MOVIE OF THE WEEK April 20: LITTLE PINK HOUSE

motw logo 1-35Courtney Balaker’s “Little Pink House” is a compelling drama based on the true story of Susette Kelo (Catherine Keener), a nurse who isn’t looking for anything bigger than a quiet life in the pink cottage she renovated herself in a decidedly unglamorous part of New London, Connecticut. But she’s destined to become the national face of an emotional court battle over eminent domain after the city comes for her home — and those of her neighbors — in the early 2000s so that pharmaceutical corporate giant Pfizer can build a new facility on the land. \Continue reading…

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MOVIE OF THE WEEK April 13, 2018: THE RIDER

motw logo 1-35Sweeping vistas and earnest, ultra-realistic performances are at the heart of Chloe Zhao’s moving drama “The Rider,” which follows the struggles of a modern cowboy after his promising rodeo career is cut short by a grave injury. The drama was filmed almost entirely on the Pine Ridge Indian Reservation in South Dakota and features Pine Ridge residents — members of the Lakota tribe — playing thinly fictionalized versions of themselves. Continue reading…

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MOVIE OF THE WEEK, April 6, 2018: MABEL MABEL TIGER TRAINER

motw logo 1-35More than just the story of the remarkable Mabel Stark and her eventful life, Leslie Zemeckis’ documentary Mabel, Mabel, Tiger Trainer is a fascinating glimpse into a world most of us will never experience, one of dangerous animals, fearless performers, and the nonstop behind-the-scenes drama of the big tent. It is also a chronicle of life of a gifted, determined and tougher than tigers woman performance artist in America from the turn of the nineteenth century to 1968. Continue reading…

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MOVIE OF THE WEEK, March 30: OUTSIDE IN

motw logo 1-35Lynn Shelton’s “Outside In” is a delicately rendered, poignant drama about the power of human connection. It centers on Chris (Jay Duplass, who co-wrote the screenplay with Shelton), who’s just spent 20 years in prison after being convicted of a crime that wasn’t really his fault (wrong place, wrong time). Out on parole largely due to the tireless advocacy and research work of his former English teacher, Carol (Edie Falco), Chris returns to a small Pacific Northwest town that welcomes him back but doesn’t really have any idea what to do with him. Continue reading…

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MOVIE OF THE WEEK, March 9, 2018: CLAIRE’S CAMERA

motw logo 1-35Claire’s Camera is Cannes-centric. South Korean filmmaker Hong Sang-soo set his quirky character-driven, genre-defying drama in the sun-drenched seaside resort town as the festival is taking place, but never visits the event’s star-studded glamour or industry hustle — both of which actually surrounded the film’s premiere at the festival in 2017. And, since the story is about friendship between two women, Claire’s Camera is femme-centric, too. Continue reading…

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MOVIE OF THE WEEK February 23, 2018: HALF MAGIC

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Heather Graham’s directorial debut, Half Magic, is completely femme-centric, but it won’t pass the Bechdel Test. Yes, the comedy focuses on three women who have viable careers and who talk to each other frequently — but almost all of their conversation is about men and sex. More specifically, about how to hook up with nicer men and have better sex. Continue reading…

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MOVIE OF THE WEEK February 16, 2018: THE PARTY

motw logo 1-35Sally Potter’s “The Party” is an atmospheric, rapid-fire dark comedy about a celebratory dinner party where unexpected revelations come as quickly as bon mots. With its sophisticated script and minimalist setting (the whole thing takes place nearly in real time, in just a couple of rooms), “The Party” has the feel of a play adapted for the big screen. The fact that the all-star cast includes powerhouse actresses Kristin Scott Thomas, Patricia Clarkson, Cherry Jones, and Emily Mortimer — all of whom can dominate a stage with the best of them — underlines that impression. Continue reading…

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MOVIE OF THE WEEK February 2, 2018: A FANTASTIC WOMAN

motw logo 1-35Chile’s Oscar-nominated “A Fantastic Woman” is a modern twist on the kind of Douglas Sirk or Joan Crawford movies of the 1950’s about women in torment. Those were stories of women forced to suffer indignities but who never lost their own dignity and glamour. In the mid-century, “the problem that has no name” described by Betty Friedan had not yet led to the women’s movement, and women in film and in real life often felt invisible, as though all women cared about was keeping the house clean and the children happy. In this film, our heroine is a trans woman named Marina, played by a trans actress, Daniela Vega. The story is about her struggle to be seen for who she is and for all that she is. Continue reading…

