Women’s Media Summit in P-town — Loren King reports

Most cinephiles know that there’s a gender gap in today’s Hollywood. The question is, what can be done about it? “This is not a fight about jobs. This is a fight about how our stories are told. This is a fight about the perspective from which our universal stories emerge,” notes Maria Giese, a film director who in 2015 instigated an industry-wide federal investigation into discrimination against female directors in Hollywood. Giese joined Christine Walker, CEO of the Provincetown Film Society, and Caroline Heldman of the Geena Davis Institute for Gender in Media to organize the recent Women’s Media Summit in Provincetown. Continue reading…

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SPOTLIGHT April, 2017: Katell Quillévéré, Filmmaker, HEAL THE LIVING

awfjspotlightsmallsmallWhen Katell Quillévéré was awarded France’s Jean Vigo Prize in 2010 for her first feature film, Love Like Poison, the cinematic community knew they had an exciting and original new filmmaker to follow. Quillévéré, who studied philosophy and cinema at the University of Paris, shows a unique talent for asking big questions through the lives of her characters. Read on…

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THE WEEK IN WOMEN: King Kong’s leading lady gets a much-needed upgrade — Brandy McDonnell reports

skull island brie larsonKong: Skull Island emerged as box office king, debuting at No. 1 with a $61 million take. The latest cinematic outing for the “eighth wonder of the world” topped international charts, too, earning $81.6 million from 66 territories. Since this version of Kong is here to stay for a while, it’s a good thing the director and screenwriters Dan Gilroy (Nightcrawler), Max Borenstein (Godzilla) and Derek Connolly (Jurassic World) gave the female lead (Brie Larson) an overhaul nearly as dramatic as the supersizing of the gigantic gorilla. She’s a seasoned and fearless “anti-war photographer” who doesn’t tote a gun, but gets her team out of harrowing encounters with the Skull Island’s myriad monsters. She’s first to empathize with Kong and realize he’s not the mindless killing machine soldiers and scientists believe him to be. Read more on THE WEEK IN WOMEN

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Kristen Stewart on Personal Transformation and PERSONAL SHOPPER — Loren King interviews

kristen stewartThe megastar of the Twilight franchise when she was barely out of her teens is now a respected indie actress with a prodigious output. Last year alone, she won praise for roles in Woody Allen’s Cafe Society, Kelly Reichardt’s Certain Women, and Ang Lee’s Billy Lynn’s Long Halftime Walk, and directed a short film, Come Swim. Oh, and she hosted Saturday Night Live, delivering an opening monologue that affirmed her coming out, while also skewering her own tabloid fame. Read more>>

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SPOTLIGHT March 2017: Amy Hobby, Feminist Film Producer and Activist

awfjspotlightsmallsmallLast year, during one of Tribeca Film Festival’s Tribeca Talks, Jodie Foster famously commented that women who’ve maneuvered their way into the upper echelons of the Hollywood hierarchy have not been particularly helpful to women working behind the lens.

amy hobby head 1But Tribeca Film Institute’s recently anointed Executive Director Amy Hobby disagrees. While acknowledging some validity in Foster’s statement and noting that statistics continue to show dismal gender disparity in the movie industry, Hobby claims that the scene is changing.

Take note: Amy Hobby is in the know, and she’s in a position where she can actually make it so. Read on…

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THE WEEK IN WOMEN: ‘Mary Poppins Returns,’ plus Chastain, Bening and Kidman get gigs and Women in Special Effects — Brandy McDonnell reports

Disney has announced that production on “Mary Poppins Returns,” the studio’s sequel to its 1964 “Mary Poppins,” has commenced at Shepperton Studios. The film stars Golden Globe winner Emily Blunt and Emmy, Grammy and Tony Award winner Lin-Manuel Miranda. Directed by Oscar nominee, Emmy and DGA Awards winner Rob Marshall, the film is scheduled for a Dec. 25, 2018 release. Jessica Chastain is producing a TV series about NASA women. Nicole Kidman’s Blossom Films has optioned Janice Y.K Lee’s The Expatriates for a TV series. Annette Bening joins the cast of FX’s Hurricane Katrina anthology series. And, women rule in special effects at Lucas’Industrial Light & Magic. Read more on THE WEEK IN WOMEN.

