AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Claire Simon on LE CONCOURS

claire simon 275Le Concours, translated as “The Entrance Exam,” is an in-depth and intimate look at the students applying to La Fémis, one of the world’s most famous and prestigious film, where filmmaker Claire Simon was Head of Directing Studies. As the budding cinéastes struggle to find a place, the narrative spends a good deal of time with their interlocutors, pulling back the curtain to reveal the depth of seriousness and care that is extended to the students. Impassioned arguments about merit, and the very nature of cinema are hurled into the air. Read what Claire Simon has to say about her most recent project on THE FEMALE GAZE.

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AWFJ EDA Awards @ DOXA: Films and Juries

For the second consecutive year, the Alliance of Women Film Journalists is partnering with DOXA Documentary Film Festival to present EDA Awards for best female-directed films at the 16th annual festival, to be held from May 4 to 14, in Vancouver, BC. doxa logo 2017DOXA programmers have nominated female-directed films in two EDA Awards categories: Best Female-Directed Feature Length Documentary and Best Female-Directed Documentary Short. EDA Awards juries for both categories are comprised exclusively of AWJF members. Continue reading…

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THE INVISIBLE WAR (2012) — RetroReview by Jennifer Merin

invisible-war-poster-artConsidering that April is Sexual Assault Awareness Month, this is a good time to take another look at The Invisible War, Kirby Dick and Amy Ziering’s compelling documentary about the rape of soldiers — women and men, but mostly women — in the U.S. military. As the film indicates, some 20 percent of enlistees report an assault, though the actual number is suspected to be almost double that. Additionally, the number of reported incidents is about double the number of reported rapes in the civilian world. There is systematic cover up of incidents, although authorities declare a zero tolerance policy. Nothing much has changed since the film’s 2012 release. Continue reading on CINEMA CITIZEN

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AWFJ to Present EDA Awards @ DOXA Film Festival

The Alliance of Women Film Journalists and DOXA are partnering for the second consecutive year to present AWFJ EDA Awards at this year’s festival, taking place in Vancouver, BC, from May 4 to 14, 2017. doxa logo 2017DOXA programmers nominate ten female-directed films in each of the two EDA Awards categories. EDA Awards juries are comprised exclusively of AWJF members. This year’s nominated films and jury panels will be announced shortly. Continue reading…

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Oscars 2017: A Compendium of AWFJ Members’ Views — Jennifer Merin reports

oscar trophyOur goal is to present a compendium of AWFJ members’ perspectives on Oscars 2017. Not surprisingly, the views vary widely from utter enthusiasm to complete dismay, with mix of meh in between. Quite a few of our members opted out of the project, claiming awards burn out, indicating frustrations with the Academy’s new press procedures and/or stating that this year’s entire awards campaign and media buildup was either too political or not political enough. Read what Jeanne Wolf, Susan Wloszczyna, Moira Sullivan, Diana Saenger, Sheila Roberts, Nell Minow, Brandy McDonnell, Michelle McCue, Karen Martin, Kimberly Lindbergs, Leba Hertz, Candice Frederick, Marilyn Ferdinand, Chaz Ebert, Katherine Brodsky, Liz Braun, Betsy Bozdech and Erica Abeel have to say about Oscar 2017 on AWARDS INTELLIGENCER…

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AWFJ on KTEP 88.5 FM: Talking EDA Awards, Oscars, and the Status of Women In Film — Jennifer Merin reports

KTEP 88.5 FM’s ON FILM host Charles Horak discusses The Alliance of Women Film Journalists’ annual and festival EDA Awards recognizing the work and contributions done by women and about women, both in front and behind the camera, points to the decreased level of opportunity for women behind the camera in 2016, and elicits a list of must-see undervalued 2016 films by and about women. Thank you, Charles Horak for your ongoing support of AWFJ and our goals. Listen to the program on KTEP 88.5 FM.

