Australian Filmmaker Kim Farrant, STRANGERLAND and ANGEL OF MINE — Alexandra Heller-Nicholas comments

kim ferrantIn early February this year, Screen Australia announced that Noomi Rapace would star in Australian director Kim Farrant’s upcoming psychological thriller Angel of Mine. With a script by Oscar-nominated fellow Australian Luke Davies of Lion fame and based on Safy Nebbou’s 2008 French film The Mark of an Angel, the film is reimagined in the Australian city of Melbourne. In late March, Australian-born actor Yvonne Strahovski (The Handmaid’s Tale) was added to the cast with the project beginning shooting in Melbourne this April. All signs are indicating that Farrant’s follow-up to her widely misunderstood but hugely impressive 2015 feature debut Strangerland starring Nicole Kidman promises to further reveal an until-now generally unrecognised Australian filmmaking talent. Continue reading…

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MOVIE OF THE WEEK February 9: THAT’S NOT ME

motw logo 1-35Alice Foulcher does triple duty in “That’s Not Me,” starring as both aspiring Australian actress Polly and her identical twin sister, Amy (also an actress), as well as co-writing with director Gregory Erdstein. The result is an appealing exploration of ambition, identity, and the whims of showbiz. The movie’s focus is mainly on Polly, who’s wanted to be an actress her whole life and dreams of getting her big break, even while she’s working a day job at a local cinema. Continue reading…

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THAT’S NOT ME — Review by Cynthia Fuchs

“They wanted Amy and they got the other one. That’s what they actually called you in the feedback.” Poor Polly (Alice Foulcher). An aspiring actor who works part-time selling tickets at a cinema in Melbourne, she’s reminded daily that her identical twin Amy (also Alice Foulcher) has exactly the career she wants, including a role on an HBO series opposite Jared Leto. Worse, as her agent Trish (Janine Watson) tells her, Polly is “confusing people” because they keep mistaking her for her sister. Continue reading…

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THAT’S NOT ME — Review by Moira Sullivan

There is nothing more painful than watching aspiring actresses pursue the road to Hollywood when they haven’t got a portfolio, an agent or acting credits. This is the premise of That’s Not Me, starring Australian filmmaker Alice Foulcher who co-wrote and served as co-executive producer in this indie directed and co-written by her husband Greg Erdstein. The film premiered at the 2017 Melbourne International Film Festival. Foulcher is a director, producer and writer of several successful short films, and we are looking forward to her feature length directorial debut. Continue reading…

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THAT’S NOT ME — Review by Cate Marquis

In the Australian comedy, That’s Not Me, Alice Foulcher plays Polly, a struggling actor in Melbourne whose life is turned upside down when her twin sister Amy, also an actor, sudden launches into international fame. Ironically, the role that gave Amy the exposure she needed to win a part in a big movie was a part in a soap opera that Polly had turned down. Continue reading…

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WHAT IF IT WORKS? — Review by Alexandra Heller-Nicholas

Australian cinema has a curious relationship with romantic comedies. While international
hits like Strictly Ballroom (1992), Muriel's Wedding (1994), and Love and Other Catastrophes
(1996) found the subgenre hitting a commercial and critical sweet spot in the early-mid
1990s, it isn’t a national trend that has been repeated. Australian cinema has generally
since then leant towards darker or more serious subject matter. Filmmaker Romi Trower’s
What if It Works? may not have gained the same traction as its romcom predecessors, but
it’s certainly the little movie that could, winning awards for Best Australian Independent
Film at the 2017 Gold Coast Film Festival in Australia, Best Debut Feature Film at Canada’s
Female Eye Film Festival, and Cinequest’ New Visions Award in San Jose. Continue reading...

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Melbourne International Film Festival 2017′s PIONEERING WOMEN Program — Jennifer Merin reports

miff logo 1The success of Jennifer Kent’s The Babadook (2014) focused international attention on Australian women filmmakers. Australia’s film feminism is being celebrated this year in special programming at the country’s two major film festivals — in the upcoming Melbourne International Film Festival’s (MIFF, August 3-30, 2017) focus on female-directed films from the 1980s and 90s, and with the just finishing Sydney Film Festival’s (June 7-18, 2017) roster of femme-helmed films from the 1960s and 70s. Continue reading

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THE FAMILY — Review by Alexandra Heller-Nicholas

In Australia, the very words “The Family” still send tremors through those of a certain generation, associated as they are with two notorious scandals in two different states. In the first instance, it was the name given by the press to a group of pedophile killers in Adelaide who during the late 1970s and early 1980s in particular that linked a number of highly regarded professional men to a series of hideous crimes, including five murders. As of 2016, only one of the murders had been solved, and only one arrest had been made despite the speculated involvement of up to ten others. In Melbourne, however, “The Family” evokes different ghosts: a cult (headed by the beautiful, almost ethereal Anne Hamilton-Byrne), linked to a long list of alleged abuses against its members, including children. Read more>>

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