Jennifer Merin

Jennifer Merin is the Film Critic for Womens eNews and contributes the CINEMA CITIZEN blog for and is managing editor for Women on Film, the online magazine of the Alliance of Women Film Journalists, of which she is President. She has served as a regular critic and film-related interviewer for The New York Press and About.com. She has written about entertainment for USA Today, The L.A. Times, US Magazine, Ms. Magazine, Endless Vacation Magazine, Daily News, New York Post, SoHo News and other publications. After receiving her MFA from Tisch School of the Arts (Grad Acting), Jennifer performed at the O'Neill Theater Center's Playwrights Conference, Long Wharf Theater, American Place Theatre and LaMamma, where she worked with renown Japanese director, Shuji Terayama. She subsequently joined Terayama's theater company in Tokyo, where she also acted in films. Her journalism career began when she was asked to write about Terayama for The Drama Review. She became a regular contributor to the Christian Science Monitor after writing an article about Marketta Kimbrell's Theater For The Forgotten, with which she was performing at the time. She was an O'Neill Theater Center National Critics' Institute Fellow, and then became the institute's Coordinator. While teaching at the Universities of Wisconsin and Rhode Island, she wrote "A Directory of Festivals of Theater, Dance and Folklore Around the World," published by the International Theater Institute. Denmark's Odin Teatret's director, Eugenio Barba, wrote his manifesto in the form of a letter to "Dear Jennifer Merin," which has been published around the world, in languages as diverse as Farsi and Romanian. Jennifer's culturally-oriented travel column began in the LA Times in 1984, then moved to The Associated Press, LA Times Syndicate, Tribune Media, Creators Syndicate and (currently) Arcamax Publishing. She's been news writer/editor for ABC Radio Networks, on-air reporter for NBC, CBS Radio and, currently, for Westwood One's America In the Morning. She is also a member of the Broadcast Film Critics Association. Read Merin's recent articles below. For her complete archive, type "Jennifer Merin" in the Search Box (upper right corner of screen).

 

Articles by Jennifer Merin

 

AWFJ Welcomes Ten New Members in 2018

At the beginning of each year, the Alliance of Women Film Journalists invites several women to join our organization. In 2018, we are delighted to welcome a diverse group of nine outstanding women film journalists to our organization. Please visit their AWFJ Member Pages and Archives to get to know each of them and sample their work. Continue reading…

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MOVIE OF THE WEEK December 29: Best Female Characters of 2017

motw logo 1-35With thanks to all of the movie industry women and men who’ve birthed them and brought them into our consciousness, Team #MOTW focuses attention on some of the brilliant female characters who’ve joined our pantheon of feminist film goddesses during 2017. A legion of strong, complex, and compelling fictional, truth-based and real life women have shared their struggles, aspirations and accomplishments with us. Their various stories represent every aspect of feminist activism for equality and justice. They give us insight, strength and inspiration. Browse our #MOTW roster for an overview of this year’s list of great female characters, and for Team #MOTW favorites, continue reading….

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MOVIE OF THE WEEK December 22: HO HO HOLIDAY VIEWING

motw logo 1-35This year’s MOTW roster has been dominated by films that present stories about every aspect of women’s struggles for equality and about other serious social issues that demand our attention. But late December is a good time for a bit of seasonal levity. And so we present for your enjoyment Team MOTW’s wonderfully varied list of recommended films for ho ho holiday viewing. The #MOTW roster features romance, comedy, thrills and lots of food. The films are upbeat, inspiring and spirited, although not all directly connected to traditional celebrations. Wonder what’s in store? Continue reading…

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AWFJ 2017 EDA Awards: Timeline and Categories

eda award cert blankThe Alliance of Women Film Journalists’ presents annual EDA Awards to recognize excellent work by and about women, in front of and behind the camera. 2017 marks the EDA Awards’ tenth anniversary. AWFJ presents three types of year-end awards. Standard “Best of” and “Female Focus” categories are presented annually, while “Special Mention” categories vary each year in response to the year’s crop of films, and usually include Actress Most In Need of a New Agent, Best Nudity and similar categories unique to the year end AWFJ EDA Awards. Continue reading...