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It’s a Wrap: AWFJ Looks Back at 2016

AWFJ is completing our tenth anniversary year, and it’s time to take stock and evolve. What has our organization accomplished during 2016, and what are our goals for 2017. But as we look back to evaluate our accomplishments and before we set forth plans for a new year filled with worthwhile projects, let’s pause for a moment to give due credit to the AWFJ members who’ve contributed their ideas, time and energy to make our 2016 programs and enterprises so successful. Well done! And here’s round of applause and a virtual pat on the back to each of you in recognition of your collegiality and activism. Now on to the nitty gritty about what AWFJ has done curing 2016, with shout outs to individual members who helmed projects and made them happen. Read on…

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SPOTLIGHT January 2017: Ava DuVernay, Film Director and Crusader — by Marilyn Ferdinand

awfjspotlightsmallsmallava-duvernay-head-shotIt’s hard to think of a more galvanizing, charismatic woman in film than Ava DuVernay. The 44-year-old producer, director, writer, distributor and crusader for social justice broke into the larger cultural zeitgeist in 2015, the year her acclaimed film Selma was nominated for two Academy Awards, including Best Picture, and four Golden Globes, and won the AWFJ EDA Award for Best Woman Director. She is the winner of three AWFJ EDA Awards in 2016, including those for Best Documentary and Best Female Director for 13th and Outstanding Achievement by a Woman in Film. Read on…

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AWFJ EDA Awards for Best of 2016

moonlight-posterThe women of AWFJ have voted!

Moonlight is the big winner in this year’s tenth annual AWFJ EDA Awards, garnering awards in seven categories. AWFJ voters show love for esteemed director/activist Ava DuVernay with three EDAs. Manchester By The Sea won two. EDAs went to a diverse array of talents in 13 additional categories, including Bravest Performance, Actress Most in Need of a New Agent and the coveted AWFJ Hall of Shame Award. Read on…

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2016 AWFJ EDA Awards in the News

IndieWire
RogerEbert.com
Movie City News
News OK (1)
We Are Movie Geeks (1)
Red Carpet Report
Atlanta Journal Constitution
Women and Hollywood (1)
The Hollywood Times
WKKG 101.5
Belief Net Movie Mom
Daily Me
Fashion + Lifestyle
Outtake
We Are Movie Geeks (2)
Premios Oscars
Women and Hollywood (2)
News OK (2)
Awards Watch
IMDb
Tomates Verdes Fritos
Facebook

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Read the 2016 AWFJ EDA Awards Winners List
Read about 2016 AWFJ EDA Awards in the News
Read more about the Alliance of Women Film Journalists
Read more about the AWFJ EDA Awards
Read the AWFJ Membership List

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2016 AWFJ EDA Award Winners

With sincerest appreciation for all the great work that’s been done in film DURING 2015, the Alliance of Women Film Journalists is pleased to announce the winners of the 2016 EDA Awards. Congrats to all!

AWFJ EDA BEST OF AWARDS
These awards are presented to women and/or men without gender consideration.

Best Film: Moonlight

Best Director: Barry Jenkins – Moonlight

Best Screenplay, Original: Manchester by the Sea – Kenneth Lonergan

Best Screenplay, Adapted: Moonlight – Barry Jenkins

Best Documentary: 13th – Ava DuVernay

Best Animated Film: Zootopia – Byron Howard, Rich Moore, Jared Bush

Best Actress: Ruth Negga – Loving

Best Actress in a Supporting Role: Viola Davis – Fences

Best Actor: Casey Affleck – Manchester By The Sea

Best Actor in a Supporting Role: Mahershala Ali – Moonlight

Best Ensemble Cast – Casting Director: Moonlight – Yesi Ramirez

Best Cinematography: Moonlight – James Laxton

Best Editing: Moonlight – Joi McMillon and Nat Sanders

Best Non-English-Language Film: The Handmaiden – Park Chan-Wook, South Korea

EDA FEMALE FOCUS AWARDS
These awards honor WOMEN only.

