SAG Awards THREE BILLBOARDS, PGA Taps SHAPE OF WATER — Michelle Hannett reports

THREE BILLBOARDS OUTSIDE OF EBBING, MISSOURIThe dark comedic drama Three Billboards Outside Ebbing, Missouri was the big winner of the night at the Screen Actors Guild Awards, taking home the award for Best Cast in a Motion Picture, Best Actress and Best Supporting Actor, at this year’s ceremony on January 21. Continue reading on AWARDS INTELLIGENCER

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motw logo 1-35Take a lonely British child, add an unexpected discovery and a previously unknown world of magic — including a special school run by powerful wizards — and what do you have? Nope, not Harry Potter. It’s Mary and the Witch’s Flower, director Hiromasa Yonebayashi’s lovely anime take on prolific British author Mary Stewart’s 1971 children’s novel The Little Broomstick. Continue reading…

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THE WEEK IN WOMEN: Blanchett Chairs Cannes Jury, Women Helmers Underrepresented, Wahlberg Donates to ‘Time’s Up’ — Brandy McDonnell reports

Last year, out of the 109 people who directed the top 100 movies, just eight were women, according to the latest stats from Southern California’s Annenberg Inclusion Initiative. That’s 4.3 percent! Following the pay disparity controversy between earnings for Mark Wahlberg and Michelle Williams, Wahlberg is donating all of his take from the ‘All the Money in the World’ reshoot to the Time’s Up equality initiative. And, brava! Cate Blanchett is set to head this year’s Cannes jury. Read details on THE WEEK IN WOMEN…

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Filmmaker Alice Foulcher on Collaboration, Multitasking, Fame and THAT’S NOT ME — Interview by Alexandra Heller-Nicholas (Exclusive)

alice foulcher white shirtThat’s Not Me, the Australian independent comedy that premiered at the Santa Barbara International Film Festival, and won audiences awards at both the Sydney Film Festival and Melbourne International Film Festival, was made with an extraordinarily low budget of $45,000 by filmmakers Gregory Erdstein and Alice Foulcher. Receiving rave reviews from The Guardian and Time Out, the self-funded comedy seems to exemplify a trend in Australian cinema, where creatives are finding alternate ways of making movies outside the orthodox framework of notoriously genre-shy formal, institutionalized funding bodies. The local and international acclaim for Foulcher and Erdstein’s breakout film promises the creative couple a bright future, and Foulcher here takes time to discuss the background of That’s Not Me, her feelings about the film industry in Australia, collaboration, fame and future work. Continue reading…

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WOMEN ROCK THE 23RD CRITICS CHOICE AWARDS — Sarah Knight Adamson reports

Critics-Choice-Awards-logo-620x360What a joy to attend the Critics Choice Awards on the heels of the female-driven Golden Globes Awards earlier in the week, as women across the globe were inspired by Oprah’s Cecil B. DeMille Award acceptance speech. The mood Thursday evening, January 11, was exciting to say the least. Everywhere you looked, women−whether celebrities or critics—were beaming. Yes, the room was euphoric in celebration, as finally our voices are being heard. Continue reading…

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THE INSULT — Review by Susan Granger

Ziad Doueiri’s intriguing political drama is Lebanon’s submission for the 2018 Academy Award for Best Foreign Language film and winner of the 2017 Venice Film Festival’s Best Actor Award (Kamel El Basha). In contemporary Beirut, there’s always an undercurrent of tension between Lebanese Christians and Palestinian Muslim refugees. Which is why a casual insult is blown ‘way out of proportion. Continue reading…

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MARY AND THE WITCH’S FLOWER — Review by Cate Marquis

Mary and the Witch’s Flower is a gorgeously animated Japanese film about a red-headed English girl named Mary who follows a black cat into the forest behind her great aunt’s country house, and finds herself transported into a magical world of witches. Continue reading…

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PROUD MARY — Review by Susan Granger

Everything old is new again! In the 1970s, the ethnic subgenre of action thrillers, starring black actors, was known as “Blaxpolitation” films. Exemplified by “Shaft,” “Cleopatra Jones” and “Foxy Brown,” they were originally aimed an urban audiences, but their appeal spread. Now – with the rise of fighting female characters – Taraji P. Henson (“Hidden Figures,” TV’s “Empire”) takes the titular role as a ruthless African-American assassin who feels guilty about one particular hit for the Boston Mob. Continue reading…

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THE FINAL YEAR — Review by Martha K. Baker

It’s doubtful that anyone sitting around the fire at Trump Camp will give “The Final Year” a moment’s notice, but those who were warmed by the fires kindled in President Barack Obama’s Administration will be fired up by this well-made documentary of the work that it takes to negotiate with foreign powers. Continue reading…

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PHANTOM THREAD — Review by Susan Granger

Daniel Day-Lewis is one of our finest actors; each performance is precisely researched, resulting in absolute authenticity. Here, he plays eccentric, self-absorbed Reynolds Woodcock, a discerning British fashion designer. In the 1950s, lavish haute couture was revered by rich women and royalty, along with the couturiers. Impeccably groomed, imperious Woodcock demands that his elegant London townhouse home/office revolves around his craftsmanship and whims. Breakfast is silent: no crunching toast or idle chatter. Continue reading…

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motw logo 1-35As beautiful to look at as it is entertaining to watch, Guillermo del Toro’s “The Shape of Water” is a rich, textured romance/fairy tale about two misfits who find unexpected kinship in a secret government lab during the Cold War. It’s unlike any other film that hit the big screen in 2017, which is one of the reasons why AWFJ members voted to give it the EDA Award for Best Film of the year. Continue reading….

