THE LOST CITY OF Z– Review by Susan Granger

Based on David Grann’s 2009 non-fiction best-seller, this saga chronicles the incredible adventures of a status-seeking British soldier, Col. Percy Fawcett (Charlie Hunnam), who explored the Amazon River a full century ago. Dispatched in 1906 by the aristocratic Royal Geographical Society, Fawcett’s mission is to map the dangerous, uncharted realms of eastern Bolivia, where it borders with Brazil. Continue reading…

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MOVIE OF THE WEEK April 28 – May 5: TOMORROW EVER AFTER

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The notion of time travel is almost as old as time itself. Ever since we humans invented the idea, we’ve been struggling against it, wanting to go forwards, and then backwards, anywhere but the oppressive present. Director Ela Thier takes this conceit, and tips it gently on its head in her remarkable new film Tomorrow Ever After. Continue reading…

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TOMORROW EVER AFTER — Review by Cate Marquis

The indie science fiction comedy TOMORROW EVER AFTER offers some telling observations on modern life, through the eyes of a stranded time-traveler from the future. Good science fiction very often is a commentary on present-day life. Science fiction movies about a visitor from another time or place, sometimes as a way to comment on society, are nothing new either – think THE DAY THE EARTH STOOD STILL – but what is a bit different in the case of TOMORROW EVER AFTER is that the visitor is from our own future. And TOMORROW EVER AFTER is nearly a one-woman show, with director/writer/editor Ela Thier also starring in her film. Continue reading…

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THE FATE OF THE FURIOUS — Review by Susan Granger

The numbers tell the tale: the eighth installment of this long-running series revved up an estimated $532.5 million worldwide, setting a new record for an opening weekend. Build around muscle cars, drag racing and the importance of family, this high-speed action thriller brings back Vin Diesel as gruff, monosyllabic Dominic Toretto, and it’s filled with spectacular, globe-spanning vehicular destruction. Continue reading…

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THE PROMISE — Review by Martha K. Baker

The Armenian genocide is said to have started on April 24, 1915, so the April opening of “The Promise” honors that historical event. The Turks still refuse to term the mass killing of Armenians anything but “one Armenian dead for every dead Turk.” “The Promise” successfully presents Armenian history through romance. Continue reading…

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THE PROMISE — Review by Susan Granger

Because of strong ties with the Turkish government, American presidents have never acknowledged the Ottoman Empire’s systematic annihilation of 1.5 million Armenians between 1915 and 1918 as “genocide.” So this sprawling, historical epic begins in 1914 as Mikael Boghosian (Oscar Isaac), an ambitious, young apothecary in Siroun, a small southern Turkish village, is betrothed a local girl so he can use her dowry to attend medical school in Constantinople, promising to marry her once he’s a doctor. Continue reading…

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GIFTED — Review by Martha K. Baker

In ‘Gifted,’grand moments offset sentiment. “Gifted” could have arisen from the sentimental slough of Hollywood films. That it does not, that it has moments of sterling silver among the nods to craven consumerism are testaments to the reins of its writer, Tom Flynn, and director, Marc Webb, who also directed “500 Days of Summer.” “Gifted” is not just the glory story of a child lifted out of the ordinary. It is, instead, a debate over providing a real childhood to a math genius, who, at 7, has a mouth on her as well as a brain. Continue reading…

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MOVIE OF THE WEEK April 21-27, 2017: CITIZEN JANE: BATTLE FOR THE CITY

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The street fight between Robert Moses and Jane Jacobs is the subject of Director Matt Tyrnauer’s new film Citizen Jane: Battle for the City. The film, which premiered at the Toronto Film Festival, and opened the DOC NYC Festival, is now entering theatres across the country. Despite the fact that the majority of the action took place more than 50 years ago, it could not be more timely. Continue reading…

citizen jane posterIn 1955, Robert Moses had amassed near-supreme power in New York City, installing bridges, tunnels and public housing on a mass scale. But his plan to bisect Washington Square Park with a four-lane roadway was met with unexpected opposition the form of one Jane Jacobs: mother, journalist, and unlikely activist, who roused her neighbourhood of Greenwich Village, and set about stopping Moses dead in his tracks.

The story has inspired essays, articles, and even an opera, but the pair only met once in real life. Jacobs described the moment in an interview with James Howard Kunstler: “He was there briefly to speak his piece. But nobody was told that at the time. None of us had spoken yet because they always had the officials speak first and then they would go away and they wouldn’t listen to the people. Anyway, he stood up there gripping the railing, and he was furious at the effrontery of this, and I guess he could already see that his plan was in danger. Because he was saying: ‘There is nobody against this – NOBODY, NOBODY, NOBODY but a bunch of … a bunch of MOTHERS!’ And then he stomped out.”

