MaryAnn Johanson

MaryAnn Johanson is a freelance writer on film, TV, DVD, and pop culture from New York City and now based in London. She is the webmaster and sole critic at FlickFilosopher.com, which debuted in 1997 and is now one of the most popular, most respected, and longest-running movie-related sites on the Internet. Her film reviews also appear in a variety of alternative-weekly newspapers across the U.S. Johanson is one of only a few film critics who is a member of The International Academy of Digital Arts and Sciences (the Webby organization), an invitation-only, 500-member body of leading Web experts, business figures, luminaries, visionaries and creative celebrities. She is also a member of the Online Film Critics Society. She has appeared as a cultural commentator on BBC Radio, LBC-London, and on local radio programs across North America, and she served as a judge at the first Science Fiction, Fantasy and Horror Film Festival at the 2003 I-Con, the largest SF convention on the East Coast. She is the author of The Totally Geeky Guide to The Princess Bride, and is an award-winning screenwriter. Read Johanson's recent articles below. For her Women On Film archive, type "MaryAnn Johanson" in the Search Box (upper right corner of screen).

 

Articles by MaryAnn Johanson

 

YOU’VE BEEN TRUMPED and YOU’VE BEEN TRUMPED, TOO – Review by MaryAnn Johanson

trumped Even before construction began on the Aberdeenshire golf resort, Trump and his machine started harassing locals who wouldn’t sell up. Oh, it’s not that Trump wanted to build on their land; Trump just didn’t want the guests in his hotel and timeshare residences having to suffer the trauma of looking out their windows and seeing the “disgusting” “slumlike” residences of locals nearby. “He lives like a pig,” Trump said publicly about farmer Michael Forbes’s land, which is a working farm: there’s nothing “slumlike” or “disgusting” about it, except, perhaps, to a man who has never done a day of physical labor in his life and doesn’t even know what that would look like. Read more>>

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AQUARIUS – Review by MaryAnn Johanson

aquariusposter A two-and-a-half-hour ode to an apartment? Among the many marvelous things about Brazilian filmmaker Kleber Mendonça Filho’s drama about a slow-burn battle between a woman and the construction company trying to drive her from her home is that it flies by: every moment is beautifully necessary to the vital story it wants to tell and the melancholy mood it wants to create. It is an absolute joy to spend time with Clara: the amazing Sonia Braga makes her burn with a fierce intelligence and a lively sensuality… Read more>>

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I, DANIEL BLAKE – Review by MaryAnn Johanson

idanielblakeposter When I say that I, Daniel Blake is not just a movie, I’m talking about something on a whole ’nother level. This is a fictional story, yes, but it is about truth with a capital T, and about facts with a big ol’ F (you) to those who would like to deny the harsh realities of the lives of far too many people in what is supposedly one of the most advanced nations on the planet. Daniel Blake is lefty and loud and proud (and heartbreaking and infuriating with it). The sneering disparagement with which some of the right-wing press in the UK has greeted this movie is proof enough that its blistering power is unignorable, even among those who would like to be able to ignore it… Read more>>

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THE GIRL WITH ALL THE GIFTS – Review by MaryAnn Johanson

girlallgiftsposter The Girl with All the Gifts opens with one of the most intense and disturbing sequences I’ve ever seen onscreen. Children kept in a bare, gray prison like Guantanamo Bay; given disgusting things to eat; shouted at by adult guards with cruelty in their voices; strapped into wheelchairs; pushed with careful, fearful precision to be lined up in a grim classroom for their daily lessons. It’s a nightmare scenario, apparently an institutional abuse of children. But their teacher, Miss Justineau is more than kindly, not at all the despot you might expect in such an environment. Far more bewildering, young Melanie, around 10 years old, seems happy and eager to learn, smiling cheerily from around the headgear that keeps her immobilized. Read more>>

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BRIDGET JONES’S BABY – Review by MaryAnn Johanson

bridgetbabyposter Bridget Jones — the woman who once served blue plastic soup to her friends, isn’t that adorable? — is back. God help us. She is 43 years old, and both unmarried and childless, which many women would consider a blessing. But not Bridget Jones! She continues to fret about being a “spinster” and a “barren husk,” because in her head, the year is 1953, or maybe even 1853, and not 2016. She worries about coming across to men as a “verbally incontinent old maid”; she really does believe that the ideal woman is young, married, and keeps her mouth shut. While it is true that there are people in the world who hold to such nonsense — including, shockingly, some women! — the self-hatred it takes for a woman to apply this to herself is not endearing. Read more>>

