling that reflects the intricate ways that we all understand ourselves, the worlds inside and around us. Read more>>