AWFJ on KTEP 88.5 FM: Talking EDA Awards, Oscars, and the Status of Women In Film — Jennifer Merin reports
KTEP 88.5 FM’s ON FILM host Charles Horak discusses The Alliance of Women Film Journalists’ annual and festival EDA Awards recognizing the work and contributions done by women and about women, both in front and behind the camera, points to the decreased level of opportunity for women behind the camera in 2016, and elicits a list of must-see undervalued 2016 films by and about women. Thank you, Charles Horak for your ongoing support of AWFJ and our goals. Listen to the program on KTEP 88.5 FM.read more
The 13th amendment provides a point of departure, but the film is far more than investigation of mass incarceration in the US. It is a history lesson, a cinema essay and cogent and irrefutable indictment of the economic and cultural policies that are the enduring legacy of slavery. Read on…read more
It’s hard to think of a more galvanizing, charismatic woman in film than Ava DuVernay. The 44-year-old producer, director, writer, distributor and crusader for social justice broke into the larger cultural zeitgeist in 2015, the year her acclaimed film Selma was nominated for two Academy Awards, including Best Picture, and four Golden Globes, and won the AWFJ EDA Award for Best Woman Director. She is the winner of three AWFJ EDA Awards in 2016, including those for Best Documentary and Best Female Director for 13th and Outstanding Achievement by a Woman in Film. Read on…read more
Moonlight is the big winner in this year’s tenth annual AWFJ EDA Awards, garnering awards in seven categories. AWFJ voters show love for esteemed director/activist Ava DuVernay with three EDAs. Manchester By The Sea won two. EDAs went to a diverse array of talents in 13 additional categories, including Bravest Performance, Actress Most in Need of a New Agent and the coveted AWFJ Hall of Shame Award. Read on…read more
As proof positive of the trending interest in nonfiction film, the first-ever Critics Choice Documentary Awards (CCDA) were presented on November 3, 2016, at a gala event attended by leading documentary filmmakers, distributors and film critics. Presented by the BFCA and BTJA, the critics organizations behind the annual Critics Choice Movie Awards (to be presented on December 11), the documentary awards covered nonfiction films with theatrical releases and those shown on television or via online streaming. The CCDAs are the first awards given in recognition of the various genres of documentary film by critics. Read more…read more
Woman were out in full force at this year’s festival. From directors like Ava DuVernay, Kelly Reichardt, Alison Maclean, Maren Ade, and Mia Hansen-Løve in the Main Slate section alone, to the star studded Hollywood performers we’ve come to love and respect throughout the years. Tackling subjects such as grief, injustice, rape culture, loneliness, fear and self actualization, this year’s selections were a strong representation of the complexities of the female gender. Read on…read more
Angry and urgent, Ava DuVernay’s unflinching study of the mass incarceration of Black people in the US is one of this year’s timeliest films. Read more>>read more
THE WEEK IN WOMEN: TV’s SUPERGIRL Soars, but Regendered Movie Remakes Fall Flat – Brandy McDonnell reports
Supergirl soars as the season’s top rated new series, featuring Melissa Benoist as Superman’s cousin Kara Zor-El, and a primarily female cast of major characters. Its debut episode’s delightfully fun and decidedly feminist attitude dealt with double standards women face — though she has all of Superman’s powers, Kara’s discouraged from trying to save the world. Between Supergirl‘s super-success on CBS and Netflix’s hotly anticipated Nov 20 debut of Marvel’s superheroine series Jessica Jones, it’s worth asking this question a hundred times: Why are we waiting so long for a superheroine movie? And why, meanwhile, are we expected to settle for regendered movie remakes that fall flat? Plus the latest on Ava Duvernay, Reese Witherspoon and women in animation. Read this week’s THE WEEK IN WOMEN.read more
Dear NYFF Selection Committee,
It was a surprise to many last Thursday, when Ava DuVernay was not on the list of Academy Award nominees for Best Director despite her widely hailed work on “Selma.” Then again, Kathryn Bigelow’s 2010 Oscar win for “The Hurt Locker” didn’t exactly usher in a new dawn for female filmmakers.
It’s a boy’s club, this movie world. You know it is. Read on…read more
The only man from the twentieth century who has an American federal holiday named after him, Martin Luther King Jr. is almost inarguably our country’s most influential civil rights leader to date. Yet, as improbable as it may seem, “Selma” is the first feature-length film ever made about him. Wisely, DuVernay and screenwriter Paul Webb don’t compensate by covering the entire arc of King’s life. Instead, they pick up right where a more traditional King biopic might have ended: when awards have already been bestowed but important work is left to be done. Read more>>read more
In May, The Academy of Motion Picture Arts and Sciences (AMPAS) began the video series “Academy Originals” focusing on the behind-the-scenes artists and the various creative processes that get a film from page to screen.
Since the series launch, AMPAS has released 16 episodes that have covered everything from how Jurassic Park changed the VFX world to an episode about everyday people toiling away at screenplays in their local coffee shops
With Oscar emcee Ellen DeGeneres and the re-election of AMPAS President, Cheryl Boone Isaacs, the Academy’s diversity abounds.
The “Academy Originals” videos highlight women filmmakers — including Ava DuVernay and Aileen Brosh McKenna — and other women working in film to show how their considerable contributions inspire young girls to become filmmakers. Read on…read more