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THE WEEK IN WOMEN: Oprah Commands Golden Globes, THREE BILLBOARDS OUTSIDE EBBING, MISSOURI get top billing, while THE SHAPE OF WATER dominates Critics Choice and AWFJ EDA Awards — Brandy McDonnell reports

Oprah Winfrey drew repeated ovations from the Hollywood honchos assembled for the Golden Globes, as issued a warning — not once, but three times — to powerful men who abuse women: “Their time is up!” And this year’s big Golden Globe winner is Three Billboards Outside Ebbing, Missouri. But voting members of the Broadcast Film Critics Association/Broadcast Television Journalists Association and the Alliance of Women Film Journalists picked The Shape of Water and their big winner. Continue reading on THE WEEK IN WOMEN…

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2017 AWFJ EDA Awards: The Winners

The women of AWFJ have voted!

shape of water 3The Shape of Water is the big winner in this year’s 1th annual AWFJ EDA Awards, garnering awards for Best Film, Best Director for Guillermo del Toro and Bravest Performance for Sally Hawkins. AWFJ voters show love for Greta Gerwig with EDA’s for Best Female Director and Best Female Screenwriter for Lady Bird, with Laurie Metcalf winning the award for Best Supporting Actress in Lady Bird. EDAs went to a diverse array of talents in 19 additional categories, including Actress Most in Need of a New Agent and the coveted AWFJ Hall of Shame Award. For the full list, Continue reading…

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2017 EDA Award Winners

With sincerest appreciation for all the great work that’s been done in film during 2017, the Alliance of Women Film Journalists is pleased to announce the winners of the 2017 EDA Awards. Congrats to all!

These awards are presented to women and/or men without gender consideration.

Best Film: The Shape of Water

Best Director: Guillermo del Toro — The Shape of Water

Best Screenplay, Original: Get Out — Jordan Peele

Best Screenplay, Adapted: Call Me By Your Name — James Ivory

Best Documentary: Faces, Places — Agnes Varda and JR

Best Animated Film: Coco and Loving Vincent (Tie)

Best Actress: Frances McDormand — Three Billboards Outside Ebbing, Missouri

Best Actress in a Supporting Role: Laurie Metcalf — Lady Bird

Best Actor: Gary Oldman — Darkest Hour

Best Actor in a Supporting Role: Willem Dafoe — The Florida Project

Best Ensemble Cast – Casting Director: Mudbound — Billy Hopkins and Ashley Ingram

Best Cinematography: Roger Deakins — Blade Runner 2019

Best Editing: Lee Smith — Dunkirk

Best Non-English-Language Film: The Square

These awards honor WOMEN only.

Best Woman Director: Greta Gerwig — Lady Bird

Best Woman Screenwriter: Greta Gerwig — Lady Bird

Best Animated Female: Parvana — The Breadwinner

Best Breakthrough Performance: Brooklynn Prince – The Florida Prioject

Outstanding Achievement by A Woman in The Film Industry: Rose McGowan, Ashley Judd and all who spoke out against sexual harrassment


Actress Defying Age and Ageism: Agnes Varda — Faces, Places

Most Egregious Age Difference Between The Lead and The Love Interest Award: I Love You Daddy — Chloe Grace Moretz and John Malkovich

Actress Most in Need Of A New Agent: Kate Winslet for Wonder Wheel and The Mountain Between Us

Bravest Performance (tie): Sally Hawkins in The Shape of Water and Margot Robbie in I, Tonya

Remake or Sequel That Shouldn’t have been Made: The Mummy

AWFJ Hall of Shame Award: The Sexual Tormentors: Harvey Weinstein, Kevin Spacey, Brett Ratner, et al

Congrats to the winners!

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PADDINGTON 2 — Review by Susan Granger

Set a few years after Paddington sprang onto the silver screen, the red-hatted, blue-raincoated, marmalade-scarfing bear (voiced by Ben Whishaw) has settled into a new life in London’s Windsor Gardens with his adoptive parents, the Browns (Hugh Bonneville, Sally Hawkins). Continue reading…

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THE SHAPE OF WATER — review by Cate Marquis

Magical, evocative and haunting, THE SHAPE OF WATER blends Cold War thriller, fairy tale and monster movie genres in director Guillermo Del Toro’s best film since PAN’S LABYRINTH, as well as one of the year’s best. Continue reading…

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MOVIE OF THE WEEK January 12, 2018: THE POST

motw logo 1-35It’s hard to think of a movie with a more timely, important message than “The Post.” Steven Spielberg’s drama tells the story of the publication of the Pentagon Papers in the ’70s, but the film’s scenes of journalists passionately advocating for a free, independent press in a democracy could just as easily be set in today’s world of “fake news” conflict between the media and the government. Continue reading….