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Anne Hamilton talks Gender Politics, Career Moves and AMERICAN FABLE – Interview by Gill Pringle (Exclusive)

anne hamilton head 1Director Anne Hamilton was on a date with an agent after moving to Los Angeles three years ago, when he casually mentioned how female directors “paint better on small palettes”.

“I wanted to punch him!” recalls Hamilton, 32, whose debut feature film, American Fable is anything but small; a gothic-style suspense story presenting a desperate rural America rarely depicted on screen.

“I have a huge palette which I intend to use, and I want to be another female director who demonstrate that’s not the case,” says this protege of visionary film-maker Terrence Malick. Read on…

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SPOTLIGHT February 2017: Amma Asante, Filmmaker, A UNITED KINGDOM — by Marilyn Ferdinand

awfjspotlightsmallsmallamma with mask“We whopped Spider-Man, and that is my claim to fame!”

With the good humor and energy that have helped her break through to the front ranks of the film industry, director/ screenwriter/actress Amma Asante celebrated the opening week box-office victory of her spellbinding feature Belle (2013) over the popular superhero franchise. Belle tells the moving true story of a biracial woman, Dido Elizabeth Belle, brought up as an aristocrat in 18th century England. While it luxuriates in the kind of genteel elegance that is catnip to audiences, Asante also offers a penetrating look at the abomination of slavery upon which such rich lifestyles were based, and the confusion its title character feels as a result. Read on…

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THE WEEK IN WOMEN: Carrie Fisher’s Princess Leia Legacy — Brandy McDonnell comments

princess leiaWhen my sister and I were kids during the 80s, it was ALWAYS a good time to play Star Wars. We were Star Wars diehards, determined to follow the good side, not the dark. But there was a problem: There was only one heroine in that far away galaxy. So, when it came time to play Stars Wars, tough decisions had to be made. Would one of us play Han Solo or Luke Skywalker? That was no good: We were tomboys, not boys. Sometimes we both played Princess Leia, and sometimes we created our own female characters — because when we were growing up there was only one woman who got to be a hero. And while that may have been severely limiting, at least Star Wars had one. Read more on THE WEEK IN WOMEN.

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Oscar-bound Annette Bening Shakes up the Screen — Profile by Thelma Adams (Exclusive)

anette beningIn 20th Century Women, Annette Bening redefines what it is to be an actress over forty – okay 58 – while gunning for an Oscar as Santa Barbara single mum Dorothea. Smart, sexy, searching: just three adjectives that describe the Kansas native. Fold in funny and touching, too. But what makes this mother-of-four married to former matinee idol Warren Beatty so disruptive, so eruptive, is that as a craftswoman and artist, she never stands still. Read on…

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Greta Gerwig on Female Co-stars, Sexual Role Play in 20TH CENTURY WOMEN — Thelma Adams interviews

Project Cobalt Presents a New York Special Screening of A24's "20th Century Women"There’s a bit of Diane Keaton to Greta Gerwig: smart, idiosyncratic and appealing, both neurotic and loose-limbed and glowy. But the proof that Keaton and Gerwig came-of-age in different generations is the way in which Gerwig, 33, has taken the reins of production, turning from muse to master, so early in her career. Read more>>

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Greta Gerwig and Mike Mills on 20TH CENTURY WOMEN — Interview by Tomris Laffly

