THE WEEK IN WOMEN: Inclusion is the 2018 Oscars theme, but Frances McDormand calls for more — Brandy McDonnell reports

Film Frances McDormandFrances McDormand undoubtedly sent people rushing to their Google search bars when she capped her Oscar acceptance with “two words: ‘inclusion rider.’” Most people are at least somewhat familiar with riders, which are provisional clauses in contracts, and an inclusion rider would be put into actors and other film workers’ contracts to ensure gender and racial equality in the hiring for the project. McDormand’s pointed comment epitomizes the overall theme of the 2018 Oscars, at which presenters and award winners continually made demands for inclusion and diversity, as well as equal opportunity and representation industry-wide. Continue reading on THE WEEK IN WOMEN.

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THE WEEK IN WOMEN: Strong Women behind BLACK PANTHER, Chenoweth joins TRIAL & ERROR, kids get free tix for A WRINKLE IN TIME — Brandy McDonnell reports

Marvel Studio’s “Black Panther” has been garnering praise for its mostly African-American cast and its depiction of the fictional African nation of Wakanda. But this superhero movie isn’t just a testosterone-fest. It is a showcase for smart, dynamic and capable women who are the power behind the mythical nation’s throne. Kristen Chenoweth is set to show her strength in season two of Trial & Error. And free tickets will be distributed to underprivileged kids so they can see and be inspired by Ava DuVernay‘s “A Wrinkle in Time.” Read the details on THE WEEK IN WOMEN.

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SPOTLIGHT March 2018: Rachel Morrison, Cinematographer, Oscar Nominee for MUDBOUND

rachel morrison head 2Bringing a moving image to life takes much more than having the technical skills down pat. Capturing that collection of indelible images requires another special skillset – one that isn’t necessarily taught in school. It requires an understated ability to tap into the director’s vision and the actors’ emotions to produce breathtaking visual poetry. Cinematographer Rachel Morrison’s impressive body of work has long exhibited these traits. Rachel Morrison is a monumental cinematographer whose work is illuminated with nuance. Continue reading…

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THE WEEK IN WOMEN: A Guide to Seeing This Year’s Oscar-Nominated Films — Brandy McDonnell reports

oscars goldThe 90th Oscars will be handed out Sunday at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be broadcast live on ABC at 8 p.m. Eastern / 7 p.m. Central / 5 p.m. Pacific Time. There’s still time to catch up on seeing the nominees in theaters and on smaller screens before the big event. See our guide on THE WEEK IN WOMEN.

EDITOR’S NOTE: You may also be interested in reading about AWFJ’s 2018 Oscar Predictions.

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motw logo 1-35A poignant ode to the need for human connection, Atsuko Hirayanagi’s Oh Lucy! (based on her own 2014 short film) is a quirky dramedy about a Tokyo office worker named Setsuko (Shinobu Terajima). When her solitary life is disrupted by a rather unusual English class taught by hug-happy American John (Josh Hartnett) — who gives her a curly blonde wig and an American name, Lucy — Setsuko starts down a path she never would have anticipated. Continue reading…

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AWFJ’s 2018 Oscar Predictions For Winners in Seven Categories

oscars goldOur impromptu poll is neither mandatory nor universal, and the AWFJ members who’ve sent in their 2018 Oscars predictions have very varied opinions about which nominees will prevail on this year’s golden day. They’ve also specified that these are their predictions, the nominees they think will win, but not necessarily those they hope will win. Their predictions in seven categories are listed on AWARDS INTELLIGENCER. But, the tally of their ballots indicates AWFJ’s predictions for the winners in the 2018 Oscars race. Continue reading…

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THE WEEK IN WOMEN: Fewer Female Protagonists in 2017 — Brandy McDonnell reports

Dismal stats reported in this year’s edition of the annual It’s a Man’s (Celluloid) World report, released on February 22 by San Diego State University’s Center for the Study of Women in Television and Film, show that the number of female protagonists in Hollywood’s top grossing 100 films dropped during 2017, despite the blockbuster success of Wonder Woman and other femme-led films. Just how bad is it? Continue reading on THE WEEK IN WOMEN.

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THE WEEK IN WOMEN: Record-Breaking BLACK PANTHER Proves Inclusion Sells in Cinema — Brandy McDonnell reports

The combined success of the record-breaking, critical acclaim-nabbing and audience-thrilling success of Marvel Studios’ Black Panther, introducing a black superhero and boasting a largely black cast, and the recent record-breaking, critical acclaim-nabbing and audience-thrilling successWonder Woman, whixh gave female filmgoers a superhero in their own image, should prove to Hollywood that inclusion sells in cinema, but will it bring real change in the making of movies? Continue reading on THE WEEK IN WOMEN.

