FOOTNOTE - Review by Ann Lewinson
Joseph Cedar’s comedy about father and son Talmud scholars has so many loose threads you could take it in for shatnez testing. Read more>>
Ann Lewinson is a film critic for the Boston Phoenix, the Kansas City Star and the Santa Fe Reporter, and was the film critic for the Hartford Advocate for four years. She has written about movies for The Independent, the Sundance Daily Insider, the Tribeca Film Festival catalogue and Willamette Week, classical music for Andante and Stagebill, and environmental activism for Biography. Her fiction has appeared in Agni, Hayden's Ferry Review, P.S.1 Contemporary Art Center's Special Projects Writers' Series and other publications. She studied filmmaking at the School of the Art Institute of Chicago, briefly worked as a sound editor, and has recently completed a novel. She is a member of the Boston Society of Film Critics.
Joseph Cedar’s comedy about father and son Talmud scholars has so many loose threads you could take it in for shatnez testing. Read more>>
This Lorax speaks for the trees — and SUVs. Read more>>
David Wain’s latest is an amusing recessionary comedy — until it loses its nerve. Read more>>
Ralph Fiennes updates Shakespeare for our short-attention-span era. Read more>>
A romantic comedy made by men who seem to have never met a woman, much less asked her what she wants. Read more>>
Steven Soderbergh’s latest — starring a women’s mixed martial arts champion — suggests that rumors of his retirement might not be premature. Read more>>
This charming, if slight, homage to silent movies looks at a transitional era from the perspective of our own. Read more>>
Wim Wender’s dynamic elegy to German choreographer Pina Bausch is a milestone in 3D filmmaking.
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A likable Mark Wahlberg and novel setting can’t save this rote heist thriller. Read more>>
Cartoonist Joann Sfar brings visual wit to this biopic of the controversial French icon, but not much insight. Read more>>