20th-century-women-posterGreta Gerwig says Mike Mills is at his core a listener and he started 20th Century Women from a place of being a listener. “He was raised by women basically. But he didn’t make any assumptions and he interviewed them all. It’s why the film feels like it’s about real women, and not about imagined projections of women by a man, which is what it usually feels like.” Asked whether he would call himself a true feminist, Mike Mills opines that it’s not really his place to say. “Well, I’m a male ally to women. A feminist? That’s something for women to decide.” Read more>>

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SPOTLIGHT January 2017: Ava DuVernay, Film Director and Crusader — by Marilyn Ferdinand

awfjspotlightsmallsmallava-duvernay-head-shotIt’s hard to think of a more galvanizing, charismatic woman in film than Ava DuVernay. The 44-year-old producer, director, writer, distributor and crusader for social justice broke into the larger cultural zeitgeist in 2015, the year her acclaimed film Selma was nominated for two Academy Awards, including Best Picture, and four Golden Globes, and won the AWFJ EDA Award for Best Woman Director. She is the winner of three AWFJ EDA Awards in 2016, including those for Best Documentary and Best Female Director for 13th and Outstanding Achievement by a Woman in Film. Read on…

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HIDDEN FIGURES stars on how working at NASA in the 1960s is a little like Hollywood — interview by Stephanie Merry

“Any upward movement for one of us is upward movement for all,” Octavia Spencer said. “If we don’t get there together, we don’t get there.” The spirit of teamwork also shows up in the plot of their movie, Hidden Figures. During the space race, NASA’s Langley Research Center employed black female mathematicians to calculate, among other things, launch and landing for the country’s first astronauts. After all, John Glenn didn’t make it into space alone, and one person who helped was Katherine Johnson, played by Henson. Spencer and Monáe play two other real-life math virtuosos, Dorothy Vaughan and Mary Jackson. Read more>>

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Alex Kurtzman on Unwrapping THE MUMMY — Gill Pringle interviews

In the 2017, Universal is once again doing their darnedest to forge their old and much-loved monster properties into a unified and hopefully lucrative shared-world franchise. The Mummy is not necessarily the first such creature to come to mind, and first-time director Alex Kurtzman is not necessarily the first filmmaker, but the screenwriter-turned director tells us why he – and it – are the best possible choice. Read more>>

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SPOTLIGHT DECEMBER 2016: Maren Ade, Director and Producer, TONI ERDMANN — by Julide Tanriverdi

awfjspotlightsmallsmallmaren-ade2The German filmmaker Maren Ade is making waves with her third feature Toni Erdmann which caused a sensation at the Cannes Film Festival. Now it opens in theaters and this is a movie no one should miss. Read on…

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Areum Parkkang on AREUM

areum-parkkangIn her first documentary feature, South Korean teacher and filmmaker Areum Parkkang takes a look at her own difficulties in finding a boyfriend. When her numerous blind dates don’t lead anywhere, she asks her students for their advise. They tell her that it is her appearance that is off putting. They advise her to make herself more attractive by slimming down, dressing up in a more feminine way, and wearing makeup. Read her interview on THE FEMALE GAZE

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Mia Hansen-Løve on THINGS TO COME and Writing — Interview by Tomris Laffly

mia-hansen-loveMia Hansen-Løve talks the way she writes: There is an effortless breeziness to her prose. Her casual smarts evidently come easy to her, as she packs multitudes of meaning in each seemingly straightforward statement. Listening to her take a brainy journey from one idea to the next, I note how her in-person demeanor matches the on-the-page and behind-the-camera storyteller. Read more>>

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Maite Alberdi on THE GROWN-UPS

maite-alberdi-300x200Chilean documentarian Maite Alberdi’s uniquely intimate observational style give us an up close and personal glimpse into the world of four adults with Down syndrome, all of whom struggle to live more independently in a social structure that has confined them for 40 plus years in a special education school where they’ve been trained and mow work. In a most humane and compassionate way, the film embraces the dreams and frailties of its leading characters and exposes the ways in which socially conscious compassion and the need for expediency conflict in impacting the lives of people who don’t fit social ‘norms.’ Read Alberdi’s comments on making the filming The Grown Ups and filmmaking on THE FEMALE GAZE.

