MOVIE OF THE WEEK September 1- 8: SCHOOL LIFE

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School Life, director Neasa Ní Chianáin’s sweetly pellucid portrait of Headfort School in County Kells, Ireland feels like a sojourn in another simpler age. Inside the school’s rambling hallways and comfortably shambolic classrooms, a proper education, in all senses of the term, is unfolding. Continue reading…

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MOVIE OF THE WEEK July 21-28: 500 YEARS

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500 Years is the third film in director Pamela Yates’ trilogy about Guatemala. Expansive in its coverage, and impassioned about its subject, the film is very much a classic social justice documentary, right down to the final scenes of enormous crowds thronging the city streets, demanding change. Continue reading…

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MOVIE OF THE WEEK July 14-21: THE MIDWIFE

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Two women, one old wound, and a whole lot of wine. Boiled down to its essential ingredients, Martin Provost’s new film The Midwife is diverting enough, filled with small pleasures, and sometimes that is enough. Especially when the two women are so beautifully portrayed by Catherine Deneuve and Catherine Frot. Continue reading…

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MOVIE OF THE WEEK July 7 – 14: LETTERS FROM BAGHDAD

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The word indefatigable may well have been fashioned for the likes of Gertrude Bell. At a time, when women were largely confined to the domestic sphere, Bell climbed mountains, rode camels, palled about with Lawrence of Arabia, and penned letters, mountains of them, all the while dressed in impeccable fashion.Continue reading…

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MOVIE OF THE WEEK June 23-30: BAND AID

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“Love is hell” might very well be the title of one of the original songs featured in the new romantic comedy Band Aid, this week’s Movie of the Week. Although in the parlance of Zoe Lister-Jones’ directorial debut, calling the song “Love is heck” might actually be more fitting. Continue reading…

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MOVIE OF THE WEEK June 16 – 23: MAUDIE

motw logo 1-35 Director Aisling Walsh’s film Maudie centres around the life and work of Nova Scotia folk artist Maud Lewis. Lewis is familiar to Canadians and to art lovers around the world from her iconic paintings, made during the latter part of her life, but the film actually begins with the portrait of the artist as a young woman. Continue reading…

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MOVIE OF THE WEEK June 9 – 16: MEGAN LEAVEY

motw logo 1-35A film about a woman and a dog already has one at a distinct advantage. Critical faculties are of little avail against the soulful eyes of an adorable canine. Gabriela Cowperthwaite’s film Megan Leavey (opening June 9, 2017) pulls at the heartstrings with near shameless abandon, and for the most part it works. – Continue reading…

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MOVIE OF THE WEEK June 2 -9: SAMI BLOOD

motw logo 1-35“Sami Blood,” set primarily in 1930s Sweden, tells the heartbreaking and eye opening story of Elle-Marja (Lene Cecilia Sparrok), a teenage girl of the Sami, a semi-nomadic indigenous people whose highly sophisticated traditional culture and way of life are completely intertwined with the reindeer they herd and breed throughout Northern Scandinavia. Framed by contemporary scenes in which an elderly Elle-Marja (now known by the Swedish name of Christina) reluctantly returns to the homeland and traditions she fled as a girl, the film is a moving coming-of-age story about a young girl wrestling with issues of cultural identity and destiny in addition to all of her typical teenage angst. Continue reading…

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MOVIE OF THE WEEK May 19-26: THE WEDDING PLAN

motw logo 1-35An earnest drama about faith and love, “The Wedding Plan” follows Michal (Noa Koler), a thirtysomething Orthodox Israeli woman who’s ready — more than ready, really — to get married and build a life with her new husband. Things seem to be on the right track until her fiance, Gidi (Erez Drigues), calls things off just a month before their wedding. To the surprise of her friends and family, Michal moves forward with plans to be married in 30 days; invitations are sent, the hall is booked, the dress is bought. Continue reading…

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AWFJ EDA Awards @ DOXA 2017: The Winners!

As DOXA 2017 draws to a close, the Alliance of Women Film Journalists is delighted to announce the winners of this year’s EDA Awards for Best Female-Directed Feature and Best Female-Directed Short’ both presented at the festival’s awards ceremony on Saturday, May 13 in Vancouver. Continue reading…

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AWFJ EDA Awards @ DOXA: Films and Juries

For the second consecutive year, the Alliance of Women Film Journalists is partnering with DOXA Documentary Film Festival to present EDA Awards for best female-directed films at the 16th annual festival, to be held from May 4 to 14, in Vancouver, BC. doxa logo 2017DOXA programmers have nominated female-directed films in two EDA Awards categories: Best Female-Directed Feature Length Documentary and Best Female-Directed Documentary Short. EDA Awards juries for both categories are comprised exclusively of AWJF members. Continue reading…

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MOVIE OF THE WEEK May 5 – 12: CASTING JONBENET

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At first glance, Kitty Green’s documentary Casting JonBenét seems a rather high concept conceit — a recreation of the infamous child murder that riveted the US, and was the grist for countless tabloid stories, films, books, as well as a few lawsuits. What could possibly be left to say, one might well ask? Continue reading…

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MOVIE OF THE WEEK April 28 – May 5: TOMORROW EVER AFTER

