THE WEEK IN WOMEN: Inclusion tops box office with BLACK PANTHER and A WRINKLE IN TIME — Brandy McDonnell reports

Ignore the headlines about Black Panther dominating A Wrinkle in Time at the box office. Yes, the commercial and critical juggernaut that is Ryan Coogler’s Black Panther has topped earnings on the domestic cinema release list for the fourth consecutive week, relegating Ava DuVernay’s much-hyped adaptation of Madeline L’Engle’s beloved femme-centric young-adult book into second place. But both movies are from Disney, which thus far has winning tickets in the inclusion category for 2018. Continue reading on THE WEEK IN WOMEN.

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THE WEEK IN WOMEN: Strong Women behind BLACK PANTHER, Chenoweth joins TRIAL & ERROR, kids get free tix for A WRINKLE IN TIME — Brandy McDonnell reports

Marvel Studio’s “Black Panther” has been garnering praise for its mostly African-American cast and its depiction of the fictional African nation of Wakanda. But this superhero movie isn’t just a testosterone-fest. It is a showcase for smart, dynamic and capable women who are the power behind the mythical nation’s throne. Kristen Chenoweth is set to show her strength in season two of Trial & Error. And free tickets will be distributed to underprivileged kids so they can see and be inspired by Ava DuVernay‘s “A Wrinkle in Time.” Read the details on THE WEEK IN WOMEN.

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THE WEEK IN WOMEN News: Whittaker lands DOCTOR WHO, DuVernay teases WRINKLE and Henson joins WRECK-IT — Brandy McDonnell reports

The 13th Doctor is in, and the iconic science fiction series finally has a female lead. Jodie Whittaker will be the 13th time lord on the long-running Doctor Who series. Ava DuVernay revealed the first trailer for her adaptation of A Wrinkle in Time at D23, the Disney fan expo in Anaheim, California. The science fiction thriller also has female leads. Storm Reid stars as Meg, with Reese Witherspoon, Mindy Kaling and Oprah Winfrey as supernatural guides on Meg’s inter-dimensional journey to rescue her father. In good casting news, Taraji. P. Henson joins the Wreck-It Ralph sequel and Lily James joins the Mamma Mia! follow-up. Continue reading on THE WEEK IN WOMEN.

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THE WEEK IN WOMEN News Wrap: “Wonder Woman” soars, “Mummy” stumbles, plus Cowperthwaite, DuVernay and Winfrey — Brandy McDonnell reports

Wonder Woman” really unwrapped “The Mummy” at this week’s box office, while Gabriela Cowperthwaite‘s “Megan Leavey” took an unexpectedly big bite of the take, too — again proving to Hollywood that American filmgoers — both women and men — love seeing women’s stories on the big screen. Ava DuVernay and Oprah Winfrey speak out for diversity and inclusion. Read all the details on THE WEEK IN WOMAN.

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AWFJ on KTEP 88.5 FM: Talking EDA Awards, Oscars, and the Status of Women In Film — Jennifer Merin reports

KTEP 88.5 FM’s ON FILM host Charles Horak discusses The Alliance of Women Film Journalists’ annual and festival EDA Awards recognizing the work and contributions done by women and about women, both in front and behind the camera, points to the decreased level of opportunity for women behind the camera in 2016, and elicits a list of must-see undervalued 2016 films by and about women. Thank you, Charles Horak for your ongoing support of AWFJ and our goals. Listen to the program on KTEP 88.5 FM.

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AWFJ Movie of the Week, January 13 – January 20, 2017: 13TH

13Ava DuVernay’s documentary 13TH was the first nonfiction film to open the New York Film Festival. The film has gone on to garner numerous prizes and is currently shortlisted for the Academy Awards.

The 13th amendment provides a point of departure, but the film is far more than investigation of mass incarceration in the US. It is a history lesson, a cinema essay and cogent and irrefutable indictment of the economic and cultural policies that are the enduring legacy of slavery. Read on…

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SPOTLIGHT January 2017: Ava DuVernay, Film Director and Crusader — by Marilyn Ferdinand

awfjspotlightsmallsmallava-duvernay-head-shotIt’s hard to think of a more galvanizing, charismatic woman in film than Ava DuVernay. The 44-year-old producer, director, writer, distributor and crusader for social justice broke into the larger cultural zeitgeist in 2015, the year her acclaimed film Selma was nominated for two Academy Awards, including Best Picture, and four Golden Globes, and won the AWFJ EDA Award for Best Woman Director. She is the winner of three AWFJ EDA Awards in 2016, including those for Best Documentary and Best Female Director for 13th and Outstanding Achievement by a Woman in Film. Read on…

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AWFJ EDA Awards for Best of 2016

moonlight-posterThe women of AWFJ have voted!

