Susan Granger

Susan Granger is a product of Hollywood. Her natural father, S. Sylvan Simon, was a director and producer at R.K.O., M.G.M. and Columbia Pictures; her adoptive father, Armand Deutsch, produced movies at M.G.M. As a child, Susan appeared in movies with Abbott & Costello, Red Skelton, Lucille Ball, Margaret O'Brien and Lassie. She attended Mills College in California, studying journalism with Pierre Salinger, and graduated from the University of Pennsylvania, Phi Beta Kappa, with highest honors in journalism. During her adult life, Susan has been on radio and television as an anchorwoman and movie/drama critic. Her newspaper reviews have been syndicated around the world, and she has appeared on American Movie Classics cable television. In addition, her celebrity interviews and articles have been published in REDBOOK, PLAYBOY, FAMILY CIRCLE, COSMOPOLITAN, WORKING WOMAN and THE NEW YORK TIMES, as well as in PARIS MATCH, ELLE, HELLO, CARIBBEAN WORLD, ISLAND LIFE, MACO DESTINATIONS, NEWS LIMITED NEWSPAPERS (Australia), UK DAILY MAIL, UK SUNDAY MIRROR, DS (France), LA REPUBBLICA (Italy), BUNTE (Germany), VIP TRAVELLER (Krisworld) and many other international publications through SSG Syndicate. Susan also lectures on the "Magic and Mythology of Hollywood" and "Don't Take It Personally: Conquering Criticism and other Survival Skills," originally published on tape by Dove Audio.

 

Articles by Susan Granger

 

THE HUNTER’S PRAYER — Review by Susan Granger

When her wealthy parents are murdered in their suburban New York, home, teenage Ella Hatto (Odeya Rush) is thousands of miles away at a posh Swiss boarding school, sneaking out to a trendy nightclub with her boyfriend Sergio, unaware that she’s next on the assassin’s hit list. Continue reading…

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THE WOMEN’S BALCONY — Review by Susan Granger

The highest-grossing film in Israel in the past three years, this good-hearted, yet provocative comedic drama is about the power of women in a battle against modern religious fundamentalism. Continue reading…

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SNATCHED — Review by Susan Granger

Goofy comedienne Goldie Hawn (“Overboard,” “Bird on a Wire”) hasn’t made a film in 15 years, so I was really looking forward to her return to the silver screen, particularly teaming up with fearlessly funny Amy Schumer. Reviving her obnoxiously neurotic “Teamwork” persona, Schumer plays Emily Middleton, a potty-mouthed loser whose rock-star boyfriend (Randall Park) dumps her just after she’s splurged on a ‘nonrefundable’ vacation-for-two at a resort in exotic Ecuador. Continue reading…

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THE DINNER — Review by Susan Granger

When teenagers commit a heinous crime, how should their parents react? That’s the ethical dilemma propelling writer/director Oren Moverman’s meandering morality play/meditation, based on Dutch novelist Herman Koch’s controversial bestseller, first published in the Netherlands in 2009. Continue reading…

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THE LOST CITY OF Z– Review by Susan Granger

Based on David Grann’s 2009 non-fiction best-seller, this saga chronicles the incredible adventures of a status-seeking British soldier, Col. Percy Fawcett (Charlie Hunnam), who explored the Amazon River a full century ago. Dispatched in 1906 by the aristocratic Royal Geographical Society, Fawcett’s mission is to map the dangerous, uncharted realms of eastern Bolivia, where it borders with Brazil. Continue reading…

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THE RED TURTLE — Review by Susan Granger

This 80-minute animated fable is memorable for its dazzling aesthetic and imaginative storytelling, which explains its Academy Award nomination. Beginning with a roiling sea, the story revolves around a man who is lost in the waves and washes up on a tropical island, seemingly inhabited only by birds and curious, scuttling sand crabs. As he explores the lush vegetation, thick forests and rock walls beyond the beach, he slips and falls into a crevasse. Instead of drowning in the water below, he finds a way out. And that’s only the first lesson he learns in coping with loneliness and the forces of nature around him. Read on…

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LIFE — Review by Susan Granger

Several years ago, renowned British scientist Stephen Hawking cautioned that contact with alien life could spell disaster for the human race: “If aliens ever visit us, I think the outcome would be much as when Christopher Columbus first landed in America, which didn’t turn out very well for the American Indians.” But Hawking’s grim warning has not deterred cosmic exploration. Read on…

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THE BELKO EXPERIMENT — Review by Susan Granger

What does it take to survive at work? That’s the question posed by this psychologically provocative horror/thriller, set in a factory in Bogota, Colombia, where 80 of Belko Industries’ American employees have been relocated. Read on…

