AWFJ EDA Awards @ DOXA Filmmaker Interview: Elisa Chee on LUCY

elisa chee filmmaker doxaNominated for the AWFJ EDA Award or Best Female-Directed Short at DOXA 2017, Vancouver-based filmmaker Elisa Chee uses masterful animation to recall the story of a domesticated chimpanzee called Lucy and a human named Janis Carter, the caretaker who made it her life’s work to rehabilitate Lucy and return her to her natural environment. Read what she has to say about her beautifully crafted short film, its subjects, animation in documentaries and her career on THE FEMALE GAZE.

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AWFJ EDA AWARD @ DOXA 2017 Filmmaker Interview: Yan Chun Su on DROKPA

yan_chun_su_headshot 2Filmmaker Yan Chun Su’s gorgeous observational film captures life on the Tibetan Plateau. The last of Tibet’s drokpa (nomads) lead herds of yak and sheep over hilly grasslands. No longer limitless and free- ranging, they move across sections of pasture, now allotted to them by the Chinese government. Read what Yan Chun Su has to say about the changing environment, nomadic life, organic filmmaking and her career on THE FEMALE GAZE.

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AWFJ EDA Awards @ DOXA: Films and Juries

For the second consecutive year, the Alliance of Women Film Journalists is partnering with DOXA Documentary Film Festival to present EDA Awards for best female-directed films at the 16th annual festival, to be held from May 4 to 14, in Vancouver, BC. doxa logo 2017DOXA programmers have nominated female-directed films in two EDA Awards categories: Best Female-Directed Feature Length Documentary and Best Female-Directed Documentary Short. EDA Awards juries for both categories are comprised exclusively of AWJF members. Continue reading…

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AWFJ to Present EDA Awards @ DOXA Film Festival

The Alliance of Women Film Journalists and DOXA are partnering for the second consecutive year to present AWFJ EDA Awards at this year’s festival, taking place in Vancouver, BC, from May 4 to 14, 2017. doxa logo 2017DOXA programmers nominate ten female-directed films in each of the two EDA Awards categories. EDA Awards juries are comprised exclusively of AWJF members. This year’s nominated films and jury panels will be announced shortly. Continue reading…

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THE WEEK IN WOMEN: THE WEEK IN WOMEN: Caro and Chastain challenge status quo, Robbie scores revisionist ROBIN HOOD, Ivy Film Fest plays women composers and more — Brandy McDonnell reports

Set to direct Disney’s live action remake of Mulan, Niki Caro becomes the fourth woman director to helm a $100-million movie. Jessica Chastain says she is looking for roles that push against societal constraints. Margot Robbie set to star in Marian, a revisionist version of the macho Robin Hood tale. Women composers are featured at this year’s Ivy Film Festival, Brown University’s student-run showcase. Read more on THE WEEK IN WOMEN

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AWFJ on KTEP 88.5 FM: Talking EDA Awards, Oscars, and the Status of Women In Film — Jennifer Merin reports

KTEP 88.5 FM’s ON FILM host Charles Horak discusses The Alliance of Women Film Journalists’ annual and festival EDA Awards recognizing the work and contributions done by women and about women, both in front and behind the camera, points to the decreased level of opportunity for women behind the camera in 2016, and elicits a list of must-see undervalued 2016 films by and about women. Thank you, Charles Horak for your ongoing support of AWFJ and our goals. Listen to the program on KTEP 88.5 FM.

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It’s a Wrap: AWFJ Looks Back at 2016

AWFJ is completing our tenth anniversary year, and it’s time to take stock and evolve. What has our organization accomplished during 2016, and what are our goals for 2017. But as we look back to evaluate our accomplishments and before we set forth plans for a new year filled with worthwhile projects, let’s pause for a moment to give due credit to the AWFJ members who’ve contributed their ideas, time and energy to make our 2016 programs and enterprises so successful. Well done! And here’s round of applause and a virtual pat on the back to each of you in recognition of your collegiality and activism. Now on to the nitty gritty about what AWFJ has done curing 2016, with shout outs to individual members who helmed projects and made them happen. Read on…

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Whistler Film Festival 2016: Feminism Soars – Jennifer Merin reports

whistler-2016The 16th annual Whistler Film Festival has drawn to a close after five days packed with film screenings, a full house of filmmaker labs and pitch sessions, parties and power skiing. Parity for women is a cause that’s fully embraced by festival director Shauna Hardy Mishaw, who has established partnerships with female focused organizations to train, mentor and promote women directors and producers at the festival. Additionally, femme-helmed films scored big in award wins. Read more>>

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AWFJ EDA Awards @ Whistler Film Festival 2016: The Winners — Jennifer Merin reports

whistler-2016For the fourth consecutive year, the Alliance of Women Film Journalists was at Whistler Film Festival to present AWFJ EDA Awards to female filmmakers for Best Female-Directed Narrative Feature and Best Female-Directed Documentary. The winners were announced on December 4 at the festival’s awards ceremony at the Maury Young Arts Center. Read on…