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Whistler Film Festival Women on Top Summit Keynote Address — Valerie Creighton (Guest Post)

valerie-creightonThe Minister of Canadian Heritage recently announced Creative Canada, a new approach to support creativity and content making in the country. A critical piece of her announcement was the increase in federal contributions to the Canada Media Fund in 2018/2019. While this is not new money, it will offset the gap from declining cable, and direct to home revenue created by cord-cutting and cord-shaving. It was a huge accomplishment for a Cabinet Minister to achieve this commitment and announce it prior to the upcoming budget year. Anyone involved in the making of content in this country that access’s the Canada Media Fund has something to celebrate in that achievement. Continue reading on THE FEMALE GAZE

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AWFJ EDA Awards @ Whistler Film Festival: The Winners – Jennifer Merin reports

whistler logo 2017Whistler Film Festival continues to stand out as an especially female friendly environment for filmmakers, with intensive programs for collegial networking, productive mentorships and the spirit-raising Women on Top Summit. And, AWFJ recognizes the superb women’s programming with presentation of EDA Awards for female-directed films. Continue reading…

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Women Filmmakers Rise to the Top at Whistler Film Festival 2017 — Jennifer Merin reports

whistler logo 2017At a time when the call for gender parity is more prevalent than ever, the Whistler Film Festival 2017, taking placed from November 29 to December 3, will screen 14 feature films and 16 short films directed by women, which makes up 30% of this year’s film programming, the highest percentage for the festival to date. Continue reading…

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IDFA 2017: The Female Gaze is Gone — Jennifer Merin reports

idfa 2017 ;ogoInternational Documentary Film Festival Amsterdam, otherwise known as IDFA, has accomplished during the decades since it was co-founded by Ally Derks, who is rightly revered in the documentary film realm. But Ally Derks has moved on, and IDFA is changing its outlook. This year, the festival dropped its The Female Gaze program and is, apparently, no longer focusing on ongoing issues of gender parity faced by the international community of women filmmakers. Continue reading on CINEMA CITIZEN

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EDA Awards @ Whistler Film Festival: Feature and Shorts Nominees Announced — Jennifer Merin reports

whistler logo 2017The Alliance of Women Film Journalists and Whistler Film Festival are proud to announce the nominees for two AWFJ EDA Awards to be presented at the 2017 festival. This is the fourth consecutive year of the partnership between Whistler Film Festival and AWFJ to honor films directed by women. Whistler Film Festival nominates films for consideration. Juries are comprised of AWFJ members. The winners will be announced and the EDA Awards will be presented at the festival’s awards ceremony on December 3, 2017. Continue reading…

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Claire Ferguson Talks Storytelling, Trauma and Team Work in DESTINATION UNKNOWN –Jennifer Merin interviews

Claire FergusonIn Destination Unknown, British documentary filmmaker Claire Ferguson’s interviews with Holocaust survivors captures on film the most intimate and painful memories of traumas experienced in the Nazi death camps and the ongoing suffering they have caused throughout the victims’ lives. The survivors’ vivid descriptions are supported by archival footage. The combination of current testimony from surviving elders with images of what they lived through is absolutely devastating. Destination Unknown is an important addition to the canon of Holocaust films. Read what filmmaker Claire Ferguson has to say about making the film and the responsibilities of documentary filmmakers. Continue reading on CINEMA CITIZEN

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Guest Post: Filmmaker Chanda Chevannes on Making UNFRACTURED, Activism and Refusing to ‘Play the Part’ (Exclusive)

chandra head smallOn a chilly November evening in 2014, I was sitting in a rental car outside the county jail in Watkins Glen, New York. My video camera was turned on, and resting in my lap. I had already set my white balance, exposure, and focal length. And since I had nothing to do but sit in the dark parking lot and wait, a steady stream of thoughts began to run through my mind. Or, more accurately, one thought raced around in there: Why am I doing this to myself? In the four years it took me to make my new feature documentary, I asked myself that question over and over again. Continue Reading on THE FEMALE GAZE.