Best Woman Director: Ava DuVernay – 13th

Best Woman Screenwriter: Kelly Reichardt – Certain Women

Best Animated Female (tie):
Judy in Zootopia – Ginnifer Goodwin
Moana in Moana – Auli’i Cravalho

Best Breakthrough Performance: Ruth Negga – Loving

Outstanding Achievement by A Woman in The Film Industry:
Ava DuVernay – For 13th and raising awareness about the need for diversity and gender equality in Hollywood

EDA SPECIAL MENTION AWARDS

Actress Defying Age and Ageism (tie):
Annette Bening – 20th Century Women
Isabelle Huppert – Elle and Things to Come

Most Egregious Age Difference Between The Lead and The Love Interest Award: Rules Don’t Apply – Warren Beatty (b. 1937) and Lily Collins (b. 1989)

Actress Most in Need Of A New Agent: Jennifer Aniston – Mother’s Day and Office Christmas Party

Bravest Performance: Isabelle Huppert – Elle

Remake or Sequel That Shouldn’t have been Made: Ben Hur

AWFJ Hall of Shame Award: Sharon Maguire and Renee Zellwegger for Bridget Jones’s Baby

Congrats to the winners!

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Read about 2016 AWFJ EDA Awards in the News
Read the list of 2016 AWFJ EDA Award Nominees
Read more about the Alliance of Women Film Journalists
Read more about the AWFJ EDA Awards
Read the AWFJ Membership List

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2016 AWFJ EDA Award Nominees

The Alliance of Women Film Journalists is pleased to announce the nominees for the 2016 AWFJ EDA Awards. In our 10th annual awards season, we present EDA Awards in 25 categories divided into three sections, the BEST OF AWARDS, FEMALE FOCUS AWARDS AND EDA SPECIAL MENTION AWARDS. Nominees in each category are determined by AWFJ members who submit nominating ballots. There are currently 76 voting AWFJ members. The full membership list is accessible here. And the 2016 nominees are: Read on…

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2016 AWFJ EDA Award Nominees

The Alliance of Women Film Journalists is pleased to announce the nominees for the 2016 AWFJ EDA Awards. In our 10th annual awards season, we present EDA Awards in 25 categories divided into three sections, the BEST OF AWARDS, FEMALE FOCUS AWARDS AND EDA SPECIAL MENTION AWARDS. Nominees in each category are determined by AWFJ members who submit nominating ballots. There are currently 76 voting AWFJ members. The full membership list is accessible here. And the 2016 nominees are:

AWFJ BEST OF AWARDS
These awards are presented to women and/or men without gender consideration.

Best Film

Arrival
Hell or High Water
La La Land
Manchester by the Sea
Moonlight

Best Director

Damien Chazelle – La La Land
Barry Jenkins – Moonlight
Kenneth Lonergan – Manchester by the Sea
David Mackenzie – Hell or High Water
Denis Villeneuve – Arrival

Best Screenplay, Original

20th Century Women
– Mike Mills
Hail Caesar – Joel Coen and Ethan Coen
Hell or High Water – Taylor Sheridan
La La Land – Damien Chazelle
Manchester by the Sea – Kenneth Lonergan

Best Screenplay, Adapted

Arrival – Eric Heisserer
Lion – Luke Davies
Love & Friendship – Whit Stillman
Moonlight – Barry Jenkins
Nocturnal Animals –Tom Ford

Best Documentary

13th – Ava DuVernay
Gleason – Clay Tweel
I Am Not Your Negro – Raoul Peck
OJ Made in America – Ezra Edelman
Weiner – Elyse Steinberg and Josh Kriegma

Best Animated Film

Finding Dory
– Andrew Stanton and Angus MacLane
Kubo and the Two Strings- Travis Knight
Moana – Ron Clements, Don Hall, John Musker, Chris Williams
Zootopia – Byron Howard, Rich Moore, Jared Bush

Best Actress

Amy Adams – Arrival
Isabelle Huppert – Elle
Ruth Negga – Loving
Natalie Portman – Jackie
Emma Stone – La La Land

Best Actress in a Supporting Role

Viola Davis – Fences
Greta Gerwig – 20th Century Women
Naomie Harris – Moonlight
Octavia Spemcer-Hidden Figures
Michelle Williams – Manchester by the Sea