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BEAUTY AND THE BEAST – Review by Susan Granger

Bill Condon’s hybrid live action/digital remake of the “tale as old as time” has sumptuous special effects and enhanced character backstories. Set in rural France in 1740, it introduces brainy Belle (Emma Watson) whose academic father, Maurice (Kevin Kline), has been imprisoned in the Beast’s labyrinthine castle. Because he was once a spoiled young Prince, spurning pleas for assistance from an old lady/witch, the ghastly, horned Beast (Dan Stevens) has been cursed until he can find true love. Read on…

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BEFORE I FALL — Review by Susan Granger

Lifting the supernatural premise of Harold Ramis’ “Groundhog Day,” this angst-riddled YA melodrama follows 17 year-old Samantha “Sam” Kingston (Zoey Deutch) who must re-live the same crucial Friday over and over again. It happens to be Cupid’s Day in the Pacific Northwest, as Cascadia High School celebrates Valentine’s Day with “val-o-grams” rose deliveries that gauge every student’s popularity. Read on…

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THE SALESMAN — Review by Susan Granger

Iran’s Oscar-winner for Best Foreign Language Film is another marital drama from Oscar-winner Asghar Farhadi (“The Separation”). When Emad (Shahab Hosseini) and Rana (Taraneh Alidoosti) Etesamis are forced to evacuate their crumbling Tehran apartment, they move into a more dilapidated abode, one that was previously occupied by a single woman with a young child. The clutter she left behind when she was evicted gives subtle clues as to who she is and the promiscuous life she led. She’s described as “a woman with lots of acquaintances…who lived a wild life.” Read on…

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OSCARS 2017 Predictions — Susan Granger

oscar logoEvery film year acts as a mirror & reflects the tenor of the times. When the Oscars began in 1929 to celebrate the motion picture industry, the winner was William Wellman’s anti-war “Wings.” The subsequent Depression years celebrated character studies like “Grand Hotel,” “The Great Ziegfeld” and “Rebecca.” After the turmoil of Kennedy’s assassination, the Academy chose light-hearted fare like “Tom Jones,” “My Fair Lady,” and “Oliver!” And in 2000, the last time a Republican won the White House, after losing the popular vote, “Gladiator” won the Oscar. Read more on AWARDS INTELLIGENCER

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PATERSON — Review by Susan Granger

Paterson (Adam Driver) is a New Jersey Transit bus driver in Paterson – they share the name. Paterson leads an orderly, routine life. Every day, he gets up early, kisses his wife Laura (Golshifteh Farahani), makes coffee and eats a bowl of Cheerios before walking to the bus depot. As he drives his No. 23 route around the city, he observes his disparate passengers and listens to snippets of their conversation. He comes home at the same time for dinner each night, walks their cranky English bulldog Marvin, and enjoys a beer at a corner bar. But his passion is writing poetry in a small notebook. Read on…

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THE GREAT WALL — Review by Susan Granger

Filmed entirely in China, this epic, $150 million action/adventure/fantasy was designed to stun the Western world like “Crouching Tiger, Hidden Dragon” (2000). Directed by Zhang Yimou (“Hero,” “House of Flying Daggers”), who orchestrated the opening and concluding ceremonies of Beijing’s 2008 Olympic Summer Games, it relates a 12th century Chinese legend. Riding on horseback through the Gobi desert, European mercenary William Garin (Matt Damon) and his sidekick Pero Tovar (Pedro Pascal) evade nomads in the rugged steppes while searching for “black powder”(gunpowder) which will change the future of war. Read on...

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FIFTY SHADES DARKER — Review by Susan Granger

When we last saw Anastasia “Ana” Steele (Dakota Johnson), she’d brusquely walked out on domineering Seattle billionaire Christian Grey (scruffy Jamie Dornan) after he not only took her virginity but turned her into his sex slave. Three weeks later, she has a job as an assistant to the editor in a publishing house. But when Christian buys an entire art exhibit of her photos, gullible Ana returns to his bedroom – with a “Chronicles of Riddick” poster on the wall – and his kinky Red Room (a.k.a. dungeon), which has been sensuously redecorated. Their arrangement is renegotiated and, this time, he promises: no pain – unless you count nipple clamps. Read on…

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SILENCE — Review by Susan Granger