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Women Honored at the Critics Choice Documentary Awards — Jennifer Merin reports

ccda200Jane (as in Goodall) was awarded the top honor of Best Documentary and filmmaker Ceyda Torun’s Kedi won the award for Best First Documentary at the second annual Critics’ Choice Documentary Awards gala, held on November 2 at BRIC in Brooklyn, New York. Continue reading…

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MOVIE OF THE WEEK: Best Femme-Helmed, Femme-Centric Films of 2017, November Update

motw logo 1-35Focusing specifically on films directed by women as well as those featuring strong female lead characters and female-centric stories, AWFJ’s Team #MOTW has endorsed more than 40 exceptional films during 2017, to date. Because we pick only one film per week for #MOTW endorsement, we’ve had to pass up a good number of superb films that qualified, but were not our collective top choice. In August we paused to list the Best Femme-Helmed, Femme-Centric Film of 2017, to Date, including #MOTW selections and others we’d particularly liked. Now that awards season is beginning, we’re updating that list to include films released from August through the end of October. Continue reading…

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Heidi Ewing and Rachel Grady talk ONE OF US and Partnering with Netflix — Jennifer Merin interviews

grady ewing 3In One of Us, filmmakers Heidi Ewing and Rachel Grady investigate the unique lifestyle of Brooklyn’s Hassidic community. Presented in Ewing and Grady’s signature style, the highly dramatic stories of two men and a woman who want to leave the community reveal a complex and arcane culture that exists right in our midst, but is largely unknown to outsiders. Ewing and Grady talk about making One of Us and changes in documentary filmmaking during the 15-year span of their partnership. Continue reading on CINEMA CITIZEN.

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AWFJ is Heading for Whistler Film Festival, Nov 29- Dec 3 — Jennifer Merin reports

whistler logo 2017The Alliance of Women Film Journalists will present two juried EDA Awards for the Best Female-Directed Feature and Short Films at this year’s Whistler Film Festival (WFF) taking place from November 29 to December 3. This is the fourth consecutive year in which AWFJ has partnered with the Whistler Film Festival to honor the work of female directors whose films are being presented. Continue reading…

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JESUS CAMP — Documentary Retroview by Jennifer Merin

Jesus Camp posterDon’t mistake Jesus Camp for Godspell! Even though it’s not a thriller, Jesus Camp is a truly terrifying film. It is, in fact, a purely observational documentary, one that serves as a galvanizing cautionary revelation about Evangelical indoctrination of children in heartland America. Framed by Justice Sandra Day O’Connor’s resignation and confirmation of ultraconservative Samuel Alito as her successor, we witness home-schooled preteens, Levi (12), Rachael (9) and Victoria (10) delivered by their Evangelical parents unto Bible camp at Devil’s Lake, ND, where Pentecostal Children’s Minister Becky Fischer ‘hooks them up’ (her words) with Jesus. Continue reading…

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THE BEACHES OF AGNES — Retroview by Jennifer Merin

beaches of agnes posterIn The Beaches of Agnes (Les Plages d’Agnes), the legendary French filmmaker (who directed the narrative Cleo From Nine to Five and documentary The Gleaners, among other classics) revisits her childhood, presents footage of her young womanhood and tells of the start of her career as a photographer and cinematographer, of her eventual marriage to French New Wave director Jacques Demy and motherhood, and brings us up to the present. Mme Varda is 80 years old as this film releases theatrically in the U.S. in July, 2009, and she’s still going strong. Very strong. Continue reading…

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Guest Post: Dr. Albertine Fox on Sight, Sound and Feminst Perception in the Movies (Exclusive)

albertine fox 3In her soon-to-be published book, Godard and Sound: Acoustic Innovation in the Late Films of Jean-Luc Godard, Dr. Albertine Fox focuses on the iconic French director’s filmography to introduce her striking analysis of how the integration of disparate elements of sight and sound bring audiences to a heightened, transformative level of perception. In her exclusive commentary about writing the book, Dr. Fox connects sight and sound interplay to currently trending concerns about women’s representations and issues about diversity in cinema. Continue reading…