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MOVIE OF THE WEEK January 26, 2018: MARY AND THE WITCH’S FLOWER

motw logo 1-35Take a lonely British child, add an unexpected discovery and a previously unknown world of magic — including a special school run by powerful wizards — and what do you have? Nope, not Harry Potter. It’s Mary and the Witch’s Flower, director Hiromasa Yonebayashi’s lovely anime take on prolific British author Mary Stewart’s 1971 children’s novel The Little Broomstick. Continue reading…

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MOVIE OF THE WEEK January 12, 2018: THE POST

motw logo 1-35It’s hard to think of a movie with a more timely, important message than “The Post.” Steven Spielberg’s drama tells the story of the publication of the Pentagon Papers in the ’70s, but the film’s scenes of journalists passionately advocating for a free, independent press in a democracy could just as easily be set in today’s world of “fake news” conflict between the media and the government. Continue reading….

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MOVIE OF THE WEEK January 5, 2018 : MOLLY’S GAME

motw logo 1-35In “Molly’s Game,” writer/director Aaron Sorkin introduces us to Molly Bloom (Jessica Chastain), a complicated woman who’s all the more fascinating because she’s real. Smart, resourceful, competitive, driven — Molly succeeds at whatever she puts her mind to. At first, that’s skiing; pushed hard by her demanding father, Larry (Kevin Costner), she becomes an Olympic-level champion who seems destined for gold…until a random accident ends her skiing career for good. continue reading….

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MOVIE OF THE WEEK December 29: Best Female Characters of 2017

motw logo 1-35With thanks to all of the movie industry women and men who’ve birthed them and brought them into our consciousness, Team #MOTW focuses attention on some of the brilliant female characters who’ve joined our pantheon of feminist film goddesses during 2017. A legion of strong, complex, and compelling fictional, truth-based and real life women have shared their struggles, aspirations and accomplishments with us. Their various stories represent every aspect of feminist activism for equality and justice. They give us insight, strength and inspiration. Browse our #MOTW roster for an overview of this year’s list of great female characters, and for Team #MOTW favorites, continue reading….

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MOVIE OF THE WEEK December 8: THE TRIBES OF PALOS VERDES

motw logo 1-35In “The Tribes of Palos Verdes,” well-manicured lawns, sprawling houses, and groomed beaches can’t prevent family turmoil from wreaking havoc in the life of teenage Medina (Maika Monroe). Yet the melancholy drama, written by Karen Croner, features a particularly strong performance by Jennifer Garner, who plays against type as Sandy, Medina’s neurotic, insecure, emotionally unstable mother. Continue reading...

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MOVIE OF THE WEEK November 10: MUDBOUND

motw logo 1-35Telling the intertwining stories of two families — one white, one black — living on the same piece of rural Mississippi farmland in the 1940s, Dee ReesMudbound blends strong performances, notable cinematography, and heartbreaking human drama. It’s clear things are going to get grim from the opening sequence, in which adult brothers Henry and Jamie McAllan (played by Jason Clarke and Garrett Hedlund, respectively) try to bury their father despite the onslaught of a torrential downpour, which leaves both men shaken and covered in mud. Continue reading…

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MOVIE OF THE WEEK November 3, 2017: 11/8/16

motw logo 1-35Anticipation. Excitement. Hope. Worry. Fear. Anger. Despair. On November 8, 2016 — election day — tens of millions of Americans felt one, many, or all of those emotions, no matter who they voted for. And the wide-ranging, collaborative documentary “11/8/16″ brings all of those big feelings right back to the forefront as it chronicles a day that many of us wish we could forget (or at least do over) but that history will always remember. Continue reading…

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MOVIE OF THE WEEK: October 27: NOVITIATE

motw logo 1-35If your idea of life in mid-20th-century convents is all about kindly nuns solving problems like Maria and climbing every mountain, Novitiate will be a real eye-opener. Writer/director Margaret Betts’ first feature-length drama tells the sometimes-bleak story of Cathleen (Margaret Qualley), an earnest young woman from Tennessee who decides to take the veil in the early 1960s, on the eve of the far-reaching Vatican II reforms that would change traditional church life forever. Continue reading…