Tyrnauer captures the larger ideas, detailing not only the history and ideology that fuelled the high modernism of the 1950s and 60s, but also uncovering the archetypal clash embodied in the film’s two main combatants. In essence: male versus female, top down against bottom up, and, most fundamentally, destroyer versus creator. Where Moses saw festering rot and urban chaos described as a cancer that needed be surgically removed, Jacobs saw diversity and density, life thronged with messy and competing voices, alive, pulsing, and complex.

After his initial roadway project was defeated, Moses circled back around, designating large swathes of Greenwich Village as “blighted”, a slum that required extensive redevelopment. Again, Jacobs sprang into action, organizing protests, rallies, and even getting arrested.

Jacobs went on to publish her seminal book The Death and Life of Great American Cities, becoming herself a lodestone of influence for generations of urban planners. But the fight that Jacobs started is far from over. When asked after the film’s premiere at the Toronto Film Festival, what he hoped the takeaway would be, the director stated: “Jacobs was fearless in speaking truth to power, the model of a citizen soldier. Her story resonates today, as we are faced with a president — an international developer, no less, of luxury towers — who throws around the terms ‘urban renewal’ and ‘American carnage.’ The film can be seen as a playbook for people who want to defend vulnerable minority communities everywhere. Certainly in this country, but also in the developing world, entrepreneurs and governments collude routinely to uproot low-income sections of cities in favor of towers for the rich. That is in large part what Jacobs was writing about, and it’s happening all over again, on a much bigger scale.”– – Dorothy Woodend

Team #MOTW Comments:

Anne Brodie: Matt Tyrnauer’s galvanizing documentary Citizen Jane: Battle for the City describes how a writer turned activist helped turn the tide and saved our cities. Jacobs knew a city’s value is in the well being of its citizens and the places they frequented – sidewalks, parks, neighbourhoods – made life safe and pleasant. Le Corbusier’s idea of stark modernism, which meant wiping the “old” to make way for the new – soulless superblock residential towers, expressways through the heart of the city and its communities, she felt was an insidious lie. This wave nearly did sweep North America fifty years ago but heroine Jane’s movement grew and as a result, some plans were abandoned, some blocks were torn down and the movement to build was tamed for a time. They didn’t work, they created slums, danger, and criminality. Jacobs arguments helped saved New York and Toronto from greedy city planners at the time when the environmental and feminist movements were taking off, a trifecta of win-win. China is now in the throes of Le Corbu modernisation, building city after city of dense superblocks that will according to Jacobs result in a long-term threat to well-being. Archival footage of Jacobs being a warrior, speaking out, reasoning and marching stirs the pulse. Her eagerness to go into battle was our good fortune. Good thing she can’t see the condo superblocks today.

Betsy Bozdech: Watching “Citizen Jane,” it’s impossible not to wish that Jane Jacobs was still with us, continuing to put her grit and determination to use organizing the kind of passionate protests that helped her fight for the heart and soul of America’s urban landscape. Deftly mixing historical footage with insightful interviews, Matt Tyrnauer’s documentary manages to make the topic of city planning engaging and relevant, all while introducing us to a woman who deserves a statue in one of the parks she worked so hard to save.

Jennifer Merin: At a time when cinemaphiles and the world at large are clamoring for positive female images and strong women as role models on the screen, Matt Tyrnauer’s Citizen Jane: Battle for the City introduces us to Jane Jacobs, the author and activist whose social and political engagement preserved NYC neighborhoods for the people who live in them. Jane Jacobs is a superb role model, and director Matt Tyrnauer’s remarkable biodoc is a blueprint of how one woman can make an enduring difference. This inspiring film is a must-see.

FILM DETAILS:

Title: Citizen Jane: Battle for the City

Director: Matt Tyrnauer

Release Date: April 21, 2017

Running Time: 92 minutes

Language: English

Principal Cast: Documentary about Jane Jacobs, author and activist.

Screenwriters: Matt Tyrnauer (Director), Daniel Morfesis (Editor)

Production Company: Altimeter Films

Distributor: IFC/Sundance Selects

Trailer

Official Site:

AWFJ Movie of the Week Panel Members: Thelma Adams, Anne Brodie, Betsy Bozdech, Cynthia Fuchs, Pam Grady, Leba Hertz, Cate Marquis, Jennifer Merin, Nell Minow, Sheila Roberts, Liz Whittemore, Susan Wloszczyna, Jeanne Wolf, Dorothy Woodend

Other Movies Opening This Week

Written by Betsy Bozdech, edited by Jennifer Merin, social media by Sandra Kraisirideja