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EQUITY – Review by MaryAnn Johanson

Equity_27X40_OS_Final_061416.indd To say that Wall Street shenanigans are well storied onscreen is both an understatement and a misdirection. Sure, there have been lots of movies (and documentaries) set in the world of high finance… and as with nearly ever other human endeavor that gets depicted in film, most of them are about men. Even in movies about Big Money based on real-life events in which women played significant roles, women’s contributions tend to get glossed over or eliminated entirely; see The Big Short. We may think we’ve got a good grip on how Wall Street operates based on the movies we’ve seen, but we’ve only gotten half the story. Read more>>

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MECHANIC: RESURRECTION – Review by MaryAnn Johanson

mechanicresurrectionposter About halfway through the idiotic dumbness that is Mechanic: Resurrection, I found myself drifting into a feminist reverie. What if (I imagined, fancying myself in a better, smarter, kinder world) Jessica Alba’s Gina here were the mastermind pulling all the strings behind the scenes? What if, instead of the damsel in distress she appears to be, she is in fact manipulating all the overgrown boys with guns who get off on throwing violent tantrums, twisting them so that instead of spewing their deep-rooted anger and otherwise unexpressed self-hatred outward at innocents, they turned it on one another for the benefit of increasing the overall happiness of the world? Read more>>

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THE INTERVENTION – Review by MaryAnn Johanson

interventionposterThe Intervention is the tale of four couples coming together for a party weekend, and though one is a lesbian couple, that still leaves three men in the mix whose manpain could end up dominating the story, as typically happens. Not here. This is all about the relationship problems of two women — problems they won’t even admit to themselves exist, never mind problems they’re avoiding — even as they plan to try to fix the marriage of a third woman. The wisely observant script — by star Clea DuVall, who also makes her debut as director — is all about that push-and-pull desire to help our friends while also trying to avoid hurting them in the process… Read more>>

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BABY FACE (1933) – Review by MaryAnn Johanson

babyfaceposter Baby Face is a 1933 Hollywood film from the moment just before the so-called Hays Code, which had been created in 1929 but hadn’t had much in the way of teeth, began to be seriously enforced. This movie may represent the pinnacle of cinematic “offenses” that pre-Code films committed that had conservatives and self-appointed morality police up in arms: Baby Face is blatantly, openly about sex in a way that few movies ever are, even today. Even “worse,” it’s about a woman using the power of sex to get ahead in the world. Whether or not Baby Face was seen in 1933 as a progressive portrait of the challenges women faced in a world run by men is difficult to gauge. I would guess not. Read more>>

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GHOSTBUSTERS – Review by MaryAnn Johanson

ghostbusters-poster-kate-mckinnon Holy moly, Kate McKinnon has gone and created an instantly iconic new character in gleefully reckless physicist and tinkerer Jillian Holtzmann. Little girls and grownup women alike are, I guarantee you, going to be merrily cosplaying a gal who is simultaneously a snappy dresser, a devil-may-care snarkster, a master of the mysteries of the universe, and a creator of cool crap that goes boom. Holtzmann is nothing like any female character The Movies have ever seen. She is powerful in a way that has nothing to do with her appeal to men. She is brainy comic mayhem… Read more>>

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THE PIONEERING WOMEN OF DOCUMENTARY FILM – Essay by MaryAnn Johanson

osajohnsonWhen we talk about the early years of cinema, there is no separating “the history of women in film” from “the history of film.” Women have been there from the beginning, and have shaped the medium in transformative ways. The idea that films could tell stories as opposed to documenting reality was hit upon by a woman, Alice Guy-Blaché, who made the very first narrative movie, in 1896. And the filmmaker who arguably created the modern documentary form was Leni Riefenstahl with 1935’s Triumph of the Will. Women have always gotten short shrift when it comes to acknowledging their contributions, but that’s not a reflection of the inestimable value of their work. Movies simply would not look and feel the way they do today without the input of women artists and innovators. Read more>>

