Bentonville Film Festival 2017: Diversity, Inclusion, and Women Everywhere! — Betsy Bozdech reports

BFF_Logo_Transparent2017_Scaled_100Founded in 2015 by actress/gender-equality advocate Geena Davis and ARC Entertainment executive Trevor Drinkwater, the Bentonville Film Festival (BFF) concluded its third annual week of, as it proudly says in its mission statement, “championing women and diverse voices in media.” The 2017 festival ran from May 2-7, with 70 films — episodic content, shorts, and feature-length dramas and documentaries — competing in several jury- and audience-awarded categories. Continue reading…

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Cannes First Look: OPHELIA — Michelle Hannett reports

Currently in production in Prague, here’s a first look at director Claire McCarthy’s Ophelia, starring Daisy Ridley.

Photo Credit: Julie Vrabelova

Photo Credit: Julie Vrabelova

Set in the 14th Century but spoken in a contemporary voice, Ophelia is a dynamic re-imagining of Shakespeare’s Hamlet. Continue reading…

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AWFJ EDA Awards @ DOXA 2017: The Winners!

As DOXA 2017 draws to a close, the Alliance of Women Film Journalists is delighted to announce the winners of this year’s EDA Awards for Best Female-Directed Feature and Best Female-Directed Short’ both presented at the festival’s awards ceremony on Saturday, May 13 in Vancouver. Continue reading…

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THE WEEK IN WOMEN: MANKILLER sets Premier, Female Directors at LAFF and DOXA, Robbie’s DREAMLAND

Mankiller, a documentary about Wilma Mankiller, the first woman chief of the Cherokee Nation, will premiere in July at LA Film Festival, which also boasts that 42 percent of its programmed films are directed by women. Margot Robbie is set to produce and star in Dreamland, a heist thriller. Vancouver’s DOXA Documentary Film Festival recognizes women directors with AWFJ EDA Awards and other honors. Read more on THE WEEK IN WOMEN

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AWFJ EDA Awards @DOXA 2017 Filmmaker Interview: Justine Harbonnier on ANDREW KEEGAN IS MOVING

JUSTINE HARBONNIERFilmmaker Justine Harbonnier takes us to Montreal, where the city’s oldest house is being moved to make way for posh modern condos. Her profound and poetic film reflects her questions about how such moves impact a neighborhood and its residents, and others who pass by without even noticing these changes that effect the future of their city. Read what she has to day about making the film and her future plans on THE FEMALE GAZE.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Jessica Kingdon on COMMODITY CITY

JESSICA KINGDON DOXA HEADChina’s Yiwu Market is one of the largest shopping complexes in the world. Gorgeously shot, thematically focused and politically resonant, Jessica Kingdon’s ethnographic essay film blurs the boundary between consumer goods and the humans who sell them. Malls consume more than they are consumed, Small spaces, time lost,immersion in distraction. Read what Jessica Kingdon has to say about the making and meaning of her film on THE FEMALE GAZE.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Julia Hechler on LES CLOYS

julia hechler doxa2017In a particular Parisian neighborhood, residents have devised a means of establishing their own cultural identity and reclaiming their person power through the creation of a slanguage they call Verlan (back to front). American filmmaker Julia Hechler captures their trending tongue on film. Read what she has to say about the importance of language, getting to know your subjects and her next career moves on THE FEMALE GAZE.

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AWFJ EDA Awards @DOXA 2017 Filmmaker Interview: Cat Mills on FIXED!

cat mills doxa filmmakerRepair cafes are popping up around the world as a community-based antidote to throwaway culture. In Cat Mills’ EDA Award-nominated short, Fixed!, we get a glimpse inside Canada’s first repair cafe in Toronto, where a team of dedicated volunteers are helping their neighbors, one fix at a time. Read what she has to say about her beautifully crafted film, its riveting subjects, and her career. Read more on THE FEMALE GAZE

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Clara van Gool on VOICES OF FINANCE

van gool doxa short 2017 filmmakerDutch filmmaker Clara van Gool’s short dance documentary takes us to London’s bleak financial district, where traders, bankers, and hedge fund managers describe an atavistic society, blood red in tooth and claw. As they move through the city streets, bodies become a metaphor for the extremity of an industry that twists and bends human nature into torturous form. Read what Clara van Gool has to say about making the film, dance as metaphor and her career on THE FEMALE GAZE.