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Godard and Sound: Acoustic Innovation in the Late Films of Jean-Luc Godard — Book Review by Moira Sullivan

Albertine Fox’s Godard and Sound (2017) is an impressive and elaborate study of the use of sound in Jean Luc Godard’s later films beginning in 1979 including his multimedia work. The study builds on the foundation of her doctoral thesis, which investigated the aural properties of film and the field of “audio spectatorship” in film criticism and scholarship. Fox’s interest in the subject developed through an appreciation of minimal music with an ‘acoustic’ echo. Repetitive identical musical patterns played in unison result in an echo, such as the music of Phillip Glass, Brian Eno and Meredith Monk. These echoes are likened to “after images” in paintings with overlapping patterns. There is also a parallel in film. Fox experienced two repetitive loops – the “soundtrack” and “the image” track “moving in parallel motion” in Jean-Luc Godard’s Vivre Sa Vie (1962), which became the genesis of Godard and Sound. Continue reading…

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From The AWFJ Archive: MoMA’s Sally Potter Retrospective – Jennifer Merin comments

Let’s praise Museum of Modern Art (MoMA) curator Sally Berger for putting together a remarkable and well-deserved retrospective (July 7 to 24) of the films and video of Sally Potter, the brilliant British feminist moviemaker with a genuinely unique and fascinating vision.
Potter‘s films are never easy escapes, and she’s often had mixed reviews, but as director, writer, actress, dancer, choreographer and composer, Potter is a rare entity: the complete cinematic artist. She invites you to profound emotional insights and transports you to uncharted realms of imagination and intellect. Continue reading…

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THE WEEK IN WOMEN: SXSW Salutes Women, Harvard Honors Kunis, DGA Awards and Streep Joins ‘LIES’ Cast — Brandy McDonnell reports

Texas’ South By Southwest Festival (March 9-18) showcases several promising projects by women directors including three femme-helmed features, one documentary and a documentary series from Netflix. The Directors Guild of America presented top TV show awards to three shows focusing on women’s stories — The Handmaid’s Tale, Veep and Big Little Lies — and honored directors Reed Morano, Niki Caro and Beth McCarthy-Miller for their work on television series and miniseries. Additionally, DGA President Thomas Schlamme awards ceremony opening speech emphasized the guild’s commitment to opposing sexual harassment. Meryl Streep will join the cast of Big Little Lies in season two. And, Harvard’s The Hasty Pudding Theatricals, the oldest theatrical organization in the US, honored Mila Kunis with it’s Woman of the Year award, while also announcing that year’s production will embrace gender-neutral casting. Read all the details in THE WEEK IN WOMEN.

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Daniela Vega and Sebastien Lelio on A FANTASTIC WOMAN — Jessica Zack interviews

daniela vega crossed legsIn conversation with Daniela Vega, it becomes understandable why the word “natural” comes up repeatedly. Her appearance may be fabulously stylish, but it’s clear that one of her motivating beliefs, in her own life as well as in her mesmerizing portrayal of Marina in A Fantastic Woman, is that “some things, some rights, are so universal, so natural, they shouldn’t even be questioned.” Continue reading…

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From AWFJ’s Archives: MaryAnn Johanson calls out Hollywood Gender Issues on April 8, 2010

AWFJ has been calling attention to gender parity issues and the need for better representation of women in cinema since before these subjects began trending. Read what MaryAnn Johanson wrote about the issues in 2010: “WHAT’S A GIRL TO DO? Oh, there’s lot of advice in the offing. Does anyone fret so much over male movie stars and the course of their careers and the ups and downs of their romances with costars the way that Jennifer Aniston and other female movie stars come in for?” Plus: commentary on Lynda Obst’s surprising suggestion that lady filmmakers need to shut up and count their blessings, the male-centric nature of concern-trolling, and more. Continue reading…

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THE WEEK IN WOMAN: 90th Oscar Noms Mark Milestones for Women and Diversity — Brandy McDonnell reports

In the wake of #OscarsSoWhite, #MeToo and a cavalcade of sexual misconduct scandals brought to light after explosive investigative reports about Harvey Weinstein, the 2018 Oscar nominations marked several milestones for women, African-Americans and transgender people making movies. Continue reading on THE WEEK IN WOMAN.