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The notion of time travel is almost as old as time itself. Ever since we humans invented the idea, we’ve been struggling against it, wanting to go forwards, and then backwards, anywhere but the oppressive present. Director Ela Thier takes this conceit, and tips it gently on its head in her remarkable new film Tomorrow Ever After. Continue reading…

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MOVIE OF THE WEEK April 21-27, 2017: CITIZEN JANE: BATTLE FOR THE CITY

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The street fight between Robert Moses and Jane Jacobs is the subject of Director Matt Tyrnauer’s new film Citizen Jane: Battle for the City. The film, which premiered at the Toronto Film Festival, and opened the DOC NYC Festival, is now entering theatres across the country. Despite the fact that the majority of the action took place more than 50 years ago, it could not be more timely. Continue reading…

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MOVIE OF THE WEEK March 24 – 31, 2017: THEIR FINEST

motw logo 1-35Mix a few dashes of “Argo,” a smidge of “Monuments Men” (admittedly, there’s not all that much worth taking), and a hearty dollop of “Hope and Glory,” and you’ll start to get an idea of what to expect from “Their Finest.” This World War II-set romantic dramedy follows a scrappy group of British filmmakers/propagandists who find themselves scrambling to make a morale-boosting movie based on an inspiring true story … sort of. Read on…

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Oscars 2017: A Compendium of AWFJ Members’ Views — Jennifer Merin reports

oscar trophyOur goal is to present a compendium of AWFJ members’ perspectives on Oscars 2017. Not surprisingly, the views vary widely from utter enthusiasm to complete dismay, with mix of meh in between. Quite a few of our members opted out of the project, claiming awards burn out, indicating frustrations with the Academy’s new press procedures and/or stating that this year’s entire awards campaign and media buildup was either too political or not political enough. Read what Jeanne Wolf, Susan Wloszczyna, Moira Sullivan, Diana Saenger, Sheila Roberts, Nell Minow, Brandy McDonnell, Michelle McCue, Karen Martin, Kimberly Lindbergs, Leba Hertz, Candice Frederick, Marilyn Ferdinand, Chaz Ebert, Katherine Brodsky, Liz Braun, Betsy Bozdech and Erica Abeel have to say about Oscar 2017 on AWARDS INTELLIGENCER…

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MOVIE OF THE WEEK March 3 – 10: THE LAST WORD

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Where would we be without Shirley MacLaine? Ever since her first appearance in cinema (Hitchcock’s The Trouble with Harry), the woman has proven to be a wild card in the best sense of the term. Think of the jilted office girl that captivates Jack Lemmon in The Apartment, the ripeness and sass of Sweet Charity, or the remarkable mother from hell in Terms of Endearment. La MacLaine injects a tartness, intelligence and slyness into her performances that elevates even the most well-trod of narrative tropes. Read on…

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MOVIE OF THE WEEK Feb 27 to Mar 3: FROM NOWHERE

motw logo 1-35From Nowhere has the peculiar timing of being released in theatres in the midst of the current maelstrom around immigration in the US. The film premiered last year at the SXSW Festival, where it picked up an audience choice award. Back in those innocent and unsuspecting days of yore, the film was relevant and topical, but now it is essential. As the US president threatens to muster the National Guard to round up  the undocumentedFrom Nowhere offers up a portrait of three young lives caught up in this Kafkaesque situation. Read On….

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MOVIE OF THE WEEK February 17-21: AMERICAN FABLE

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Horror and fantasy film have long been a birthplace for emerging talent. Steven Spielberg, Sam Raimi, Peter Jackson, James Cameron, Ridley Scott, Kathryn Bigelow, and Gareth Edwards – all cut their teeth in genre cinema before moving onto other things. Director Anne Hamilton is in fine company, and her new film American Fable emerges from this august tradition, trailing references aplenty. Read on…

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AWFJ Movie of the Week, Feb 3 – 10: I AM NOT YOUR NEGRO

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Raoul Peck’s impeccable and rigorous film I Am Not Your Negro comes at a moment when cinema is creating new conversations about race. Ava DuVernay’s 13TH, Barry Jenkin’s Moonlight, Denzel Washington’s Fences, Hidden Figures, and Loving – all contend in different ways with oppression, prejudice, and racial hatred. Read On… 

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AWFJ Movie of the Week, Jan 27 to Feb 3: SOPHIE AND THE RISING SUN

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Director Maggie Greenwald’s film Sophie and the Rising Sun is distinctly old-fashioned, sturdy in its construction, stolid even, but with fine details of time and place that add depth and grain to the action. The film is a handsome affair about interracial romance and racial prejudice, and although it occasionally traffics in sentiment, the solidity and strength provided by the female cast keeps it focused on rational tolerance, womanly solidarity and a little old thing called love. Read On…

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AWFJ Welcomes New Members for 2017

The Alliance of Women Film Journalists receives applications for membership throughout the year, and invites several applicants to join the organization at the beginning of each year. For 2017, we have invited eight exceptional, enthusiastic and dedicated film journalists to become AWFJ members. We Welcome them to the organization and look forward to collaborating with them on AWFJ projects that will advance the cause of gender parity and diversity on screen, behind the lens and in film media and journalism. To meet our new members, read on…

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