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AWFJ EDA Awards @ DOXA Filmmaker Interview: Elisa Chee on LUCY

elisa chee filmmaker doxaNominated for the AWFJ EDA Award or Best Female-Directed Short at DOXA 2017, Vancouver-based filmmaker Elisa Chee uses masterful animation to recall the story of a domesticated chimpanzee called Lucy and a human named Janis Carter, the caretaker who made it her life’s work to rehabilitate Lucy and return her to her natural environment. Read what she has to say about her beautifully crafted short film, its subjects, animation in documentaries and her career on THE FEMALE GAZE.

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AWFJ EDA AWARD @ DOXA 2017 Filmmaker Interview: Yan Chun Su on DROKPA

yan_chun_su_headshot 2Filmmaker Yan Chun Su’s gorgeous observational film captures life on the Tibetan Plateau. The last of Tibet’s drokpa (nomads) lead herds of yak and sheep over hilly grasslands. No longer limitless and free- ranging, they move across sections of pasture, now allotted to them by the Chinese government. Read what Yan Chun Su has to say about the changing environment, nomadic life, organic filmmaking and her career on THE FEMALE GAZE.

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AWFJ EDA Awards @ DOXA: Films and Juries

For the second consecutive year, the Alliance of Women Film Journalists is partnering with DOXA Documentary Film Festival to present EDA Awards for best female-directed films at the 16th annual festival, to be held from May 4 to 14, in Vancouver, BC. doxa logo 2017DOXA programmers have nominated female-directed films in two EDA Awards categories: Best Female-Directed Feature Length Documentary and Best Female-Directed Documentary Short. EDA Awards juries for both categories are comprised exclusively of AWJF members. Continue reading…

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AWFJ to Present EDA Awards @ DOXA Film Festival

The Alliance of Women Film Journalists and DOXA are partnering for the second consecutive year to present AWFJ EDA Awards at this year’s festival, taking place in Vancouver, BC, from May 4 to 14, 2017. doxa logo 2017DOXA programmers nominate ten female-directed films in each of the two EDA Awards categories. EDA Awards juries are comprised exclusively of AWJF members. This year’s nominated films and jury panels will be announced shortly. Continue reading…

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THE WEEK IN WOMEN: THE WEEK IN WOMEN: Caro and Chastain challenge status quo, Robbie scores revisionist ROBIN HOOD, Ivy Film Fest plays women composers and more — Brandy McDonnell reports

Set to direct Disney’s live action remake of Mulan, Niki Caro becomes the fourth woman director to helm a $100-million movie. Jessica Chastain says she is looking for roles that push against societal constraints. Margot Robbie set to star in Marian, a revisionist version of the macho Robin Hood tale. Women composers are featured at this year’s Ivy Film Festival, Brown University’s student-run showcase. Read more on THE WEEK IN WOMEN

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AWFJ on KTEP 88.5 FM: Talking EDA Awards, Oscars, and the Status of Women In Film — Jennifer Merin reports

KTEP 88.5 FM’s ON FILM host Charles Horak discusses The Alliance of Women Film Journalists’ annual and festival EDA Awards recognizing the work and contributions done by women and about women, both in front and behind the camera, points to the decreased level of opportunity for women behind the camera in 2016, and elicits a list of must-see undervalued 2016 films by and about women. Thank you, Charles Horak for your ongoing support of AWFJ and our goals. Listen to the program on KTEP 88.5 FM.

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It’s a Wrap: AWFJ Looks Back at 2016

AWFJ is completing our tenth anniversary year, and it’s time to take stock and evolve. What has our organization accomplished during 2016, and what are our goals for 2017. But as we look back to evaluate our accomplishments and before we set forth plans for a new year filled with worthwhile projects, let’s pause for a moment to give due credit to the AWFJ members who’ve contributed their ideas, time and energy to make our 2016 programs and enterprises so successful. Well done! And here’s round of applause and a virtual pat on the back to each of you in recognition of your collegiality and activism. Now on to the nitty gritty about what AWFJ has done curing 2016, with shout outs to individual members who helmed projects and made them happen. Read on…

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Whistler Film Festival 2016: Feminism Soars – Jennifer Merin reports

whistler-2016The 16th annual Whistler Film Festival has drawn to a close after five days packed with film screenings, a full house of filmmaker labs and pitch sessions, parties and power skiing. Parity for women is a cause that’s fully embraced by festival director Shauna Hardy Mishaw, who has established partnerships with female focused organizations to train, mentor and promote women directors and producers at the festival. Additionally, femme-helmed films scored big in award wins. Read more>>

