MOVIE OF THE WEEK September 22 – 29, 2017: BATTLE OF THE SEXES

motw logo 1-35Battle of the Sexes takes its name from the historic 1973 grudge match between tennis superstar Billie Jean King (Emma Stone) and former champ Bobby Riggs (Steve Carell). But the movie is about so much more than that singular game, no matter how big that game turned out to be. It’s about acknowledging and accepting who you are, standing up for what you believe, and using your voice to fight for the people who need you. Continue reading…

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THE WEEK IN WOMEN News: McGowan @ Tallgrass FF, Gerwig @ Austin FF, Payday for Jenkins, Curtis and HALLOWEEN — Brandy McDonnell reports

Rose McGowan is being honored by the Tallgrass International Film Festival in Wichita, Greta Gerwig’s well-reviewed ‘Lady Bird’ has been selected to open the Austin Film Festival, Patty Jenkins has sealed a deal for ‘Wonder Woman 2′ that makes her the highest paid female director in history, and , and Jamie Lee Curtis returns to the ‘Halloween’ franchise. Read all the details on THE WEEK IN WOMEN.

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2017 EDA Award Categories

The Alliance of Women Film Journalists is pleased to announce the 2017 EDA Awards categories. Celebrating our 10th annual awards season, we present EDA Awards in 25 categories divided into three sections, the BEST OF AWARDS, FEMALE FOCUS AWARDS AND EDA SPECIAL MENTION AWARDS. Nominees in each category are determined by AWFJ members who submit nominating ballots. There are currently 77 voting AWFJ members. The full membership list is accessible here. And the 2017 EDA Awards categories are:

AWFJ BEST OF AWARDS
These awards are presented to women and/or men without gender consideration.

Best Film

Best Director

Best Screenplay, Original

Best Screenplay, Adapted

Best Documentary

Best Animated Film

Best Actress

Best Actress in a Supporting Role

Best Actor

Best Actor in a Supporting Role

Best Ensemble Cast – Casting Director

Best Cinematography

Best Editing

Best Non-English-Language Film

EDA FEMALE FOCUS AWARDS
These awards honor WOMEN only.

Best Woman Director

Best Woman Screenwriter

Best Animated Female

Best Breakthrough Performance

Outstanding Achievement by A Woman in The Film Industry

EDA SPECIAL MENTION AWARDS

Actress Defying Age and Ageism

Most Egregious Age Difference Between The Lead and The Love Interest Award

Actress Most in Need Of A New Agent

Bravest Performance

Remake or Sequel That Shouldn’t Have Been Made

AWFJ Hall of Shame Award

2017 EDA AWARDS TIMELINE:

Nominees for all categories will be announced on December 3, 2017.

Final Voting Ballots will be distributed on December 3, 2017

Final Ballots will be due by December 5, 2017

EDA Award winners will be announced on December 9, 2017

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Read the 2016 AWFJ EDA Awards Winners List
Read about 2016 AWFJ EDA Awards in the News
Read more about the Alliance of Women Film Journalists
Read more about the AWFJ EDA Awards
Read the AWFJ Membership ListAWFJ BEST OF AWARDS
These awards are presented to women and/or men without gender consideration.

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TIFF’s Kathleen Drumm on the 2017 Festival’s ‘Share Her Journey’ Initiative — Interview by Julide Tanriverdi

tiff kathleen drummThere is always talk that there are not enough women in Hollywood. The latest study from the Center for the study of Women in Television and Film at San Diego State University revealed at the beginning of the year that only 7 percent of all directors working on the 250 highest-grossing domestic releases in 2016 were female – shockingly a decline of two percent compared to numbers in 2015 and in 1998. How is this possible? Why are we always talking and writing about this if there is no improvement? But change might be in the air – at least in Canada. Continue reading…

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At TIFF: New Zealand’s Maori Women Directors talk WARU — Gill Pringle reports

waru posterTold from the viewpoint of nine female filmmakers, Waru is the first feature film from New Zealand to be made by Maori women since Mereta Mita’s Mauri almost 30 years ago. Eight female Maori directors each contributed a ten minute vignette, presented as a continuous shot in real time, that unfolds around the tangi (funeral) of a small boy (Waru) who died at the hands of his caregiver. The vignettes are all subtly interlinked and each follows one of eight female Maori lead characters during the same moment in time as they come to terms with Waru’s death and try to find a way forward in their community. In Maori, waru means 8. Continue reading Gill Pringle’s exclusive report from TIFF on THE FEMALE GAZE

