MOVIE OF THE WEEK July 28-August 4: STEP

motw logo 1-35An inspiring documentary about a group of African-American teen girls who find success through a mix of hard work, grit, high expectations, and dedicated mentorship, Amanda Lipitz’s Step is both engaging and uplifting. It follows the competitive step-dancing team at the Baltimore Leadership School for Young Women, a public charter school with a very ambitious goal: that all of its graduates attend college. Continue reading…

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MOVIE OF THE WEEK July 21-28: 500 YEARS

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500 Years is the third film in director Pamela Yates’ trilogy about Guatemala. Expansive in its coverage, and impassioned about its subject, the film is very much a classic social justice documentary, right down to the final scenes of enormous crowds thronging the city streets, demanding change. Continue reading…

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MOVIE OF THE WEEK July 14-21: THE MIDWIFE

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Two women, one old wound, and a whole lot of wine. Boiled down to its essential ingredients, Martin Provost’s new film The Midwife is diverting enough, filled with small pleasures, and sometimes that is enough. Especially when the two women are so beautifully portrayed by Catherine Deneuve and Catherine Frot. Continue reading…

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SPOTLIGHT July 2017: Claire McCarthy, Filmmaker, OPHELIA

awfjspotlightsmallsmallclaire mccarthy 2Outside Oz, Australian filmmaker Claire McCarthy is known primarily for her 2009 film The Waiting City, starring Radha Mitchell and Joel Edgerton as a couple in disarray as they travel to India to take delivery of a child they have adopted. But McCarthy’s broader filmography even more forcefully underscores why she is the perfect director for the upcoming Ophelia project, Hamlet retold from the perspective of Shakespeare’s iconically tragic ingenue as played by Daisy Ridley. As Michelle Hannett reported from Cannes in May, the film is one of the most highly anticipated for 2018 release. Continue reading…

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AWFJ EDA Awards @ DOXA 2017: The Winners!

As DOXA 2017 draws to a close, the Alliance of Women Film Journalists is delighted to announce the winners of this year’s EDA Awards for Best Female-Directed Feature and Best Female-Directed Short’ both presented at the festival’s awards ceremony on Saturday, May 13 in Vancouver. Continue reading…

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AWFJ EDA Awards for Best of 2016

moonlight-posterThe women of AWFJ have voted!

Moonlight is the big winner in this year’s tenth annual AWFJ EDA Awards, garnering awards in seven categories. AWFJ voters show love for esteemed director/activist Ava DuVernay with three EDAs. Manchester By The Sea won two. EDAs went to a diverse array of talents in 13 additional categories, including Bravest Performance, Actress Most in Need of a New Agent and the coveted AWFJ Hall of Shame Award. Read on…

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Who’s #1? AWFJ Wonder Women Countdown Of Best Fictional Female Characters

To celebrate AWFJ’s tenth anniversary and mark the movie industry’s feminist developments since our inception, we present our Wonder Women Project, a list of cinema’s top 55 female fiction characters, each one a reminder to industry insiders and movie lovers that iconic females in film have had entertainment impact, social influence and long legs since the earliest days of cinema.
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Our members celebrate every imaginable liberated woman among their choices of our top 11 women characters, including a factory worker who demands her rights from her employer, a widow who founds her own successful company in the very unequal 1940s, a woman with no legal property rights who schemes to hold onto her family home, and two friends who take “Give me liberty or give me death” quite literally. And, of course, we reveal our No. 1 Wonder Woman, a favorite of everyone who meets her. Here is our final group of Wonder Women, numbers 11 through 1:

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WHEN WOMEN BEHAVE LIKE MEN: A French Short Film Portrays A Chilling Matriarchal World – Commentary by Julide Tanriverdi

French filmmaker Eléonore Pourriat made her 10 minute short film Oppressed Majority (original title Majorité Opprimée) five years ago. It won an award at a festival in Kiev and then was more or less forgotten. Six days ago she decided to put it on YouTube – and since then, the film has been viewed more than 3.5 million times and counting. Read on…

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