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MOVIE OF THE WEEK October 20: THE DIVINE ORDER

motw logo 1-35Several decades after the Sexual Revolution swept across the United States (and around the world) during the late 1960s, it’s all too easy to gloss over just how earth-shattering a change the movement for greater feminine freedom made in the lives of so many women and their families, and to women’s roles in society. Petra Volpe’s entertaining political dramedy, The Divine Order, tells the story of unstoppable women who defied local traditions and oppressive husbands to fight for greater personal freedom. The film offers a compelling reminder of why we must continue to press forward for women’s rights. Continue reading…

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MOVIE OF THE WEEK October 6, 2017: FACES PLACES

motw logo 1-35Celebrated filmmaker Agnes Varda is no stranger to making films about everyday, relatable people — including herself. FACES PLACES, her collaboration with photographer/artist J.R. (he’s known only by his initials), chronicles the pair’s friendship and partnership while introducing audiences to a wide range of French people, who share their communities and fascinating stories with Varda and J.R. in exchange for powerful, personalized public art installations. Continue reading…

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MOVIE OF THE WEEK August 11 to 18, 2017: PATTI CAKE$

motw logo 1-35Opening August 18, Patti Cake$ tells the story of aspiring New Jersey rapper Patricia “Killa P” Dombrowski, portrayed by Australian actress Danielle Macdonald in a breakout perfomance. Patti lives with her single mom, Barb (Bridget Everett), and grandmother, Nana (Cathy Moriarty), in near squalor in urban New Jersey. Barb spends her evenings getting drunk and bitterly reveling in memories of her youthful days of near-stardom as a pop singer — a dream that fell by the wayside when she got pregnant with Patti. Patti, without outbursts of rebellion or resentment, sustains the family with menial jobs, while literally dreaming every night of stardom, as over-the-top visions of famous rapper O-Z (Sahr Ngaujah) float through her sleeping mind. Continue reading…

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MOVIE OF THE WEEK: Best Femme-Helmed, Femme-Centric Films of 2017, To Date

motw logo 1-35Focusing specifically on films directed by women as well as those featuring strong female lead characters and female-centric stories, AWFJ’s Team #MOTW has endorsed 31 exceptional films during 2017, to date. Because we pick only one film for our Movie of the Week endorsement, we’ve actually had to pass up a good number of other superb films that qualified, but were not our collective top choice. Now that we’ve arrived at the midway point in this year’s release schedule, we’re pausing to look back at all the films we’ve considered for #MOTW endorsement, and we are pleasantly surprised to note the volume of wonderful films made by and about women. Continue reading…

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MOVIE OF THE WEEK July 14-21: THE MIDWIFE

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Two women, one old wound, and a whole lot of wine. Boiled down to its essential ingredients, Martin Provost’s new film The Midwife is diverting enough, filled with small pleasures, and sometimes that is enough. Especially when the two women are so beautifully portrayed by Catherine Deneuve and Catherine Frot. Continue reading…

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MOVIE OF THE WEEK July 7 – 14: LETTERS FROM BAGHDAD

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The word indefatigable may well have been fashioned for the likes of Gertrude Bell. At a time, when women were largely confined to the domestic sphere, Bell climbed mountains, rode camels, palled about with Lawrence of Arabia, and penned letters, mountains of them, all the while dressed in impeccable fashion.Continue reading…

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MOVIE OF THE WEEK June 30-July 6: THE BEGUILED

motw logo 1-35With her sixth feature, director Sofia Coppola can no longer be denied the appellation of auteur… if she ever could. The lush visuals, sultry atmosphere, and almost serene sense of the sinister that infuses The Beguiled add intriguing new layers to the distinctive signature approach to cinematic storytelling Coppola has been developing since her debut with 1999’s The Virgin Suicides. Continue reading…

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MOVIE OF THE WEEK June 16 – 23: MAUDIE

motw logo 1-35 Director Aisling Walsh’s film Maudie centres around the life and work of Nova Scotia folk artist Maud Lewis. Lewis is familiar to Canadians and to art lovers around the world from her iconic paintings, made during the latter part of her life, but the film actually begins with the portrait of the artist as a young woman. Continue reading…

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MOVIE OF THE WEEK June 9 – 16: MEGAN LEAVEY

motw logo 1-35A film about a woman and a dog already has one at a distinct advantage. Critical faculties are of little avail against the soulful eyes of an adorable canine. Gabriela Cowperthwaite’s film Megan Leavey (opening June 9, 2017) pulls at the heartstrings with near shameless abandon, and for the most part it works. – Continue reading…

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