Best Actor

Casey Affleck – Manchester By The Sea
Joel Edgerton – Loving
Ryan Gosling – La La Land
Tom Hanks – Sully
Denzel Washington – Fences

Best Actor in a Supporting Role

Mahershala Ali – Moonlight
Jeff Bridges – Hell or High Water
Ben Foster – Hell or High Water
Lucas Hedges – Manchester By the Sea
Michael Shannon- Nocturnal Animals

Best Ensemble Cast – Casting Director

20th Century Women – Mark Bennett and Laura Rosenthal
Hail Caesar – Ellen Chenoweth
Hell or High Water – Jo Edna Boldin and Richard Hicks
Manchester by the Sea – Douglas Aibel
Moonlight – Yesi Ramirez

Best Cinematography

Arrival – Bradford Young
Hell or High Water – Giles Nuttgens
La La Land – Linus Sandgren
Manchester by The Sea – Jody Lee Lipes
Moonlight – James Laxton

Best Editing

Arrival – Joe Walker
I Am Not Your Negro — Alexandra Strauss
La La Land – Tom Cross
Manchester By The Sea – Jennifer Lame
Moonlight – Joi McMillon and Nat Sanders

Best Non-English-Language Film

Elle
– Paul Verhoeven, France
Fire At Sea – Gianfranco Rosi, Italy
The Handmaiden – Chan-Wook Park, South Korea
Julieta – Pedro Almodovar. Spain
Toni Erdmann – Maren Ede, Germany

EDA FEMALE FOCUS AWARDS
These awards honor WOMEN only.

Best Woman Director

Andrea Arnold – American Honey
Ava DuVernay -13th
Rebecca Miller – Maggie’s Plan
Mira Nair – Queen of Katwe
Kelly Reichardt – Certain Women

Best Woman Screenwriter

Andrea Arnold – American Honey
Rebecca Miller – Maggie’s Plan
Kelly Reichardt – Certain Women
Lorene Scafaria – The Meddler
Laura Terruso – Hello, My Name is Doris

Best Animated Female

Dory in Finding Dory –Ellen DeGeneres
Judy in Zootopia – Ginnifer Goodwin
Moana in Moana – Auli’i Cravalho

Best Breakthrough Performance

Sasha Lane – American Honey
Janelle Monai – Moonlight and Hidden Figures
Madina Nalwanga – Queen of Katwe
Ruth Negga – Loving

Outstanding Achievement by A Woman in The Film Industry

Ava DuVernay – For 13th and raising awareness about the need for diversity and gender equality in Hollywood.

Anne Hubbell and Amy Hobby for establishing Tangerine Entertainment’s Juice Fund to support female filmmakers.

Mynette Louie, President of Gamechanger Films, which finances narrative films directed by women.

April Reign for creating and mobilizing the #OscarsSoWhite campaign.

EDA SPECIAL MENTION AWARDS

Actress Defying Age and Ageism

Anette Bening – 20th Century Women
Viola Davis – Fences
Sally Field – Hello, My Name is Doris
Isabelle Huppert – Elle and Things to Come
Helen Mirren – Eye in the Sky

Most Egregious Age Difference Between The Lead and The Love Interest Award

Dirty Grandpa – Robert De Niro (b. 1943) and Aubrey Plaza (b. 1984)
Indepencence Day Resurgence – Charlotte Gainsbourg (b 1971) and Jeff Goldblum (b 1952)
Mechanic Resurrection – Jason Statham (b. 1967) and Jessica Aba (b. 1981)
Rules Don’t Apply – Warren Beatty (b. 1937) and Lily Collins (b. 1989)

Actress Most in Need Of A New Agent

Jennifer Aniston – Mother’s Day and Office Christmas Party
Melissa McCarthy – The Boss and Ghostbusters
Margot Robbie – Suicide Squad and Tarzan
Julia Roberts – Mother’s Day
Shailene Woodley – Divergent Series

Bravest Performance

Jessica Chastain – Ms. Sloane
Naomie Harris – Moonlight
Isabelle Huppert – Elle
Sasha Lane – American Honey
Ruth Negga – Loving

