AWFJ Members’ Oscars 2017 Opinions, in Brief — Jennifer Merin reports

AWFJ Members’ Oscars 2017 Opinions, in Brief — Jennifer Merin reports

This compendium of AWFJ members’ takes on Oscars 2017 represents our diverse opinions. Read what Jeanne Wolf, Susan Wloszczyna, Moira Sullivan, Diana Saenger, Sheila Roberts, Nell Minow, Brandy McDonnell, Michelle McCue, Karen Martin, Kimberly Lindbergs, Leba Hertz, Candice Frederick, Marilyn Ferdinand, Chaz Ebert, Katherine Brodsky, Liz Braun, Betsy Bozdech and Erica Abeel have to say about Oscar 2017. Exclusive commentaries with links to other coverage. Read on…

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Oscars 2017: Poise Under Pressure — Sheila Roberts comments (Exclusive)

Oscars 2017: Poise Under Pressure — Sheila Roberts comments (Exclusive)

Etched indelibly in my mind about the Oscars this year is how graciously the presenters and the filmmakers from “La La Land” and “Moonlight” handled the confusion that ensued on stage after the wrong Best Picture was announced. Noteworthy was the leadership of “La La Land” producer Jordan Horowitz who took charge and stepped in to clarify what had gone wrong, even when it meant acknowledging his own loss. It was done with a lot of class, dignity, and poise under pressure.

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89th Oscars Make Movie History — Chaz Ebert comments (Exclusive)

89th Oscars Make Movie History — Chaz Ebert comments (Exclusive)

The Oscars continue to be on my “must see” list and this year’s 89th edition was not only immensely enjoyable, but historic for many reasons. It was the first time in history that an African-American director won for Best Picture; it was the first win for Supporting Actor for a Muslim; it was the first win for a picture about someone in the LGBTQ community, and the first Best Foreign Film win for someone who was not there in protest of a travel ban instituted by the President of the United States. Sometimes it is difficult to remember from year to year who won Best Picture, but the “Moonlight” – “La La Land” flub will forever be in our collective memories.

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Oscars 2017: We Need More Creativity on Stage! — Katherine Brodsky comments (Exclusive)

Oscars 2017: We Need More Creativity on Stage! — Katherine Brodsky comments (Exclusive)

This year had several worthy nominees and they were well-recognized. Although as a whimsical musical fan, I was rooting for “La La Land” as Best Picture, having finally caught up on “Moonlight” a few nights prior, I recognized what a great film it was as well. But here’s a sad fact: This year’s Oscar ceremony will be remembered most for the hiccup at the end rather than anything in between. Every year, I tune in to the Oscars telecast hoping for a great show, thinking that this year will be the one.

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Oooops! Oscars 2017 As Seen from the Pressroom — Jeanne Wolf (Exc;usive)

Oooops! Oscars 2017 As Seen from the Pressroom — Jeanne Wolf (Exc;usive)

What???? What’s going on? How could this happen? What went wrong? WOW! Oh my God! The F word flying in the air.

In such a wild – lightning bolt of a moment minds explode with a jumble of reactions and parallel narratives. Nervous laughter, adrenaline driven shouts, everyone guessing at an explanation, asking each other for an urgent reality check.

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Iran’s Oscar-Winning THE SALESMAN — Review by Susan Granger

Iran’s Oscar-Winning THE SALESMAN — Review by Susan Granger

Iran’s Oscar-winner for Best Foreign Language Film is another marital drama from Oscar-winner Asghar Farhadi (“The Separation”). When Emad (Shahab Hosseini) and Rana (Taraneh Alidoosti) Etesamis are forced to evacuate their crumbling Tehran apartment, they move into a more dilapidated abode, one that was previously occupied by a single woman with a young child. The clutter she left behind when she was evicted gives subtle clues as to who she is and the promiscuous life she led. She’s described as “a woman with lots of acquaintances…who lived a wild life.” Read on…

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Oscar 2017 Predictions — Susan Granger

Oscar 2017 Predictions — Susan Granger

Every film year acts as a mirror & reflects the tenor of the times. When the Oscars began in 1929 to celebrate the motion picture industry, the winner was William Wellman’s anti-war “Wings.”

The subsequent Depression years celebrated character studies like “Grand Hotel,” “The Great Ziegfeld” and “Rebecca.” After the turmoil of Kennedy’s assassination, the Academy chose light-hearted fare like “Tom Jones,” “My Fair Lady,” and “Oliver!” And in 2000, the last time a Republican won the White House, after losing the popular vote, “Gladiator” won the Oscar.

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Oscars and Movies and Targeting Millennials — Michelle McCue comments

Oscars and Movies and Targeting Millennials — Michelle McCue comments

The Academy of Motion Pictures Arts and Sciences has announced – to widespread chagrin– that the press and publicists would no longer be a part of the annual tradition of being at AMPAS headquarters in Beverly Hills at the Samuel Goldwyn theater when the Oscar nominations are revealed on January 24.

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AWARDS INTELLIGENCER: Please stand by….

AWARDS INTELLIGENCER: Please stand by….

Thank you for following AWARDS INTELLIGENCER! We are on haitus until the arrival of the next awards season. Meanwhile, here’s to a new year full of great movies, greater equality and diversity in the biz and on screen and your ongoing fascination with and delight in cinema!

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Rooney Mara’s Evolution With Clues from Cate Blanchett, Todd Haynes – Quendrith Johnson comments

Rooney Mara’s Evolution With Clues from Cate Blanchett, Todd Haynes – Quendrith Johnson comments

To hear fellow Oscar-nom, two-time winner Cate Blanchett, gush about her Best Supporting Actress and Carol consort Rooney Mara, is almost as shocking as when Blanchett uses the word “startling” to describe Mara’s acting chops. Next “The Great Cate,” a woman many Oscar watchers believe will one day match or best Katharine Hepburn in lead wins, cobbles together some descriptive sentences worthy of a literary titan…

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