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Meet Upcoming Indian Director Ashwiny Iyer Tiwari — Interview by Mythily Ramachandran (Exclusive)

Ashwiny Iyer Tiwari (2)Indian director Ashwiny Iyer Tiwari’s first film, Nil Battey Sannata,’ (Hindi for Zero divided by Zero), released last year, was so successful she had to do a second version in Tamil. She premiered her second film, a hilarious romcom titled ‘Bareilly Ki Barfi’ (Hindi for ‘Bareilly’s Candy’) last month. Both films are femme-centric and, as Indian critic Mythily Ramachandran reports, Ashwiny Iyer Tiwari is here to stay. Read Mythily Ramachandran’s interview with Ashwiny Iyer Tiwari on THE FEMALE GAZE.

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Yance Ford on STRONG ISLAND, Grief and Injustice — Jennifer Merin interviews

yance ford headYance Ford has been an influential member of the documentary film community for some years, working as a programmer for POV and commissioning the works of others. With Strong Island, he turns his smarts and skills to making in a highly personal documentary about the murder of his brother and the impact that heinous event had on his family. He sat down with me to discuss Strong Island, rage and grief, injustice and wonderment. Continue reading on CINEMA CITIZEN

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THE WEEK IN WOMEN News: GIRLS TRIP, Patty Jenkins, Geena Davis and Women Texas Film Fest

The hit comedy “Girls Trip” has crossed the $100 million mark at the box office and broken a couple of records in the process. Patty Jenkins, whose “Wonder Woman” is another of this summer’s box office hits, says she hopes the superhero movie’s success will lead to more job openings for women in and beyond the film industry. Geena Davis returns to big screens in the scifi indie,“Marjorie Prime,” about a woman who helps her mother fight dementia by getting her a hologram of her deceased husband to activate her memory. The Dallas-based Women Texas Film Festival announced its award winners, with Brooke and Doug Purdy’s “Quality Problems” taking home the award for Best Feature Film. Read more on THE WEEK IN WOMEN.

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THE WEEK IN WOMEN: James Cameron vs. Wonder Woman! — Brandy McDonnell comments

The Terminator 2: Judgment Day director calls Patty Jenkins’ Wonder Woman movie “a step back,” and confirms Hollywood’s continuing desire to lock women in the “strong” box. In a recent interview centered on the 3-D re-release of his 1991 blockbuster Terminator 2: Judgment Day, James Cameron set off a firestorm on Twitter when he reduced Wonder Woman and her depiction in Patty Jenkins’ record-setting film to “an objectified icon” that he considers “a step backwards” from his female character of Sarah Connor. Read more on THE WEEK IN WOMEN.

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THE WEEK IN WOMEN: Latest on Patty Jenkins, Saoirse Ronan, Reese Witherspoon and Annie Clark aka St. Vincent — Brandy McDonnell reports

Annie Clark, aka St. Vincent, is set to direct a new version of Oscar Wilde’s Picture of Dorian Gray, starring a woman in the title role. Saoirse Ronan takes on the title role in Mary, Queen of Scots, opposite Margot Robbie as Elizabeth. Reese Witherspoon talks rom com evolution as represented by her latest, Home Again, the directorial debut Hallie Meyers-Shyer, daughter of acclaimed director Nancy Meyers. And, Patty Jenkins is upping the income ante on Wonder Woman II, following the first film’s mega box office success. Read details on THE WEEK IN WOMEN.

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MOVIE OF THE WEEK August 18-25: DETROIT

motw logo 1-35Intense. Infuriating. Immediate. Kathryn Bigelow‘s powerful, often-heartbreaking historical drama Detroit is all of these things and more. Set amid the chaos, violence, and anger of the riots that dominated Motor City during the summer of 1967, the film’s narrative focuses on the police brutality that took place at the Algiers Motel on July 25 and 26 of that year, and the justice system’s subsequent whitewashing of that heinous event. Continue reading…

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THE WEEK IN WOMEN: Gadot Seeks Gold, Chastain Joins X-MEN, Woodard Becomes Lionesque and Lamarr Gets Documentary — Brandy McDonnell reports

Warner Bros. will mount an Oscar campaign for Wonder Woman, Gal Gadot and director Patty Jenkins, striving to get first-ever comic book film nominations. Jessica Chastain joins the X-Men: Dark Phoenix cast as Lilandra Neramani, Princess-Majestrix of the Shi’ar Empire, a humanoid species with birdlike attributes. Alfre Woodard will be the voice of Simba’s mom in director Jon Favreau’s remake of Disney’s The Lion King. And, come November, Hedy Lamarr returns to silver screens with the release of Bombshell: The Hedy Lamarr Story, a documentary directed by Alexandra Dean and distributed by Zeitgeist Films, in association with Kino Lorber. Read more in THE WEEK IN WOMEN.

