Filmmaker Alice Foulcher on Collaboration, Multitasking, Fame and THAT’S NOT ME — Interview by Alexandra Heller-Nicholas (Exclusive)

alice foulcher white shirtThat’s Not Me, the Australian independent comedy that premiered at the Santa Barbara International Film Festival, and won audiences awards at both the Sydney Film Festival and Melbourne International Film Festival, was made with an extraordinarily low budget of $45,000 by filmmakers Gregory Erdstein and Alice Foulcher. Receiving rave reviews from The Guardian and Time Out, the self-funded comedy seems to exemplify a trend in Australian cinema, where creatives are finding alternate ways of making movies outside the orthodox framework of notoriously genre-shy formal, institutionalized funding bodies. The local and international acclaim for Foulcher and Erdstein’s breakout film promises the creative couple a bright future, and Foulcher here takes time to discuss the background of That’s Not Me, her feelings about the film industry in Australia, collaboration, fame and future work. Continue reading…

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THAT’S NOT ME – Review by Alexandra Heller-Nicholas

One of the most unexpected delights of Australian cinema in 2017 was Gregory Erdstein and Alice Foulcher’s low-budget comedy That’s Not Me, winning audience favourite awards at both Sydney and Melbourne Film Festivals this year and garnering strong, vocal support from film critics around the country. The debut feature by husband-and-wife team Erdstein and Foulcher – who met while students at Melbourne’s esteemed Victorian College of the Arts – wrote the screenplay together, with Erdstein taking on directorial duties while Foulcher played not one but both of the starring roles. Continue reading…

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THESE FINAL HOURS – Review by Liz Whittemore

these final hours posterWe’ve come to expect over the top action sequences and huge action stars when approaching the subject of the end of days. In this edition of Sunday Bloody Sunday, we’re looking at apocalyptic poignance in the new Netflix release These Final Hours. Taking a step back from the usual fare, this film gets to the heart of coming face to face with ones demise. Read more>>

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