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THE INVISIBLE WAR (2012) — RetroReview by Jennifer Merin

invisible-war-poster-artConsidering that April is Sexual Assault Awareness Month, this is a good time to take another look at The Invisible War, Kirby Dick and Amy Ziering’s compelling documentary about the rape of soldiers — women and men, but mostly women — in the U.S. military. As the film indicates, some 20 percent of enlistees report an assault, though the actual number is suspected to be almost double that. Additionally, the number of reported incidents is about double the number of reported rapes in the civilian world. There is systematic cover up of incidents, although authorities declare a zero tolerance policy. Nothing much has changed since the film’s 2012 release. Continue reading on CINEMA CITIZEN

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HEAL THE LIVING — Review by Cynthia Fuchs

Katell Quillévéré’s Heal the Living opens with the sound of breathing. Seventeen-year-old Simon (Gabin Verdet) wakes to see his girlfriend sleeping beside him, as their breathing together creates a soothing, essential rhythm. It’s before dawn, and Simon is soon out of bed and on his way to the beach, where he and his friends will surf: as he rides his bicycle, the camera hovers and follows him, creating another rhythm, swift and lovely, when Simon’s friend — riding a skateboard — comes up beside him on the street. Together, they make their way to a van driven by a third friend, and they’re off, to the deep blue, early morning waves. Continue reading…

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GHOST IN THE SHELL — Review by Susan Granger

If you’re into the latest whiz-bang technology, this dystopian sci-fi thriller is a live-action remake of Mamoru Oshii’s 1995 cyberpunk anime, based on Masamune Shirow’s popular 1989 manga series. Its publicity campaign has focused on Scarlett Johansson’s appearing to be ‘almost’ naked, dashing around a futuristic cityscape in a flesh-colored, skin-tight casing; she’s a cyborg law-enforcement officer known as the Major. The gimmick is that when she dons this “thermoptic” suit, she is basically invisible. Continue reading

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MR. UNTOUCHABLE (2007) — RetroReview by Jennifer Merin

mr untouchable posterHe was the ultimate Harlem gangster. The New York Times Magazine dubbed Leroy “Nicky” Barnes Mr. Untouchable, and he lived large on the millions of dollars he made as head honcho in Harlem’s heroin trade. It was a business he ran ruthlessly, until 1977, when he was arrested, he turned State’s evidence and disappeared into the witness protection program. In Marc Levin’s fine documentary Barnes emerges from the shadows, sort of. The documentary is emerging from the archives at Harlem’s Maysles Cinema on April 18. Continue reading on CINEMA CITIZEN

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GIFTED — Review by Susan Granger

If you’re searching for a fascinating, feel-good, family film with a provocative premise, choose “Gifted.” Seven year-old Mary Adler (Mckenna Grace), a child prodigy, lives happily in a coastal Florida trailer park with Uncle Frank (Chris Evans) and her one-eyed cat named Fred. But now it’s time for her to go to a real school and, hopefully, make some friends her own age. Continue reading…

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THE BOSS BABY — Review by Susan Granger

Somewhere in the clouds above, Baby Corp. runs an adorable newborn assembly line, where babies are manufactured and families formed. That’s according to the overactive imagination of seven year-old Tim Templeton (voiced by Miles Christopher Bakshi), who is totally content as the only child of doting parents (voiced by Jimmy Kimmel, Lisa Kudrow) who read him endless bedtime stories and sing the Beatles’ tune “Blackbird” as his lullaby. But then Tim’s perfect little world is disrupted by the arrival of a baby brother named Theodore. In Tim’s mind, the demanding infant is a tiny tyrant, dispatched by Management, arriving in a business suit, wearing a Rolex and carrying a briefcase. And he can talk. Continue reading…

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MOVIE OF THE WEEK: April 14-21, 2017: HEAL THE LIVING

motw logo 1-35Melancholy and moving, Heal the Living is a quiet, affecting French drama about organ donation. It weaves multiple characters’ stories together as it explores both the heartbreaking loss and the heady promise of renewed life. Continue reading…

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GOING IN STYLE — Review by Susan Granger

Bill Gates once said, “Banking is necessary, banks are not.” Which may be why bankers and banks have become popular cinematic villains. Like the hapless brothers in last year’s “Hell or High Water,” three Brooklyn-based seniors suddenly realize that – because of a nefarious local bank – they’re going to be broke and homeless. Joe (Michael Caine) comes up with the idea of an armed robbery after conferring with a sleazy Williamsburg Savings Bank manager (Josh Pais) about his adjustable mortgage that has suddenly tripled, threatening him, his divorced daughter and beloved granddaughter with foreclosure and eviction. Read on…

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T2: TRAINSPOTTING — Review by Susan Granger