Remake or Sequel That Shouldn’t Have Been Made

Ben Hur
Ghostbusters
Independence Day Resurgence
The Magnificent Seven
My Big Fat Greek Wedding

AWFJ Hall of Shame Award

Sharon Maguire and Renee Zellwegger for Bridget Jones’s Baby
Nicholas Winding Refn and Elle Fanning for The Neon Demon
David Ayer and Margot Robbie for Suicide Squad
David E. Talbert and Mo’Nique for Almost Christmas

————————————————————————————————
Read the 2016 AWFJ EDA Awards Winners List
Read about 2016 AWFJ EDA Awards in the News
Read more about the Alliance of Women Film Journalists
Read more about the AWFJ EDA Awards
Read the AWFJ Membership List

read more

Whistler Film Festival 2016: Feminism Soars – Jennifer Merin reports

whistler-2016The 16th annual Whistler Film Festival has drawn to a close after five days packed with film screenings, a full house of filmmaker labs and pitch sessions, parties and power skiing. Parity for women is a cause that’s fully embraced by festival director Shauna Hardy Mishaw, who has established partnerships with female focused organizations to train, mentor and promote women directors and producers at the festival. Additionally, femme-helmed films scored big in award wins. Read more>>

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AWFJ EDA Awards @ Whistler Film Festival 2016: The Winners — Jennifer Merin reports

whistler-2016For the fourth consecutive year, the Alliance of Women Film Journalists was at Whistler Film Festival to present AWFJ EDA Awards to female filmmakers for Best Female-Directed Narrative Feature and Best Female-Directed Documentary. The winners were announced on December 4 at the festival’s awards ceremony at the Maury Young Arts Center. Read on…

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AWFJ to Present EDA Awards at Whistler Film Festival — Jennifer Merin reports

whistler-2016This is the fourth consecutive year in which the Alliance of Women Film Journalists has the honor to partner with Whistler Film Festival to recognize women filmmakers with presentation of EDA Awards for Best Female-Directed Feature Film and Best Female-Directed Documentary at this year’s festival, held in Whistler from November 30 to December 4, 2016. Whistler Film Festival nominates narrative features and documentaries for consideration. Selected by AWFJ jurors, the winners will be announced on December 4, at the Whistler Film Festival Awards Ceremony. Read on…

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Maite Alberdi Wins IDFA 2016 AWFJ EDA Award for THE GROWN UPS, with 2,500 Euros Prize

idfa-2016For the third consecutive year, the Alliance of Women Film Journalists presented the EDA Award for Best Female-Directed Film at the International Documentary Film Festival Amsterdam. At a ceremony hosted by Chile Docs and held on November 22, IDFA director Ally Derks introduced AWFJ jurors Jennifer Merin and Dorothy Woodend who were attending the festival, and they in turn announced winner of the award and the cash prize of 2,500 Euros. The winner of the IDFA 2016 AWFJ EDA Award for Best Female-Directed film is The Grown Ups, directed by Chilean filmmaker Maite Alberdi. Read more…

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Asli Ozarslan on DIL LEYLA

asli-ozarslanAsli Özarslan’s Dil Leyla is the story of Imret Leyla, mayor of Cizre, a Kurdish town in Turkey. At age 26, she’s the youngest mayor in Turkey. Having left Cizre for Germany at age five, after her father, a Kurdish guerilla, was killed, she returns to help rebuild her town. Political tensions rise as Turkey’s national elections near. In profiling Leyla’s struggle, Özarslan calls forth contemplation of Turkey’s political climate and of women’s influence in bettering the outlook. Read Özarslan’s interview about the film on THE FEMALE GAZE.

