Top Ten 2012 - Katey Rich
The Master
Anna Karenina
Zero Dark Thirty
Bernie
Take This Waltz
Amour
Cloud Atlas
Queen of Versailles
Holy Motors
ParaNorman
Katey Rich
Katey Rich is the Managing Editor and one of the chief movie critics for CinemaBlend.com. She has also written reviews and feature articles for Film Journal International. Katey has a B.A. in English and Film Studies from Wesleyan University.
Articles by Katey Rich
AWFJ Women On Film - Katey Rich’s Top Ten of 2009
1. Inglourious Basterds
2. Up
3. In the Loop
4. Star Trek
5. A Serious Man
6. Avatar
7. The White Ribbon
8. The Fantastic Mr. Fox
9. Sugar
10. Duplicity
And, for the annotated verision: Read more>>
AWFJ Women On Film - Michelle Monaghan on “Trucker” - Katey Rich interviews
Michelle Monaghan has achieved her Hollywood stardom through versatility. Read the rest of this entry »
AWFJ Women On Film - Lauren Graham On “The Answer Man,” “Gilmore Girls” and Her Career Arc - Katey Rich
After spending the first few years of her career as a journeywoman actor, popping up in movies like 1998’s One True Thing and doing stints on TV shows like NewsRadio, Lauren Graham became a household name by portraying the flighty, talkative and brilliant Lorelei Gilmore on the WB’s cult mother-daughter dramedy Gilmore Girls. Read the rest of this entry »
AWFJ Women On Film - Women At Tribeca Film Festival - Katey Rich reports
For movies by, about, or for women, filmgoers at the 2009 Tribeca Film Festival had no scarcity of options. Read the rest of this entry »
AWFJ Women On Film - Hong Kong Film Industry: Focus on Women - Katey Rich reports
Like Bollywood, Hong Kong’s film industry seems to be outdistancing Hollywood with opportunities for women directors and producers. With reference to the upcoming Hong Kong Film Awards, Katey Rich looks at Hong Kong’s ‘fempower.’ Read the rest of this entry »
Women On Film - Will Bollywood Best Hollywood In Opportunities For Women? - Katey Rich comments
With its eight Oscars and $100-million plus box office take, Slumdog Millionaire is opening America’s eyes to the power of India and its film industry–even though the movie is made by a white Englishman and actually has little to do with the Indian filmmaking tradition. For those looking for a more accurate view of Bollywood, Read the rest of this entry »