Moonlight is the big winner in this year’s tenth annual AWFJ EDA Awards, garnering awards in seven categories. AWFJ voters show love for esteemed director/activist Ava DuVernay with three EDAs. Manchester By The Sea won two. EDAs went to a diverse array of talents in 13 additional categories, including Bravest Performance, Actress Most in Need of a New Agent and the coveted AWFJ Hall of Shame Award. Read on…

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Critics Choice Documentary Awards 2016 — Jennifer Merin reports

ccdaAs proof positive of the trending interest in nonfiction film, the first-ever Critics Choice Documentary Awards (CCDA) were presented on November 3, 2016, at a gala event attended by leading documentary filmmakers, distributors and film critics. Presented by the BFCA and BTJA, the critics organizations behind the annual Critics Choice Movie Awards (to be presented on December 11), the documentary awards covered nonfiction films with theatrical releases and those shown on television or via online streaming. The CCDAs are the first awards given in recognition of the various genres of documentary film by critics. Read more…

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Top Female Performances @ New York Film Festival 2016 — Liz Whittemore reports

nyff-54-previewWoman were out in  full force at this year’s festival. From directors like Ava DuVernay, Kelly Reichardt, Alison Maclean, Maren Ade, and Mia Hansen-Løve in the Main Slate section alone, to the star studded Hollywood performers we’ve come to love and respect throughout the years. Tackling subjects such as grief, injustice, rape culture, loneliness, fear and self actualization, this year’s selections were a strong representation of the complexities of  the female gender.  Read on…

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THE 13th — Review by Tomris Laffly

Angry and urgent, Ava DuVernay’s unflinching study of the mass incarceration of Black people in the US is one of this year’s timeliest films. Read more>>

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THE WEEK IN WOMEN: TV’s SUPERGIRL Soars, but Regendered Movie Remakes Fall Flat – Brandy McDonnell reports

supergirlSupergirl soars as the season’s top rated new series, featuring Melissa Benoist as Superman’s cousin Kara Zor-El, and a primarily female cast of major characters. Its debut episode’s delightfully fun and decidedly feminist attitude dealt with double standards women face — though she has all of Superman’s powers, Kara’s discouraged from trying to save the world. Between Supergirl‘s super-success on CBS and Netflix’s hotly anticipated Nov 20 debut of Marvel’s superheroine series Jessica Jones, it’s worth asking this question a hundred times: Why are we waiting so long for a superheroine movie? And why, meanwhile, are we expected to settle for regendered movie remakes that fall flat? Plus the latest on Ava Duvernay, Reese Witherspoon and women in animation. Read this week’s THE WEEK IN WOMEN.

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An Open Letter to the New York Film Festival Selection Committee – Rania Richardson

Dear NYFF Selection Committee,

It was a surprise to many last Thursday, when Ava DuVernay was not on the list of Academy Award nominees for Best Director despite her widely hailed work on “Selma.” Then again, Kathryn Bigelow’s 2010 Oscar win for “The Hurt Locker” didn’t exactly usher in a new dawn for female filmmakers.

It’s a boy’s club, this movie world. You know it is. Read on…

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SELMA – Review by Lisa Rosman

The only man from the twentieth century who has an American federal holiday named after him, Martin Luther King Jr. is almost inarguably our country’s most influential civil rights leader to date. Yet, as improbable as it may seem, “Selma” is the first feature-length film ever made about him. Wisely, DuVernay and screenwriter Paul Webb don’t compensate by covering the entire arc of King’s life. Instead, they pick up right where a more traditional King biopic might have ended: when awards have already been bestowed but important work is left to be done. Read more>>

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“Academy Originals” Focus on Women Filmmakers – Michelle McCue Reports

In May, The Academy of Motion Picture Arts and Sciences (AMPAS) began the video series “Academy Originals” focusing on the behind-the-scenes artists and the various creative processes that get a film from page to screen.

Since the series launch, AMPAS has released 16 episodes that have covered everything from how Jurassic Park changed the VFX world to an episode about everyday people toiling away at screenplays in their local coffee shops

With Oscar emcee Ellen DeGeneres and the re-election of AMPAS President, Cheryl Boone Isaacs, the Academy’s diversity abounds.

The “Academy Originals” videos highlight women filmmakers — including Ava DuVernay and Aileen Brosh McKenna — and other women working in film to show how their considerable contributions inspire young girls to become filmmakers. Read on

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