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EDA Awards @ IDFA 2016 Filmmaker Interview: Coco Schrijber on HOW TO MEET A MERMAID

cococroppedsmallDutch filmmaker Coco Schrijber’s highly cinematic style and essay-like approach to filmmaking transforms her personal quest for resolution about her brother’s downing suicide into a profound contemplation of life-sustaining and death-dealing aspects of the sea. She evokes the unsolved mystery of Rebecca, a cruise ship employee who disappeared while her ship was at sea and the story of a Mexican surfer who is flying across the ocean to find more challenging waves on other shores to broaden her narrative. Read what Coco Schrijber has to say about the film and filmmaking on THE FEMALE GAZE.

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Rufus Sewell on THE MAN IN THE HIGH CASTLE and Donald Trumph — Gill Pringle interviews

Rufus Sewell, 49, has received some of the best reviews of his career for his role as Obergruppenführer John Smith in Amazon Prime’s The Man in The High Castle. Loosely based on a Philip K Dick novel, it poses an alternative history of North America if the Nazis had won the Second World War. It’s little surprise that the Donald Trump campaign was one of the main advertisers on the show, about which he says, “I don’t think that’s an accident.” Read more>>

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Mette Carla Albrechtsen and Lea Glob on VENUS

mettecarla-and-lea-cropped-300x216Danish filmmakers Mette Carla Albrechtsen and Lea Glob explore the subject of young women’s sexuality by setting up an open ‘casting call’ at which they interview the film’s subjects about their sexual experiences and attitudes towards sexuality and their bodies as they develop from adolescence to womanhood. Through this compilation of interviews, the filmmakers contemplate their own attitudes towards sex, and offer the opportunity for women who see the film to do as, as well. Read what they have to say about Venus and filmmaking on THE FEMALE GAZE

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Lucija Stojevic on LA CHANA

lucija-stojevic-smallLucija Stojevic’s La Chana profiles the career and artistry of Antonia Santiago Amador, the hugely popular flamenco dancer, revered by dance afficiandos for her passionate spirit and extraordinary footwork. Her career peaked during the late 1960s, before she inexplicably vanished from the dance world and celebrity. Stojevic delves into Amador’s complex personality by intertwining spectacular footage of her emotional performances with current footage of her quiet live in Barcelona, coaching talented young dancers and preparing a comeback recital — and revealing, for the first time, why she stepped out of the spotlight at the height of her career. La Chana is nominated for the IDFA 2016 AWFJ EDA Award for Best Female-Directed Film. Read Lucija Stojevic’s comments about La Chana on THE FEMALE GAZE.

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Elvira Diaz on EL PATIO

elvira-diazFilmmaker Elvira Diaz was born in 1975 in France, after her father fled from Chile as a political refugee. El Patio is her third documentary about the consequences of Pinochet’s dictatorship on witnesses and victims’ lives. In the film, she follows aging gravediggers as they reveal, for the first time, their haunting memories of surreptitiously burying ‘disappeared persons’ during the dark days of the Pinochet regime. The film is nominated for the IDFA 2016 AWFJ EDA Award of 2,500 Euros. Read Diaz’s comments about making the film on THE FEMALE GAZE

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Alice Schmid on THE GIRL DOWN LOCH ANZI

alice-schmid-headshotAlice Schmid, filmmaker and novelist, tells stories from around the globe, mostly focusing on children. The Girl Down Lock Anzi, nominated for the IDFA 2016 AWFJ EDA Award, is set in rural Switzerland, where 12- year-old Laura is fascinated by and works up the courage to explore a legend about a maiden who is supposedly imprisoned in caves close to her family’s farm. The film is nominated for the IDFA 2016 AWFJ EDA Award of 2,500 Euros. Alice Schmid comments about making the film and filmmaking on THE FEMALE GAZE

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