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WEINER – Review by MaryAnn Johanson

weinerposter The gods of comedy surely were feeling beneficent when they arranged for a politician named Weiner to be caught in a scandal kicked off by his accidentally public tweet of a photo of his penis that was meant to be privately DM’d to a fangirl. The career trajectory of John Oliver alone confirms this: he transformed a 2013 summer fill-in hosting job on The Daily Show, one that was initially greeted with trepidation by Jon Stewart’s fans, into his own show, now an HBO and viral-video hit… and that is down to (among other clever bits) his appropriation of Weiner’s nom de sexting, Carlos Danger — yes, really *facepalm* — for comedic purposes… comedic purposes that slayed. Read more>>

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MARGARITA WITH A STRAW – Review by MaryAnn Johanson

margaritastrawposter I first saw the wonderful Margarita with a Straw at London Film Festival in 2014, and it has stuck with me in a way that few films do. So while I’m hugely disappointed that the film has not gotten the significant theatrical release that it deserves, I’m delighted that it is now available on demand… and particularly just at this moment, because Margarita is the absolutely perfect antidote to the disability pity porn that is Me Before You. Read more>>

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FLORENCE FOSTER JENKINS – Review by MaryAnn Johanson

florencefosterjenkinsposter Typical. You wait forever for a movie about Florence Foster Jenkins, and then two come along at once. It’s easy to see what drew multiple filmmakers to her: She’s a great story. Jenkins was a real person, a rich socialite and music lover who lived in New York in the early 20th century and enjoyed performing amateur operatics, which is all well and good, except she was a terrible singer: always off-key, probably tone-deaf, and worst of all, she chose really difficult pieces to sing that would have challenged even talented professionals. She died in 1944, having given only one truly open-to-the-public performance, but recordings of her “singing” live on. Unfortunately. Read more>>

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WHERE ARE THE WOMEN PROJECT: CRUNCHING THE NUMBERS – by MaryAnn Johanson

watwmainSOver the past 16 months, I examined 295 current-release films — including every US wide release of 2015 — for their representation of women, using criteria I designed that go way beyond the Bechdel Test. The project has now finished, and the results are, I believe, more nuanced and more in-depth than any similar project has previously found. Some of the results (such as how few films feature female protagonists) won’t be surprising. Some of the results (such as the profitability of films about women) may be. Read more>>

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REQUIEM FOR THE AMERICAN DREAM and THE DIVIDE – Review by MaryAnn Johanson

requiemamerdreamposter Are you angry? Are you angry about everything? Are you angry about how you haven’t had a real raise in 10 years yet the price of everything keeps going up? Are you angry because it feels like you will never pay off your student loans? Are you angry because there’s no way in hell you will ever enjoy the same standard of living as your parents did? Are you angry because all of our public endeavors and infrastructures seem to be falling apart, with no way to fix them in sight? Are you angry that it seems like you don’t have a voice in how the world is run and yet you’re made to pay, in all sorts of ways, for its failures? Read more>>

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THE SYNDROME – Review by MaryAnn Johanson

syndromeposter We’re all familiar with “shaken baby syndrome” from fictional crime dramas and the 1997 Boston trial of nanny Louise Woodward, convicted of killing an infant in her care by, allegedly, shaking him so hard it caused severe brain injury. But does SBS even exist as a scientifically valid phenomenon? Or is it hysteria built on junk science? Award-winning journalist Susan Goldsmith, who has specialized in covering child abuse and larger societal issues surrounding the treatment of children, teams up with first-time filmmaker Meryl Goldsmith for a film that may lack the slickness we’ve come to expect from modern newsy documentaries but makes up for that with its smartly dispassionate and skeptical look at SBS. Read more>>

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MIDNIGHT SPECIAL – Review by MaryAnn Johanson

midnight-special-poster There’s some very good storytelling advice that applies no matter what medium you’re telling your story in (film, novel, comic book, whatever): Jump into the action as late in the game as possible. And wow, did Jeff Nichols take that advice to a delicious extreme with Midnight Special. We are dumped right into the middle of what would be, in a more conventional movie, the third act — that is, the final sequence that is racing the story toward its resolution. There is no setup here because we don’t need it: we’ve seen enough stories like this one to guess at the rough outline, and Nichols has no interest in covering already well-trod ground or wasting time with details that are superfluous. Read more>>