Back in 1996, Scottish filmmaker Danny Boyle celebrated sneering, rebellious, drug-drenched youth in “Trainspotting.” In this sequel, Ewan McGregor and the Leith lads trip into middle-age. Re-visiting the same characters 20 years later, it recalls how Mark Renton (McGregor) ripped off his friends in a lucrative drug deal. Apparently, he took the money and fled to Amsterdam, where he kicked his heroin habit and plunged into respectability, including a failed marriage. Continue reading…

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SPOTLIGHT April, 2017: Katell Quillévéré, Filmmaker, HEAL THE LIVING

awfjspotlightsmallsmallWhen Katell Quillévéré was awarded France’s Jean Vigo Prize in 2010 for her first feature film, Love Like Poison, the cinematic community knew they had an exciting and original new filmmaker to follow. Quillévéré, who studied philosophy and cinema at the University of Paris, shows a unique talent for asking big questions through the lives of her characters. Read on…

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MOVIE OF THE WEEK April 7 – 14, 2017: CARRIE PILBY

motw logo 1-35She may be a genius, but Carrie Pilby (Bel Powley) still has a lot to learn about human nature — and herself. This Manhattan-set indie comedy follows 19-year-old Harvard graduate Carrie as she navigates life and love, which isn’t easy, given that she overthinks literally everything. Like a distaff Holden Caulfield, Carrie is frequently trapped in her own head, suspicious of others’ motives and so many steps ahead of everyone she interacts with that she’s virtually incapable of things like casual conversation and dating. Read on…

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THE BOSS BABY – Review by Martha K. Baker

‘The Boss Baby’ brings infancy to corporations. the voice-over intones, “LIfe was good. Life was perfect.” Life for this voice of a seven-year-old will change the minute the baby arrives. This baby shows up, not in a onesie, but in a suit and carrying a briefcase. Suddenly, life is not so good. Continue reading…

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THE ZOOKEEPER’S WIFE – Review by Susan Granger

As years go by, more and more poignant survival stories that have been buried in Holocaust history are surfacing. This one begins on a beautiful day in 1939 at Poland’s Warsaw Zoo, where Antonia Zabinska (Jessica Chastain) is helping her husband Jan (Belgian actor Johan Heldenberg) tend the animals. That afternoon, she resuscitates a newborn elephant calf who cannot breathe – with its distraught mother’s at her side. But then German aircraft appear overhead, and bombs reign down, killing many of the terrified beasts, while others escape to roam the city’s streets. Read on…

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WILSON — Review by Susan Granger

Based on Daniel Clowes’ 2010 graphic novel, this dark comedy revolves around an eccentric, middle-aged misanthrope who lives in a shabby apartment with Pepper, his engaging wire fox terrier, and is prone to befriend and then brusquely criticize strangers when they’re out for a walk. After his father dies of cancer and his only friend moves away, irascible Wilson (Woody Harrelson), who is far too forthright and honest, makes a half-hearted attempt to socialize, mentioning to a lonely companion (Margo Martindale) that he misses his ex-wife Pippi (Laura Dern), who left him 17 years ago. Read on…

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MOVIE OF THE WEEK March 31- April 7, 2017: THE ZOOKEEPER’S WIFE

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The Zookeeper’s Wife is a powerful, emotional ​fact-based ​drama about both the depth of human suffering experienced during World War II and the remarkable courage and strength of character that ordinary women and men demonstrated when their friends’ and neighbors’ lives were in danger. Jessica Chastain stars as Antonina Zabinska, a warm, gentle wife, mother, and animal lover who helps her husband, Jan (Johan Heldenbergh), run the Warsaw Zoo in late-1930s Poland. Read on…

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THE RED TURTLE — Review by Susan Granger

This 80-minute animated fable is memorable for its dazzling aesthetic and imaginative storytelling, which explains its Academy Award nomination. Beginning with a roiling sea, the story revolves around a man who is lost in the waves and washes up on a tropical island, seemingly inhabited only by birds and curious, scuttling sand crabs. As he explores the lush vegetation, thick forests and rock walls beyond the beach, he slips and falls into a crevasse. Instead of drowning in the water below, he finds a way out. And that’s only the first lesson he learns in coping with loneliness and the forces of nature around him. Read on…

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THE ZOOKEEPER’S WIFE — Review by Cate Marquis

The Zookeeper’s Wife is not only an inspirational true story told through a lush historical film but a women’s cinema trifecta: A female star in the lead role, a woman director and a woman author. The director is Niki Caro, who rose to fame with Whale Rider, another film with a determined female central character, and the film is adapted from Diane Ackerman’s book of the same name. The star is Jessica Chastain, who plays Antonina Zabinska, a little-known hero during the Holocaust, who ran the Warsaw zoo alongside her husband Jan in pre-World War II Poland. When the Nazis invade their country, Antonina and her husband sheltered hundreds of Jewish men, women and children in their home on the zoo grounds, and therefore saved their lives. Read on…

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