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Women on Top Summit @ Whistler Film Festival: Keynote Address by Valerie Creighton, Canadian Media Fund

valerie-creightonAt Whistler Film Festival’s spirited Women on Top Summit (held December 3, atop Whistler Mountain), Canada Media Fund’s president and CEO Valerie Creighton affirmed and underscored Canada’s commitment to reach parity for women working in all aspects of the country’s moving image industries. Creighton’s speech provides comprehensive coverage of status and strategies re Canada reaching the goal of gender parity. The entire address is published on THE FEMALE GAZE

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AWFJ to Present EDA Awards at Whistler Film Festival — Jennifer Merin reports

whistler-2016This is the fourth consecutive year in which the Alliance of Women Film Journalists has the honor to partner with Whistler Film Festival to recognize women filmmakers with presentation of EDA Awards for Best Female-Directed Feature Film and Best Female-Directed Documentary at this year’s festival, held in Whistler from November 30 to December 4, 2016. Whistler Film Festival nominates narrative features and documentaries for consideration. Selected by AWFJ jurors, the winners will be announced on December 4, at the Whistler Film Festival Awards Ceremony. Read on…

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Maite Alberdi Wins IDFA 2016 AWFJ EDA Award for THE GROWN UPS, with 2,500 Euros Prize

idfa-2016For the third consecutive year, the Alliance of Women Film Journalists presented the EDA Award for Best Female-Directed Film at the International Documentary Film Festival Amsterdam. At a ceremony hosted by Chile Docs and held on November 22, IDFA director Ally Derks introduced AWFJ jurors Jennifer Merin and Dorothy Woodend who were attending the festival, and they in turn announced winner of the award and the cash prize of 2,500 Euros. The winner of the IDFA 2016 AWFJ EDA Award for Best Female-Directed film is The Grown Ups, directed by Chilean filmmaker Maite Alberdi. Read more…

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Asli Ozarslan on DIL LEYLA

asli-ozarslanAsli Özarslan’s Dil Leyla is the story of Imret Leyla, mayor of Cizre, a Kurdish town in Turkey. At age 26, she’s the youngest mayor in Turkey. Having left Cizre for Germany at age five, after her father, a Kurdish guerilla, was killed, she returns to help rebuild her town. Political tensions rise as Turkey’s national elections near. In profiling Leyla’s struggle, Özarslan calls forth contemplation of Turkey’s political climate and of women’s influence in bettering the outlook. Read Özarslan’s interview about the film on THE FEMALE GAZE.

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Areum Parkkang on AREUM

areum-parkkangIn her first documentary feature, South Korean teacher and filmmaker Areum Parkkang takes a look at her own difficulties in finding a boyfriend. When her numerous blind dates don’t lead anywhere, she asks her students for their advise. They tell her that it is her appearance that is off putting. They advise her to make herself more attractive by slimming down, dressing up in a more feminine way, and wearing makeup. Read her interview on THE FEMALE GAZE

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Mia Hansen-Løve on THINGS TO COME and Writing — Interview by Tomris Laffly

mia-hansen-loveMia Hansen-Løve talks the way she writes: There is an effortless breeziness to her prose. Her casual smarts evidently come easy to her, as she packs multitudes of meaning in each seemingly straightforward statement. Listening to her take a brainy journey from one idea to the next, I note how her in-person demeanor matches the on-the-page and behind-the-camera storyteller. Read more>>

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Maite Alberdi on THE GROWN-UPS

maite-alberdi-300x200Chilean documentarian Maite Alberdi’s uniquely intimate observational style give us an up close and personal glimpse into the world of four adults with Down syndrome, all of whom struggle to live more independently in a social structure that has confined them for 40 plus years in a special education school where they’ve been trained and mow work. In a most humane and compassionate way, the film embraces the dreams and frailties of its leading characters and exposes the ways in which socially conscious compassion and the need for expediency conflict in impacting the lives of people who don’t fit social ‘norms.’ Read Alberdi’s comments on making the filming The Grown Ups and filmmaking on THE FEMALE GAZE.

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EDA Awards @ IDFA 2016 Filmmaker Interview: Coco Schrijber on HOW TO MEET A MERMAID

cococroppedsmallDutch filmmaker Coco Schrijber’s highly cinematic style and essay-like approach to filmmaking transforms her personal quest for resolution about her brother’s downing suicide into a profound contemplation of life-sustaining and death-dealing aspects of the sea. She evokes the unsolved mystery of Rebecca, a cruise ship employee who disappeared while her ship was at sea and the story of a Mexican surfer who is flying across the ocean to find more challenging waves on other shores to broaden her narrative. Read what Coco Schrijber has to say about the film and filmmaking on THE FEMALE GAZE.

