1. WHERE THE WILD THINGS ARE
2. THE BEACHES OF AGNÈS
3. A SINGLE MAN
4. A SERIOUS MAN
5. THE HURT LOCKER
6. SUMMER HOURS
7. AN EDUCATION
8. UP
9. ANTICHRIST
10. BRIGHT STAR
And, for the annotated version: Read more>>
Essays and Features,
Member News,
Women on Film
Just as 3-D is heralded as the newest old trick in the cinema showman’s grab bag, along comes Coraline – the first animated stop-motion feature to be created in 3-D – to remind us that there can be more than mere gimmickry in the souped-up imagery.Read more>>
Reviews and Criticism,
Women on Film
Persepolis is at once a confessional autobiography, historical re-enactment, graphic art object, and deeply involving contemporary story about a girl’s coming of age while circumventing not only the usual pitfalls of adolescence but also the enforced repression brought on by Iran’s Islamic revolution of the Eighties. Read more>>
Reviews and Criticism,
Women on Film
In his first major film venture and his largest-scale project since the conclusion of his watershed TV show in 1998, Seinfeld has made an animated movie that’s only little more than “about nothing.” Read more
Reviews and Criticism,
Women on Film
Nothing sets a girl’s heart racing more than having your dreamboat name a new world after you. Read more
Reviews and Criticism,
Women on Film
The Russian crime syndicate in New York and conflicts between brothers on opposite sides of the law: These are Gray’s recurrent (redundant?) themes. That Wahlberg and Phoenix both co-starred in Gray’s last film, 2000’s The Yards, doesn’t ease We Own the Night’s sense of déj? vu. Read more
Reviews and Criticism,
Women on Film
A truly perplexing documentary, My Kid Could Paint That begins as a fascinating cultural investigation, then events occur during the shooting of the film which cause filmmaker Bar-Lev to shift his focus and consequently render his finished product an ultimately creepy and exploitative document. Read more
Reviews and Criticism,
Women on Film
With his fifth feature film, Anderson boards another train of ironic whimsy, although this time the train is quite literal and not just the train of thought in his head. Read more
Reviews and Criticism,
Women on Film
Vigilantism is alive and flourishing in “Death Sentence,” the new revenge thriller from Wan, the so-called Splat Pack director of the original Saw movie. Read more
Reviews and Criticism,
Women on Film
Professional gadfly Moore alights on the topic of the shortcomings of the American health-care system, and with this subject crafts his most widely accessible and least divisive documentary to date. Read more
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