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GERMANS AND JEWS — Review by Jennifer Merin

germansandjewsNow streaming online and available on DVD, Germans & Jews, a documentary by Janina Quint and Tal Recanati, is a revelation about the contemporary cultural connection between two groups of people with a devastating history of division. It compares current trends in personal identification, political expectations and social stereotyping to those which existed during the 1930s and 40s, as prelude and during the Nazi regime. Continue reading on CINEMA CITIZEN

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Yance Ford on STRONG ISLAND, Grief and Injustice — Jennifer Merin interviews

yance ford headYance Ford has been an influential member of the documentary film community for some years, working as a programmer for POV and commissioning the works of others. With Strong Island, he turns his smarts and skills to making in a highly personal documentary about the murder of his brother and the impact that heinous event had on his family. He sat down with me to discuss Strong Island, rage and grief, injustice and wonderment. Continue reading on CINEMA CITIZEN

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The Evolution of FlickFilosopher.com — Jennifer Merin reports

When MaryAnn Johanson began her popular FlickFilosopher.com twenty years ago, internet film criticism was in its infancy. Reviewing screenshots taken of the site’s homepage over the past two decades shows how MaryAnn grew the site, responding to tech changes and to evolving formats for presentation. She set a distinctive style for herself and has continually pushed the envelope for other film bloggers. Continue reading…

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MOVIE OF THE WEEK: Best Femme-Helmed, Femme-Centric Films of 2017, To Date

motw logo 1-35Focusing specifically on films directed by women as well as those featuring strong female lead characters and female-centric stories, AWFJ’s Team #MOTW has endorsed 31 exceptional films during 2017, to date. Because we pick only one film for our Movie of the Week endorsement, we’ve actually had to pass up a good number of other superb films that qualified, but were not our collective top choice. Now that we’ve arrived at the midway point in this year’s release schedule, we’re pausing to look back at all the films we’ve considered for #MOTW endorsement, and we are pleasantly surprised to note the volume of wonderful films made by and about women. Continue reading…

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Melbourne International Film Festival 2017′s PIONEERING WOMEN Program — Jennifer Merin reports

miff logo 1The success of Jennifer Kent’s The Babadook (2014) focused international attention on Australian women filmmakers. Australia’s film feminism is being celebrated this year in special programming at the country’s two major film festivals — in the upcoming Melbourne International Film Festival’s (MIFF, August 3-30, 2017) focus on female-directed films from the 1980s and 90s, and with the just finishing Sydney Film Festival’s (June 7-18, 2017) roster of femme-helmed films from the 1960s and 70s. Continue reading

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500 YEARS — Review by Jennifer Merin

pamela yates 500 years poster500 Years is the third  and final film in Pamela Yates‘ extraordinary documentary series about the Mayan people’s ongoing struggle for equality and justice in Guatemala. With her politically-charged trilogy, Yates has actually changed the course of history. 500 Years is the culmination of 35 years of filmmaker dedication to coverage of a pressing social and political issue. Stand alone or viewed with its companion films, it is a masterful example of how movies can make a difference. The film and its companion documentaries are must-sees for anyone who is interested in understanding current events and the role media can play in shaping them. Continue reading on CINEMA CITIZEN

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THE FEMALE GAZE: Pamela Yates talks THE RESISTANCE SAGA, documentary commitment and challenges — Jennifer Merin interviews

pamela yates reelPamela Yates makes documentaries that make a difference. Some 35 years in the making, Yates’ The Resistance Saga, a trilogy about the Mayan people’s human rights struggle in Guatemala, actually helped change the course of history in that country. Footage from the first film became forensic evidence to convict former Guatemalan dictator Efrain Rios Montt of crimes against humanity. Montt’s trial was covered in the second film, The final film, which updates us while setting the saga within the context of a long history of exploitation, abuse and genocide, opens theatrically on July 12. Read what Pamela Yates says about her career, and the challenges and opportunities inherent in documentary filmmaking on THE FEMALE GAZE.

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