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Mette Carla Albrechtsen and Lea Glob on VENUS

mettecarla-and-lea-cropped-300x216Danish filmmakers Mette Carla Albrechtsen and Lea Glob explore the subject of young women’s sexuality by setting up an open ‘casting call’ at which they interview the film’s subjects about their sexual experiences and attitudes towards sexuality and their bodies as they develop from adolescence to womanhood. Through this compilation of interviews, the filmmakers contemplate their own attitudes towards sex, and offer the opportunity for women who see the film to do as, as well. Read what they have to say about Venus and filmmaking on THE FEMALE GAZE

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Lucija Stojevic on LA CHANA

lucija-stojevic-smallLucija Stojevic’s La Chana profiles the career and artistry of Antonia Santiago Amador, the hugely popular flamenco dancer, revered by dance afficiandos for her passionate spirit and extraordinary footwork. Her career peaked during the late 1960s, before she inexplicably vanished from the dance world and celebrity. Stojevic delves into Amador’s complex personality by intertwining spectacular footage of her emotional performances with current footage of her quiet live in Barcelona, coaching talented young dancers and preparing a comeback recital — and revealing, for the first time, why she stepped out of the spotlight at the height of her career. La Chana is nominated for the IDFA 2016 AWFJ EDA Award for Best Female-Directed Film. Read Lucija Stojevic’s comments about La Chana on THE FEMALE GAZE.

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Elvira Diaz on EL PATIO

elvira-diazFilmmaker Elvira Diaz was born in 1975 in France, after her father fled from Chile as a political refugee. El Patio is her third documentary about the consequences of Pinochet’s dictatorship on witnesses and victims’ lives. In the film, she follows aging gravediggers as they reveal, for the first time, their haunting memories of surreptitiously burying ‘disappeared persons’ during the dark days of the Pinochet regime. The film is nominated for the IDFA 2016 AWFJ EDA Award of 2,500 Euros. Read Diaz’s comments about making the film on THE FEMALE GAZE

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Alice Schmid on THE GIRL DOWN LOCH ANZI

alice-schmid-headshotAlice Schmid, filmmaker and novelist, tells stories from around the globe, mostly focusing on children. The Girl Down Lock Anzi, nominated for the IDFA 2016 AWFJ EDA Award, is set in rural Switzerland, where 12- year-old Laura is fascinated by and works up the courage to explore a legend about a maiden who is supposedly imprisoned in caves close to her family’s farm. The film is nominated for the IDFA 2016 AWFJ EDA Award of 2,500 Euros. Alice Schmid comments about making the film and filmmaking on THE FEMALE GAZE

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EDA Awards @ IDFA 2016 Filmmaker Interview: Alice Schmid on THE GIRL DOWN LOCH ANZI

alice-schmid-headshotAlice Schmid, filmmaker and novelist, tells stories from around the globe, mostly focusing on children. Say No (1993) is a film classic on child abuse. Working in Liberia and Sierra Leone from 1999 to 2002, she showed the lives of child soldiers. In Letter to Grown-Ups (1994) she followed a child through the mine-fields of Cambodia. In Every Drop For The Future (1996), she accompanied a Bolivian girl on her two-hour walk to school. Schmid’s latest documentary, The Girl Down Loch Anzi, is nominated for the IDFA 2016 AWFJ EDA Award for Best Female-Directed Film. Read her comments about the film on THE FEMALE GAZE.

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SPOTLIGHT November, 2016: Ally Derks, IDFA Founder, Documentaries Mogul and innovator

awfjspotlightsmallsmallallyderksIDFA’s founder and director Ally Derks is in the AWFJ SPOTLIGHT this month, as she helms the 2016 festival from November 16 to 29. During her 30-year tenure at IDFA, Derks has built the festival into the world’s preeminent documentaries showcase, marketplace and pitch forum, with year round programs to develop the art of documentary filmmaking and broaden its horizons. This will be the last IDFA under Derk’s direction, as she leaves the organization to spend 2017 living and working in Berlin as an invited fellow of the Robert Bosch Academy, an institution of the prestigious Robert Bosch Stiftung. Read on…

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AWFJ Announces Nominees for 2,500 Euro Prize for Best Female-Directed Documentary at IDFA 2016 – Jennifer Merin reports

idfa-2016The Alliance of Women Film Journalists is pleased to name three finalists in this year’s competition for the IDFA 2016 EDA Award for Best Female-Directed Feature Length Documentary. AWFJ is partnering with IDFA (International Dcoumentary Film Festival Amstersam) for the third consecutive year to honor female filmmakers whose documentaries are on the festival schedule. This is the first year the award includes the 2,500 Euro prize. The winner of the award will be announced at IDFA on November 22, and the award will be presented at that time. Read on…

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A CAT’S TALE — Review by Martha P. Nochimson

cats-tale-posterA Cat’s Tale is a very independent film. It defies all current norms of studio production. For this story of a pair of middle-aged fraternal twins, Rob and Carla (Marty Grabstein and Lisa Barnes), Director Rick Mowatt has crafted a fluid cinematic style to create individual and shared spaces for the embattled siblings, while Grabstein and Barnes have honed performances that uncannily fill those spaces with both the profound loneliness of isolated souls and the two step of prisoners of a fraught family history. Who tells stories about middle-aged people? Family stories are about young people, cute people, people who hit back at middle-aged people. Right? Readthe full review on EYE ON MEDIA

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