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SAG Awards THREE BILLBOARDS, PGA Taps SHAPE OF WATER — Michelle Hannett reports

THREE BILLBOARDS OUTSIDE OF EBBING, MISSOURIThe dark comedic drama Three Billboards Outside Ebbing, Missouri was the big winner of the night at the Screen Actors Guild Awards, taking home the award for Best Cast in a Motion Picture, Best Actress and Best Supporting Actor, at this year’s ceremony on January 21. Continue reading on AWARDS INTELLIGENCER

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THE WEEK IN WOMEN: Blanchett Chairs Cannes Jury, Women Helmers Underrepresented, Wahlberg Donates to ‘Time’s Up’ — Brandy McDonnell reports

Last year, out of the 109 people who directed the top 100 movies, just eight were women, according to the latest stats from Southern California’s Annenberg Inclusion Initiative. That’s 4.3 percent! Following the pay disparity controversy between earnings for Mark Wahlberg and Michelle Williams, Wahlberg is donating all of his take from the ‘All the Money in the World’ reshoot to the Time’s Up equality initiative. And, brava! Cate Blanchett is set to head this year’s Cannes jury. Read details on THE WEEK IN WOMEN…

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Filmmaker Alice Foulcher on Collaboration, Multitasking, Fame and THAT’S NOT ME — Interview by Alexandra Heller-Nicholas (Exclusive)

alice foulcher white shirtThat’s Not Me, the Australian independent comedy that premiered at the Santa Barbara International Film Festival, and won audiences awards at both the Sydney Film Festival and Melbourne International Film Festival, was made with an extraordinarily low budget of $45,000 by filmmakers Gregory Erdstein and Alice Foulcher. Receiving rave reviews from The Guardian and Time Out, the self-funded comedy seems to exemplify a trend in Australian cinema, where creatives are finding alternate ways of making movies outside the orthodox framework of notoriously genre-shy formal, institutionalized funding bodies. The local and international acclaim for Foulcher and Erdstein’s breakout film promises the creative couple a bright future, and Foulcher here takes time to discuss the background of That’s Not Me, her feelings about the film industry in Australia, collaboration, fame and future work. Continue reading…

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WOMEN ROCK THE 23RD CRITICS CHOICE AWARDS — Sarah Knight Adamson reports

Critics-Choice-Awards-logo-620x360What a joy to attend the Critics Choice Awards on the heels of the female-driven Golden Globes Awards earlier in the week, as women across the globe were inspired by Oprah’s Cecil B. DeMille Award acceptance speech. The mood Thursday evening, January 11, was exciting to say the least. Everywhere you looked, women−whether celebrities or critics—were beaming. Yes, the room was euphoric in celebration, as finally our voices are being heard. Continue reading…

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THE WEEK IN WOMEN: Oprah Commands Golden Globes, THREE BILLBOARDS OUTSIDE EBBING, MISSOURI get top billing, while THE SHAPE OF WATER dominates Critics Choice and AWFJ EDA Awards — Brandy McDonnell reports

Oprah Winfrey drew repeated ovations from the Hollywood honchos assembled for the Golden Globes, as issued a warning — not once, but three times — to powerful men who abuse women: “Their time is up!” And this year’s big Golden Globe winner is Three Billboards Outside Ebbing, Missouri. But voting members of the Broadcast Film Critics Association/Broadcast Television Journalists Association and the Alliance of Women Film Journalists picked The Shape of Water and their big winner. Continue reading on THE WEEK IN WOMEN…

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2017 AWFJ EDA Awards: The Winners

The women of AWFJ have voted!

shape of water 3The Shape of Water is the big winner in this year’s 1th annual AWFJ EDA Awards, garnering awards for Best Film, Best Director for Guillermo del Toro and Bravest Performance for Sally Hawkins. AWFJ voters show love for Greta Gerwig with EDA’s for Best Female Director and Best Female Screenwriter for Lady Bird, with Laurie Metcalf winning the award for Best Supporting Actress in Lady Bird. EDAs went to a diverse array of talents in 19 additional categories, including Actress Most in Need of a New Agent and the coveted AWFJ Hall of Shame Award. For the full list, Continue reading…

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2017 EDA Award Winners

With sincerest appreciation for all the great work that’s been done in film during 2017, the Alliance of Women Film Journalists is pleased to announce the winners of the 2017 EDA Awards. Congrats to all!

These awards are presented to women and/or men without gender consideration.