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AWFJ EDA Awards @ Whistler Film Festival 2016: The Winners — Jennifer Merin reports

whistler-2016For the fourth consecutive year, the Alliance of Women Film Journalists was at Whistler Film Festival to present AWFJ EDA Awards to female filmmakers for Best Female-Directed Narrative Feature and Best Female-Directed Documentary. The winners were announced on December 4 at the festival’s awards ceremony at the Maury Young Arts Center. Read on…

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Women on Top Summit @ Whistler Film Festival: Keynote Address by Valerie Creighton, Canadian Media Fund

valerie-creightonAt Whistler Film Festival’s spirited Women on Top Summit (held December 3, atop Whistler Mountain), Canada Media Fund’s president and CEO Valerie Creighton affirmed and underscored Canada’s commitment to reach parity for women working in all aspects of the country’s moving image industries. Creighton’s speech provides comprehensive coverage of status and strategies re Canada reaching the goal of gender parity. The entire address is published on THE FEMALE GAZE

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AWFJ to Present EDA Awards at Whistler Film Festival — Jennifer Merin reports

whistler-2016This is the fourth consecutive year in which the Alliance of Women Film Journalists has the honor to partner with Whistler Film Festival to recognize women filmmakers with presentation of EDA Awards for Best Female-Directed Feature Film and Best Female-Directed Documentary at this year’s festival, held in Whistler from November 30 to December 4, 2016. Whistler Film Festival nominates narrative features and documentaries for consideration. Selected by AWFJ jurors, the winners will be announced on December 4, at the Whistler Film Festival Awards Ceremony. Read on…

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Maite Alberdi Wins IDFA 2016 AWFJ EDA Award for THE GROWN UPS, with 2,500 Euros Prize

idfa-2016For the third consecutive year, the Alliance of Women Film Journalists presented the EDA Award for Best Female-Directed Film at the International Documentary Film Festival Amsterdam. At a ceremony hosted by Chile Docs and held on November 22, IDFA director Ally Derks introduced AWFJ jurors Jennifer Merin and Dorothy Woodend who were attending the festival, and they in turn announced winner of the award and the cash prize of 2,500 Euros. The winner of the IDFA 2016 AWFJ EDA Award for Best Female-Directed film is The Grown Ups, directed by Chilean filmmaker Maite Alberdi. Read more…

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Asli Ozarslan on DIL LEYLA

asli-ozarslanAsli Özarslan’s Dil Leyla is the story of Imret Leyla, mayor of Cizre, a Kurdish town in Turkey. At age 26, she’s the youngest mayor in Turkey. Having left Cizre for Germany at age five, after her father, a Kurdish guerilla, was killed, she returns to help rebuild her town. Political tensions rise as Turkey’s national elections near. In profiling Leyla’s struggle, Özarslan calls forth contemplation of Turkey’s political climate and of women’s influence in bettering the outlook. Read Özarslan’s interview about the film on THE FEMALE GAZE.

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Areum Parkkang on AREUM

areum-parkkangIn her first documentary feature, South Korean teacher and filmmaker Areum Parkkang takes a look at her own difficulties in finding a boyfriend. When her numerous blind dates don’t lead anywhere, she asks her students for their advise. They tell her that it is her appearance that is off putting. They advise her to make herself more attractive by slimming down, dressing up in a more feminine way, and wearing makeup. Read her interview on THE FEMALE GAZE

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Mia Hansen-Løve on THINGS TO COME and Writing — Interview by Tomris Laffly

mia-hansen-loveMia Hansen-Løve talks the way she writes: There is an effortless breeziness to her prose. Her casual smarts evidently come easy to her, as she packs multitudes of meaning in each seemingly straightforward statement. Listening to her take a brainy journey from one idea to the next, I note how her in-person demeanor matches the on-the-page and behind-the-camera storyteller. Read more>>

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Maite Alberdi on THE GROWN-UPS

maite-alberdi-300x200Chilean documentarian Maite Alberdi’s uniquely intimate observational style give us an up close and personal glimpse into the world of four adults with Down syndrome, all of whom struggle to live more independently in a social structure that has confined them for 40 plus years in a special education school where they’ve been trained and mow work. In a most humane and compassionate way, the film embraces the dreams and frailties of its leading characters and exposes the ways in which socially conscious compassion and the need for expediency conflict in impacting the lives of people who don’t fit social ‘norms.’ Read Alberdi’s comments on making the filming The Grown Ups and filmmaking on THE FEMALE GAZE.

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