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THE WEEK IN WOMEN: Women-Led Films Top 2017 Box Office, Golden Globes and Time’s Up Fight Harassment, Palm Springs Film Fest Awards, and AWFJ’s EDAs — Brandy McDonnell reports

Not only is the highest grossing movie of the year fronted by a female character – again – the top three films of 2017 are women-led stories. Celebrities attending the Golden Globe Awards ceremony will take a stand against sexual harassment by walking the red in black attire, showing solidarity with women in show business and other professions who are victims of on the job abuse. A new and well-funded organization called Time’s Up, founded by Hollywood A-Listers, is fighting sexual harassment in all professional environments through nation-wide initiatives. Palm Springs International Film Festival awards ceremony, considered to be the new year’s first awards presentation, attracts A-List Oscars contenders. And, AWFJ announces its 11th annual EDA Awards nominees, revealing a particularly strong roster of contenders. Continue reading on THE WEEK IN WOMEN.

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Announcing the 2017 AWFJ EDA Awards Nominees

The Alliance of Women Film Journalists is delighted to announce the nominees for the 2017 AWFJ EDA Awards in 25 categories ranging from the standards such as ‘Best Film,”Best Cinematographer,’ and ‘Best Actress’ to our own gender-focused and sometimes somewhat snarky slots, including ‘Actress Best Defying Age and Ageism’ and ‘Actress Most in Need of A New Agent.’ The annual EDA Awards, now in their eleventh season, reflect women’s perspectives on film, and recognize excellent work in cinema, in front of and behind the camera, with a particular focus on work done by and about women. For the list of nominees, Continue reading…

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Women Receive Two of Three Filmmaker Grants from the Independent Spirit Awards

Film Independent announced the winners of its five Spirit Awards filmmaker grants at its annual Spirit Awards Nominee Brunch held in West Hollywood on Janaury 6. John Cho (Star Trek, Columbus, Search) and Alia Shawkat (Search Party, Blaze, Duck Butter) co-hosted the event and handed out the honors. There’s quite a lot of money involved! Read more on AWARDS INTELLIGENCER

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THE POST — Review by Dorothy Woodend

The star of Steven Spielberg’s The Post isn’t Meryl Streep or Tom Hanks, although, they’re perfectly serviceable. The real star is the enormous glistening caftan that Streep, as publisher Katharine Graham, wafts about in when the film’s penultimate moment arrives. The decision to bring down the Nixon government is undertaken in a tasseled white gold confection, that is little more than a souped-up nightgown. It is the peignoir that toppled a president. Continue reading…

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AWFJ Welcomes Ten New Members in 2018

At the beginning of each year, the Alliance of Women Film Journalists invites several women to join our organization. In 2018, we are delighted to welcome a diverse group of nine outstanding women film journalists to our organization. Please visit their AWFJ Member Pages and Archives to get to know each of them and sample their work. Continue reading…

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THE POST – Review by MaryAnn Johanson

Okay. Steven Spielberg has made movies about dinosaurs and sharks and aliens (lost and cute, invading and not cute, and just visiting and enigmatic) and adventurin’ archeologists and war horses and crime-predicting psychics and big friendly giants. It’s probably not difficult to make such things exciting. But this? The Post is a movie in which people sit around arguing about freedom of the press and journalistic ethics and IPOs. Papers are shuffled and xeroxed. Lawyers are consulted, and mostly just frown a lot in reply. The most visually dynamic the movie ever gets involves the setting of hot type — so quaint! — and the rattle of printing presses running off the next morning’s newspaper. And it is all completely riveting. Seriously, I had goosebumps on my arms watching tied-up bundles of newspapers being tossed onto trucks about to bring Truth to the world in time for breakfast. Continue reading…

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JUMANJI: WELCOME TO THE JUNGLE — Review by Susan Granger

This re-imagining of Robin Williams’ 1995 action comedy delights in its own right, as four archetypal teenagers, serving detention in the school’s storeroom, discover a vintage video game and decide to play, each assuming an avatar. Brainiac nerd Spencer (Alex Wolff) picks Dr. Smolder Bravestone, football star Fridge (Ser’Darius Blain) chooses zoologist Moose Finbar, egocentric Bethany (Madison Iseman) opts for ‘curvy’ cartographer Shelly Oberon, leaving angry, uptight Martha (Morgan Turner) as Ruby Roundhouse. Continue reading…

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Producers Guild Nominations Include WONDER WOMAN, MOLLY’S GAME and I, TONYA — Michelle Hannett reports

pga logo darkEight women producers are among the Theatrical Motion Picture nominees for the 29th Annual Producers Guild Awards. The January 5 announcement also saw four women nominated in the Animated category. Starring strong female protagonists, nominations for WONDER WOMAN, MOLLY’S GAME and I, TONYA were undoubtedly the big surprises of the day. Continue reading on AWARDS INTELLIGENCER.

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