Best Film: The Shape of Water

Best Director: Guillermo del Toro — The Shape of Water

Best Screenplay, Original: Get Out — Jordan Peele

Best Screenplay, Adapted: Call Me By Your Name — James Ivory

Best Documentary: Faces, Places — Agnes Varda and JR

Best Animated Film: Coco and Loving Vincent (Tie)

Best Actress: Frances McDormand — Three Billboards Outside Ebbing, Missouri

Best Actress in a Supporting Role: Laurie Metcalf — Lady Bird

Best Actor: Gary Oldman — Darkest Hour

Best Actor in a Supporting Role: Willem Dafoe — The Florida Project

Best Ensemble Cast – Casting Director: Mudbound — Billy Hopkins and Ashley Ingram

Best Cinematography: Roger Deakins — Blade Runner 2019

Best Editing: Lee Smith — Dunkirk

Best Non-English-Language Film: The Square

These awards honor WOMEN only.

Best Woman Director: Greta Gerwig — Lady Bird

Best Woman Screenwriter: Greta Gerwig — Lady Bird

Best Animated Female: Parvana — The Breadwinner

Best Breakthrough Performance: Brooklynn Prince – The Florida Prioject

Outstanding Achievement by A Woman in The Film Industry: Rose McGowan, Ashley Judd and all who spoke out against sexual harrassment


Actress Defying Age and Ageism: Agnes Varda — Faces, Places

Most Egregious Age Difference Between The Lead and The Love Interest Award: I Love You Daddy — Chloe Grace Moretz and John Malkovich

Actress Most in Need Of A New Agent: Kate Winslet for Wonder Wheel and The Mountain Between Us

Bravest Performance (tie): Sally Hawkins in The Shape of Water and Margot Robbie in I, Tonya

Remake or Sequel That Shouldn’t have been Made: The Mummy

AWFJ Hall of Shame Award: The Sexual Tormentors: Harvey Weinstein, Kevin Spacey, Brett Ratner, et al

Congrats to the winners!

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MOVIE OF THE WEEK January 12, 2018: THE POST

motw logo 1-35It’s hard to think of a movie with a more timely, important message than “The Post.” Steven Spielberg’s drama tells the story of the publication of the Pentagon Papers in the ’70s, but the film’s scenes of journalists passionately advocating for a free, independent press in a democracy could just as easily be set in today’s world of “fake news” conflict between the media and the government. Continue reading….

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THE WEEK IN WOMEN: Women-Led Films Top 2017 Box Office, Golden Globes and Time’s Up Fight Harassment, Palm Springs Film Fest Awards, and AWFJ’s EDAs — Brandy McDonnell reports

Not only is the highest grossing movie of the year fronted by a female character – again – the top three films of 2017 are women-led stories. Celebrities attending the Golden Globe Awards ceremony will take a stand against sexual harassment by walking the red in black attire, showing solidarity with women in show business and other professions who are victims of on the job abuse. A new and well-funded organization called Time’s Up, founded by Hollywood A-Listers, is fighting sexual harassment in all professional environments through nation-wide initiatives. Palm Springs International Film Festival awards ceremony, considered to be the new year’s first awards presentation, attracts A-List Oscars contenders. And, AWFJ announces its 11th annual EDA Awards nominees, revealing a particularly strong roster of contenders. Continue reading on THE WEEK IN WOMEN.

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Announcing the 2017 AWFJ EDA Awards Nominees

The Alliance of Women Film Journalists is delighted to announce the nominees for the 2017 AWFJ EDA Awards in 25 categories ranging from the standards such as ‘Best Film,”Best Cinematographer,’ and ‘Best Actress’ to our own gender-focused and sometimes somewhat snarky slots, including ‘Actress Best Defying Age and Ageism’ and ‘Actress Most in Need of A New Agent.’ The annual EDA Awards, now in their eleventh season, reflect women’s perspectives on film, and recognize excellent work in cinema, in front of and behind the camera, with a particular focus on work done by and about women. For the list of nominees, Continue reading…

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Women Receive Two of Three Filmmaker Grants from the Independent Spirit Awards

Film Independent announced the winners of its five Spirit Awards filmmaker grants at its annual Spirit Awards Nominee Brunch held in West Hollywood on Janaury 6. John Cho (Star Trek, Columbus, Search) and Alia Shawkat (Search Party, Blaze, Duck Butter) co-hosted the event and handed out the honors. There’s quite a lot of money involved! Read more on AWARDS INTELLIGENCER

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