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THE WEEK IN WOMEN: USC Studies Show Numbers Still Dismal for Women in Film –Brandy McDonnell reports

Two studies released in the past week out of the University of Southern California confirm that films remain predominantly white and male both in front of and behind the cameras – meaning that basically everyone else — from women and people of color to LGBT individuals and people with disabilities — remain woefully underrepresented. Read the shocking stats and more on THE WEEK IN WOMEN.

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SPOTLIGHT August 2017: Kathryn Bigelow, Auteur, Oscar Winner, Director of DETROIT

awfjspotlightsmallsmallbigalow critics choice longKathryn Bigelow continues to advance the cause of women working in the film industry. Although she’s said that she prefers to be considered a ‘director’ rather than a ‘female director,’ she has consistently broken through the gender-based barriers that persist in the movie industry. Bigelow’s name is associated with a long list of ‘the first and/or only woman to win…’ stellar accomplishments, including capturing Academy Award gold for Best Director and Best Picture, BAFTA Award for Best Director and Best Picture, DGA Award for Outstanding Direction, PGA Award for Best Theatrical Production and numerous critics group awards (including four AWFJ EDA Awards) for best direction and best film, all for The Hurt Locker in 2008, followed by a similar array of accolades in 2012 for Zero Dark Thirty. Her latest film, Detroit, releases this month, and is already garnering awards buzz. It’s time for AWFJ to celebrate the multitalented and highly accomplished Kathryn Bigelow in our August SPOTLIGHT. Continue reading…

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THE WEEK IN WOMEN: Hollywood’s sexist ways and box-office prospects — Brandy McDonnell comments

It’s been a lackluster summer at the domestic box office, and it may just be that Hollywood’s failure to adapt to the reality that women moviegoers want to see more movies starring women that has at least in part caused this summer’s blahs. Warner Bros. Pictures, however, reached a rare milestone this weekend by exceeding the $1 billion mark at the domestic box office. The studio owes a lot of its 2017 success to the superheroic performance of Wonder Woman, which surpassed Disney/Marvel’s “Guardians of the Galaxy Vol. 2” to become the summer’s highest-grossing film with $389 million. Continue reading on THE WEEK IN WOMEN…

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Chicago Documentary Program Empowers Female Filmmakers — Chaz Ebert reports

chaz filmmakers croppedFew programs inspire me more than those committed to empowering the voices of future filmmakers, and especially those that empower the voices of female filmmakers. That is the goal of the CHA (Chicago Housing Authority) Program in Documentary Filmmaking. Held during the summer at DePaul University’s School of Cinematic Arts, this five-week program is designed for female high school students living in Chicago’s CHA housing. The program prepares young women to become future documentarians by instructing them on everything from aesthetics to technical skills. Continue reading…

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MOVIE OF THE WEEK July 21-28: 500 YEARS

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500 Years is the third film in director Pamela Yates’ trilogy about Guatemala. Expansive in its coverage, and impassioned about its subject, the film is very much a classic social justice documentary, right down to the final scenes of enormous crowds thronging the city streets, demanding change. Continue reading…

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Melbourne International Film Festival 2017′s PIONEERING WOMEN Program — Jennifer Merin reports

miff logo 1The success of Jennifer Kent’s The Babadook (2014) focused international attention on Australian women filmmakers. Australia’s film feminism is being celebrated this year in special programming at the country’s two major film festivals — in the upcoming Melbourne International Film Festival’s (MIFF, August 3-30, 2017) focus on female-directed films from the 1980s and 90s, and with the just finishing Sydney Film Festival’s (June 7-18, 2017) roster of femme-helmed films from the 1960s and 70s. Continue reading

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THE WEEK IN WOMEN News: Whittaker lands DOCTOR WHO, DuVernay teases WRINKLE and Henson joins WRECK-IT — Brandy McDonnell reports

The 13th Doctor is in, and the iconic science fiction series finally has a female lead. Jodie Whittaker will be the 13th time lord on the long-running Doctor Who series. Ava DuVernay revealed the first trailer for her adaptation of A Wrinkle in Time at D23, the Disney fan expo in Anaheim, California. The science fiction thriller also has female leads. Storm Reid stars as Meg, with Reese Witherspoon, Mindy Kaling and Oprah Winfrey as supernatural guides on Meg’s inter-dimensional journey to rescue her father. In good casting news, Taraji. P. Henson joins the Wreck-It Ralph sequel and Lily James joins the Mamma Mia! follow-up. Continue reading on THE WEEK IN WOMEN.