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Areum Parkkang on AREUM

areum-parkkangIn her first documentary feature, South Korean teacher and filmmaker Areum Parkkang takes a look at her own difficulties in finding a boyfriend. When her numerous blind dates don’t lead anywhere, she asks her students for their advise. They tell her that it is her appearance that is off putting. They advise her to make herself more attractive by slimming down, dressing up in a more feminine way, and wearing makeup. Read her interview on THE FEMALE GAZE

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Maite Alberdi on THE GROWN-UPS

maite-alberdi-300x200Chilean documentarian Maite Alberdi’s uniquely intimate observational style give us an up close and personal glimpse into the world of four adults with Down syndrome, all of whom struggle to live more independently in a social structure that has confined them for 40 plus years in a special education school where they’ve been trained and mow work. In a most humane and compassionate way, the film embraces the dreams and frailties of its leading characters and exposes the ways in which socially conscious compassion and the need for expediency conflict in impacting the lives of people who don’t fit social ‘norms.’ Read Alberdi’s comments on making the filming The Grown Ups and filmmaking on THE FEMALE GAZE.

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EDA Awards @ IDFA 2016 Filmmaker Interview: Coco Schrijber on HOW TO MEET A MERMAID

cococroppedsmallDutch filmmaker Coco Schrijber’s highly cinematic style and essay-like approach to filmmaking transforms her personal quest for resolution about her brother’s downing suicide into a profound contemplation of life-sustaining and death-dealing aspects of the sea. She evokes the unsolved mystery of Rebecca, a cruise ship employee who disappeared while her ship was at sea and the story of a Mexican surfer who is flying across the ocean to find more challenging waves on other shores to broaden her narrative. Read what Coco Schrijber has to say about the film and filmmaking on THE FEMALE GAZE.

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Mette Carla Albrechtsen and Lea Glob on VENUS

mettecarla-and-lea-cropped-300x216Danish filmmakers Mette Carla Albrechtsen and Lea Glob explore the subject of young women’s sexuality by setting up an open ‘casting call’ at which they interview the film’s subjects about their sexual experiences and attitudes towards sexuality and their bodies as they develop from adolescence to womanhood. Through this compilation of interviews, the filmmakers contemplate their own attitudes towards sex, and offer the opportunity for women who see the film to do as, as well. Read what they have to say about Venus and filmmaking on THE FEMALE GAZE

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Lucija Stojevic on LA CHANA

lucija-stojevic-smallLucija Stojevic’s La Chana profiles the career and artistry of Antonia Santiago Amador, the hugely popular flamenco dancer, revered by dance afficiandos for her passionate spirit and extraordinary footwork. Her career peaked during the late 1960s, before she inexplicably vanished from the dance world and celebrity. Stojevic delves into Amador’s complex personality by intertwining spectacular footage of her emotional performances with current footage of her quiet live in Barcelona, coaching talented young dancers and preparing a comeback recital — and revealing, for the first time, why she stepped out of the spotlight at the height of her career. La Chana is nominated for the IDFA 2016 AWFJ EDA Award for Best Female-Directed Film. Read Lucija Stojevic’s comments about La Chana on THE FEMALE GAZE.

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Elvira Diaz on EL PATIO

elvira-diazFilmmaker Elvira Diaz was born in 1975 in France, after her father fled from Chile as a political refugee. El Patio is her third documentary about the consequences of Pinochet’s dictatorship on witnesses and victims’ lives. In the film, she follows aging gravediggers as they reveal, for the first time, their haunting memories of surreptitiously burying ‘disappeared persons’ during the dark days of the Pinochet regime. The film is nominated for the IDFA 2016 AWFJ EDA Award of 2,500 Euros. Read Diaz’s comments about making the film on THE FEMALE GAZE

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Alice Schmid on THE GIRL DOWN LOCH ANZI

alice-schmid-headshotAlice Schmid, filmmaker and novelist, tells stories from around the globe, mostly focusing on children. The Girl Down Lock Anzi, nominated for the IDFA 2016 AWFJ EDA Award, is set in rural Switzerland, where 12- year-old Laura is fascinated by and works up the courage to explore a legend about a maiden who is supposedly imprisoned in caves close to her family’s farm. The film is nominated for the IDFA 2016 AWFJ EDA Award of 2,500 Euros. Alice Schmid comments about making the film and filmmaking on THE FEMALE GAZE

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