A FANTASTIC WOMAN — Review by Moira Sullivan

A Fantastic Woman (“Una Mujer Fantastica”, Chile 2017)) opens on the expanse of the majestic and torrential flow of the Iguazú Falls located on the borders of Argentina, Paraguay and Brazil. Its visually moving beauty is photographed by Benjamín Echazarreta and eloquently accompanied in a flute and harp composition by Matthew Herbert who scores the film. The cascade of water plummets from several sides of the mountain ridge, creating a massive vortex called “Garganta del Diablo” – the “Devil’s Throat”. Mist emanates in slow motion from this voluptuous wonder as it hits the rocks below. It is surprising that this marvel is named for a malevolent force, but this is also the paradox of the dramatic development in this well-crafted and poignant film. Continue reading…

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MOVIE OF THE WEEK February 2, 2018: A FANTASTIC WOMAN

motw logo 1-35Chile’s Oscar-nominated “A Fantastic Woman” is a modern twist on the kind of Douglas Sirk or Joan Crawford movies of the 1950’s about women in torment. Those were stories of women forced to suffer indignities but who never lost their own dignity and glamour. In the mid-century, “the problem that has no name” described by Betty Friedan had not yet led to the women’s movement, and women in film and in real life often felt invisible, as though all women cared about was keeping the house clean and the children happy. In this film, our heroine is a trans woman named Marina, played by a trans actress, Daniela Vega. The story is about her struggle to be seen for who she is and for all that she is. Continue reading…

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