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THE WEEK IN WOMEN News: Geena Davis, Alicia Silverstone and New Stars on Hollywood’s Walk of Fame

Geena Davis celebrates 25th anniversary of ‘A League of Their Own,’ while Alicia Silverstone reflects on the legacy of ‘Clueless.’ Plus, Jennifer, Lawrence, Zoe Saldana, Carrie Underwood, Kirsten Dunst, Taraji P. Henson and more will get stars on the Hollywood Walk of Fame in 2018. Read the details on THE WEEK IN WOMEN.

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THE VILLAINESS — Review by Alexandra Heller-Nicholas

the villainess posterThe reputation of South Korean genre film has been growing exponentially as a force to be reckoned with. The Cannes Film Festival has proven a fertile space for the release of the best the country has on offer to Western markets, and following the success of Yeon-Sang-ho’s extraordinary zombie film Train to Busan in 2016, Cannes’ Midnight Screenings this year featured Jung Byung-gil’s high-octane female-centred action movie The Villainess. Starring Kim Ok-bin (most immediately recognisable from her performance in Park Chan-wook’s 2009 film Thirst), The Villainess by some accounts received a four-minute standing ovation when it screened at Cannes, fuelled no doubt as much by admiration for the film itself as it was a sheer biological necessity to release the film’s near-palpable, contagious energy. Continue reading…

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THE WEEK IN WOMEN News: ‘Wonder Woman’ sets more records, ‘The Beguiled’ tests female vs. male gazes, and more

Patty Jenkins’ Wonder Woman, the first full-fledged cinematic outing for the venerable superhero, achieved another milestone, becoming the highest-grossing film within the DC Extended Universe films. Sofia Coppola’s The Beguiled tests female vs. male gazes, while comparing the careers of Colin Trevorrow and Mimi Leder tests the patience of female film fans. And Jennifer Lawrence, Zoe Saldana and Shonda Rhimes are among the women to earn 2018 stars on Hollywood Walk of Fame. Read more on THE WEEK IN WOMAN.

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MOVIE OF THE WEEK July 7 – 14: LETTERS FROM BAGHDAD

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The word indefatigable may well have been fashioned for the likes of Gertrude Bell. At a time, when women were largely confined to the domestic sphere, Bell climbed mountains, rode camels, palled about with Lawrence of Arabia, and penned letters, mountains of them, all the while dressed in impeccable fashion.Continue reading…

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SPOTLIGHT July 2017: Claire McCarthy, Filmmaker, OPHELIA

awfjspotlightsmallsmallclaire mccarthy 2Outside Oz, Australian filmmaker Claire McCarthy is known primarily for her 2009 film The Waiting City, starring Radha Mitchell and Joel Edgerton as a couple in disarray as they travel to India to take delivery of a child they have adopted. But McCarthy’s broader filmography even more forcefully underscores why she is the perfect director for the upcoming Ophelia project, Hamlet retold from the perspective of Shakespeare’s iconically tragic ingenue as played by Daisy Ridley. As Michelle Hannett reported from Cannes in May, the film is one of the most highly anticipated for 2018 release. Continue reading…

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WATCHING GENDER: How Stereotypes in Movies and on TV Impact Kids’ Development — Betsy Bozdech reports

It’s no secret that what kids see on screens has an impact on what they believe and who they become. That’s particularly true when it comes to gender; media that perpetuates rigid gender roles and stereotypes can affect kids’ sense of self, relationships, and career aspirations. Common Sense Media’s new research brief, “Watching Gender,” explores the effects of gender-biased media (specifically in TV and movies) on children’s development. It’s all part of the Gender Equity Is Common Sense initiative, which will lead to the creation of new tools and strategies to promote positive role models and representations for kids everywhere. Continue reading…awfj gender image study

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