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MARGUERITE – Review by MaryAnn Johanson

margueriteposter Very loosely inspired by amateur opera signer Florence Foster Jenkins — soon to be the subject of a Stephen Frears biopic starring Meryl Streep — Marguerite is a marvel, a bravura dramedy that beautifully balances tragedy and comedy to the point where you can’t be sure which is which. In Paris, 1920, socialite Marguerite Dumont (Catherine Frot) does not see the sarcasm in a review by newspaper music critic of her screeching operatic performance at a private charity event. An ardent music lover and profoundly passionate collector of theatrical costumes, sheet music, and other memorabilia, Marguerite has been deceived by all around her about the stupendously off-key awfulness of her singing. Read more>>

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MY BIG FAT GREEK WEDDING 2 – Review by MaryAnn Johanson

greekwedding2poster I recently rewatched the original My Big Fat Greek Wedding, which I enjoyed back in the day but had not seen since it was new in 2002. And it holds up well: it’s not perfect, and it’s a bit too heavy on the ethnic humor and sitcom schtick, but at its core there is a sweet story about a young woman coming out of her shell and finding herself in a way that her loving but overbearing family hadn’t allowed her to do before. That’s not the sort of story we often see in mainstream Hollywood films, and that may be why the movie was such a huge success: it gave voice to a sort of character who doesn’t typically get a voice on the big screen, and underserved women moviegoers longing to see something of their own lives reflected in a movie responded to that. Read more>>

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THE MERMAID – Review by MaryAnn Johanson

mermaidposter What are the biggest movies on the planet right now? If you said 1) Star Wars: The Force Awakens and 2) Deadpool, you’d be correct. But you may have trouble guessing No 3, because it has barely made a blip in North America or the U.K. The Mermaid has, however, just passed the half-a-billion (in U.S. dollars) mark at the Chinese box office, after less than a month in release; it’s the first film ever to take in so much across any length of time there, and it’s waaay more than Star Wars has earned there. (Deadpool has been banned from Chinese cinemas due to its graphic content, so it won’t get a chance to compete.) Read more>>

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HAIL, CAESAR! – Review by MaryAnn Johanson

hailcaesarposter Hail, Coens! Even when their films aren’t entirely successful — as Hail, Caesar! is not — they are always fascinating to watch and to ponder. This one is in the same realm as The Hudsucker Proxy and O Brother, Where Art Thou? and Burn After Reading for its exuberant joie de cinema. Hail is a helluva lot of fun… but it’s too scattershot to ever settle on saying the things it has to say, and it never gives most of its many characters — too many, probably — room to work as stand-ins for the ideas the Coens want to explore. Read more>>

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ANOMALISA – Review by MaryAnn Johanson

anomalisaposter The story that Anomalisa tells is, in fact, at its core, pretty same-old. (It’s a male midlife crisis thing, which is, for some reason that is downright mysterious, a theme that intellectual middle-aged male filmmakers return to again and again.) The way it tells that story, however, turns it into an astonishing, even perception-altering experience. It could infect the way you see the real world in a way that is hard to shake. It represents a startling use of animation to tell a story that no live-action film could tell… or at least not a live-action film that wasn’t so heavily CGI’d that it became more animated than live anyway. Read more>>

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WHAT’S UP, MISS SIMONE? – Review by MaryAnn Johanson

misssimoneposter I’m ashamed to admit that I knew almost nothing about the legendary Nina Simone beyond the barest outlines of the legend: amazing singer, right? This powerful and intimate documentary has begun to rectify my ignorance. Using recently discovered audio recordings of interviews that Simone gave over many years — as well as new interviews with her family and friends, including her daughter, actress and singer Lisa Simone Kelly — veteran documentarian Liz Garbus crafts as deeply personal and as fresh a portrait as is possible when its subject has been dead for more than a decade (Simone died in 2003, aged 70). Read more>>

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HOW TO BE SINGLE – Review by MaryAnn Johanson

how to single poster Do you want to know how to be single? Do you need to know how to be single? I figure everyone in the world knows how to be single, because that’s how we all start out, but if you need some tips, these are the ones How to Be Single has for you:
= Be embarrassed to be unmarried. Be miserable constantly.
= Have no hobbies or friends that aren’t devoted to getting you paired off.
= Feel as if you must justify your singleness to complete strangers.
= If you are a woman, complain about how hard it is to find a man.
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