The Academy’s 90th Oscars: Latest Round Of Contenders for Best Foreign Film — Michelle Hannett reports

The Academy’s 90th Oscars: Latest Round Of Contenders for Best Foreign Film — Michelle Hannett reports

On December 19, AMPAS announced that nine feature films will advance to the next round of voting in the Foreign Language Film category. Ninety-two films had originally been considered in the category. Foreign Language Film nominations for 2017 are determined in two phases.
The Phase I committee, consisting of Los Angeles-based Academy members, screened the original submissions in the category between mid-October and December 11. The group’s top six choices, augmented by three additional selections voted by the Academy’s Foreign Language Film Award Executive Committee, constitute the shortlist. Continue reading…

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Iran’s Oscar-Winning THE SALESMAN — Review by Susan Granger

Iran’s Oscar-Winning THE SALESMAN — Review by Susan Granger

Iran’s Oscar-winner for Best Foreign Language Film is another marital drama from Oscar-winner Asghar Farhadi (“The Separation”). When Emad (Shahab Hosseini) and Rana (Taraneh Alidoosti) Etesamis are forced to evacuate their crumbling Tehran apartment, they move into a more dilapidated abode, one that was previously occupied by a single woman with a young child. The clutter she left behind when she was evicted gives subtle clues as to who she is and the promiscuous life she led. She’s described as “a woman with lots of acquaintances…who lived a wild life.” Read on…

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Que Horas Ela Volta? Or, Powerhouse Director Anna Muylaert’s Contender from Brazil

Que Horas Ela Volta? Or, Powerhouse Director Anna Muylaert’s Contender from Brazil

Sometimes you see a film and think, ‘is it just me, or is this movie really good?’ And, in the case of Brazilian Director Anna Muylaert’s new film Que Horas Ela Volta?, titled The Second Mother for US audiences which opened this past weekend, it’s clearly a critical hit. Meaning other critics and reviewers have weighed in with surprise and delight. But this politics-of-the-nanny story is made all the more remarkable once you get a chance to talk with the filmmaker.

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