Gill Pringle

Gill Pringle began her career as a news reporter on Britain's famed Fleet Street, planning on changing the world, exposing injustice and covering war zones. Instead she became the editor of The Sun's legendary Bizarre column and, later, The Mirror's White Hot Club, travelling the world with Michael Jackson, U2 and Madonna. A growing passion for film prompted a move to Los Angeles 20 years ago where she interviews actors and filmmakers for leading broadsheet and magazine titles in the UK and Australia. Gill's outlets include The Independent, the i, Sunday Times, Woman, S Express Magazine, Saga, and The Herald in the UK, and Filmink, Stack, The West Australian,, Elle, Marie Claire, Cosmopolitan, Woman's Day, Stellar, Total Girl, K-Zone, Primolife and Yours in Australia.


Articles by Gill Pringle


Joan Chen at the International Film Festival & Awards Macao — Gill Pringle interviews

joan chenA female filmmaking pioneer, Chinese-born actress Joan Chen broke both race and gender barriers when she directed the May-November romance, Autumn in New York. Released in 2000, the well received film starred Richard Gere and Winona Ryder. Chen mentions taking strength from her female support teamm including editor Ruby Yang and casting directors Sheila Jaffe and Georgeanne Walken. “I didn’t think of myself as breaking down any doors at the time. I think I was so innocent. I didn’t think about my role as a woman film-maker. It seemed very simple to me – I saw a story I really wanted to tell and was determined to tell it. I was fearless. I’m still surprised there aren’t many more female directors,” muses Chen, 56, when AWFJ catches up with her at the International Film Festival & Awards Macao. Continue reading…

read more

SPOTLIGHT December, 2017: Angelina Jolie, Humanitarian Filmmaker

angelina with handWith award season already in full thrust, SPOTLIGHT asks: Has there ever been an A-list actress who has – in the prime of her career – choosen to promote not herself, but two films that tell stories about third world countries?

The actress doesn’t even play a role in either film, but opts instead to produce The Breadwinner, an animated story about a young Afghan girl who dresses as a boy in order to feed her family in Taliban-controlled Afghanistan, and to direct First They Killed My Father, an unflinching child’s view on the Khmer Rouge’s deadly rule in Cambodia.Continue reading…

read more

Belize International Film Festival 2017 — Gill Pringle reports

belize ffNow in its 12th year, the Belize International Film Festival has enjoyed growing success with every year, thanks to its founder and festival director Suzette Zayden. A Belizean native, her original goal with BIFF was to put Belize on the film map but also to engender connectivity between her fellow countrymen through film. Continue reading…

read more

At TIFF: New Zealand’s Maori Women Directors talk WARU — Gill Pringle reports

waru posterTold from the viewpoint of nine female filmmakers, Waru is the first feature film from New Zealand to be made by Maori women since Mereta Mita’s Mauri almost 30 years ago. Eight female Maori directors each contributed a ten minute vignette, presented as a continuous shot in real time, that unfolds around the tangi (funeral) of a small boy (Waru) who died at the hands of his caregiver. The vignettes are all subtly interlinked and each follows one of eight female Maori lead characters during the same moment in time as they come to terms with Waru’s death and try to find a way forward in their community. In Maori, waru means 8. Continue reading Gill Pringle’s exclusive report from TIFF on THE FEMALE GAZE

read more

Anne Hamilton talks Gender Politics, Career Moves and AMERICAN FABLE – Interview by Gill Pringle (Exclusive)

anne hamilton head 1Director Anne Hamilton was on a date with an agent after moving to Los Angeles three years ago, when he casually mentioned how female directors “paint better on small palettes”.

“I wanted to punch him!” recalls Hamilton, 32, whose debut feature film, American Fable is anything but small; a gothic-style suspense story presenting a desperate rural America rarely depicted on screen.

“I have a huge palette which I intend to use, and I want to be another female director who demonstrate that’s not the case,” says this protege of visionary film-maker Terrence Malick. Read on…

read more

Alex Kurtzman on Unwrapping THE MUMMY — Gill Pringle interviews

In the 2017, Universal is once again doing their darnedest to forge their old and much-loved monster properties into a unified and hopefully lucrative shared-world franchise. The Mummy is not necessarily the first such creature to come to mind, and first-time director Alex Kurtzman is not necessarily the first filmmaker, but the screenwriter-turned director tells us why he – and it – are the best possible choice. Read more>>

read more

Rufus Sewell on THE MAN IN THE HIGH CASTLE and Donald Trumph — Gill Pringle interviews

Rufus Sewell, 49, has received some of the best reviews of his career for his role as Obergruppenführer John Smith in Amazon Prime’s The Man in The High Castle. Loosely based on a Philip K Dick novel, it poses an alternative history of North America if the Nazis had won the Second World War. It’s little surprise that the Donald Trump campaign was one of the main advertisers on the show, about which he says, “I don’t think that’s an accident.” Read more>>

read more

Emily Blunt on THE GIRL ON THE TRAIN — Gill Pringle interviews

EMILY Blunt gasped in horror when she first saw her transformation into a blotchy-faced alcoholic trainwreck, the unlikely heroine of The Girl on the Train. “It was hard seeing myself look so awful. I came into work with no make-up and they would make me look even worse, adding rosacea and bags. I could barely look at my own reflection.” Read more>>

read more