Filmmaker Martin Scorsese (Kundun, Last Temptation of Christ) is obviously fascinated with the foundations of faith, adapting Shusaku Endo’s 1966 historical novel about two Jesuit priests who travel from Portugal to Japan to find their mentor who is rumored to have renounced his religion under torture. In 17th century Buddhist Japan, Catholicism has been outlawed and its believers persecuted. But fervent Father Rodrigues (Andrew Garfield) and Father Garrpe (Adam Driver) are determined to track down Father Ferreira (Liam Neeson). As they search, they minister to converted villagers who risk their lives to hide them from the wily Inquisitor (Issei Ogata) and his interpreter (Tadanobu Asano), who give suspected Christians the opportunity to recant by stepping on an image of Jesus or the Virgin Mary. Read on…

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EVERLASTING — Review by Susan Granger

Writer/director Anthony Stabley has devised a different twist on the traditional horror film, combining his ominous concept with a murder mystery. “Darkness can take over your life, even when you think you have everything under control,” notes Matt Ortega (Adam David), a high-school filmmaker who receives a mysterious package containing a DV tape depicting the torture and murder of his girlfriend Jessie (Valentina de Angelis). Read on…

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LIVE BY NIGHT — Review by Susan Granger

As a director – with Gone Baby Gone, The Town and Argo to his credit – Ben Affleck is besotted by atmospheric authenticity, particularly in his hometown of Boston. After fighting the Huns in Francer in W.W.I, disillusioned Joe Coughlin (Affleck) returns home to Prohibition-era Boston, vowing never to take orders from anyone again. Resisting all authority, he becomes a thief and an outlaw. Read on…

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ASSASSIN’S CREED — Review by Susan Granger

Based on Ubisoft’s popular video game, this time-tripping sci-fi film rarely rises above incoherency. The saga begins with a series of ominous biblical texts, informing us that a device known as the Apple from the Tree of Knowledge in the Garden of Eden contains “the key to free will itself.” Read on…

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PATRIOTS DAY – Review by Susan Granger

Chronicling the 2013 Boston Marathon bombing and its intense aftermath, this is a heavy-handed, by-the-numbers action-thriller about how a community responded to an act of terror. Assigned to duty on the finish line, feisty Police Sgt. Jimmy Saunders (Mark Wahlberg) has a sore knee so he phones his wife (Michelle Monaghan) to bring him his knee brace. Meanwhile, two Muslim rebels, Tamerlan (Themo Melikidze) and Dzhokhar (Alex Wolff) Tsarnaev, are calmly making nail-filled bombs and loading them into their backpacks. Read on…

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THE FOUNDER — Review by Susan Granger

Michael Keaton (“Spotlight,” “Birdman”) plays ruthless Ray Kroc in this backstory of the ubiquitous McDonald’s franchise, an innovative, assembly-line idea that revolutionized the fast food industry. In 1952, traveling salesman Kroc was working hard, peddling milkshake machines to drive-ins in the Midwest, while avidly absorbing “The Power of Positive Thinking.” Read on…

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FENCES — Review by Susan Granger

Adapting a Broadway play for the screen is always a challenge – one that Denzel Washington found daunting, particularly since August Wilson’s iconic chronicle of a dysfunctional family is a Pulitzer Prize-winning glimpse into the essential African-American experience. Set in Pittsburgh, Pennsylvania, during the 1950s, it revolves around the relationship between a bitter, Negro League baseball player-turned-sanitation worker, 53 year-old Troy Maxon (Washington), and his long-suffering wife Rose (Viola Davis) Read on…

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LION — Review by Susan Granger

When five year-old Saroo (Sunny Pawar) is accidentally abandoned in a railroad station, he gets on a train and falls asleep, travelling thousands of miles across India, far away from his family, left to fend for himself as an orphan on the streets of Kolkata (Calcutta). That’s how he embarks on the adventure of a lifetime – one that takes him all the way to Australia, where he’s adopted by a loving couple (Nicole Kidman, David Wenham), growing up, safe and secure, in Hobart. Read on…

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PASSENGERS — Review by Susan Granger

It’s a terrific sci-fi premise: Two passengers on a 120-year journey on the immense, ultra-luxurious spaceship Avalon emerge from their hibernation pods 90 years too yearly. Along with 5000 paying passengers and 258 crew, they’re headed for a distant colony on a planet called Homestead II, which offers a ‘promised land’ alternative to “overpopulated, overpriced and overrated Earth.” Read on…

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WHY HIM? — Review by Susan Granger

According to writer/director John Hamburg, the idea for this crude, crass comedy about an uptight father meeting his daughter’s obnoxious boyfriend came from Shawn Levy when they were making “Night at the Museum.” What particularly intrigued Hamburg was how the world had changed since he made “Meet the Parents.” Previously, adults were in charge; now, young Silicon Valley techies have become billionaires. So he made that generational conflict the pivotal point. Read on…

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