MOVIE OF THE WEEK, March 9, 2018: CLAIRE’S CAMERA

motw logo 1-35Claire’s Camera is Cannes-centric. South Korean filmmaker Hong Sang-soo set his quirky character-driven, genre-defying drama in the sun-drenched seaside resort town as the festival is taking place, but never visits the event’s star-studded glamour or industry hustle — both of which actually surrounded the film’s premiere at the festival in 2017. And, since the story is about friendship between two women, Claire’s Camera is femme-centric, too. Continue reading…

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CLAIRE’S CAMERA — Review by Moira Sullivan

Claire’s Camera was featured at the 2017 Cannes Film Festival. French actress Isabelle Huppert meets South Korean actress Kim Min-hee, known for her role in Park Chan-wook’s The Handmaiden (2016 Vulcan award at Cannes). It is enough of a cinematic happening to drive South Korean director Hong Sangsoo to shoot Claire’s Camera in the environs of this festival, the most esteemed gathering for cinema achievements in the world. It took the protests at the May 1968 festival and the demands of festival critics like Jean-Luc Godard, Eric Rohmer and François Truffaut to not only close down the festival that year but create a parallel section of films – the directors’ fortnight (Quinzaine des Réalisateurs) where the reputation for auteur film was established. Rohmer’s Claire’s Knee (1970) comes to mind when viewing this contemplative impromptu film. Cannes inspires travelers, tourists and filmmakers alike to create films that capture its aura. This is Hong Sangsoo’s homage. Continue reading…

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THE WEEK IN WOMEN: Blanchett Chairs Cannes Jury, Women Helmers Underrepresented, Wahlberg Donates to ‘Time’s Up’ — Brandy McDonnell reports

Last year, out of the 109 people who directed the top 100 movies, just eight were women, according to the latest stats from Southern California’s Annenberg Inclusion Initiative. That’s 4.3 percent! Following the pay disparity controversy between earnings for Mark Wahlberg and Michelle Williams, Wahlberg is donating all of his take from the ‘All the Money in the World’ reshoot to the Time’s Up equality initiative. And, brava! Cate Blanchett is set to head this year’s Cannes jury. Read details on THE WEEK IN WOMEN…

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SPOTLIGHT July 2017: Claire McCarthy, Filmmaker, OPHELIA

awfjspotlightsmallsmallclaire mccarthy 2Outside Oz, Australian filmmaker Claire McCarthy is known primarily for her 2009 film The Waiting City, starring Radha Mitchell and Joel Edgerton as a couple in disarray as they travel to India to take delivery of a child they have adopted. But McCarthy’s broader filmography even more forcefully underscores why she is the perfect director for the upcoming Ophelia project, Hamlet retold from the perspective of Shakespeare’s iconically tragic ingenue as played by Daisy Ridley. As Michelle Hannett reported from Cannes in May, the film is one of the most highly anticipated for 2018 release. Continue reading…

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PITCH PERFECT 2, MAD MAX and Quick Hitters re Varda, Bigelow, Holmes and more — Brandy McDonnell comments

elizabeth-banks-in-pitch-perfect-2To quote the Beyonce song used in one of Pitch Perfect 2′s musical numbers, girls do indeed run the world — at least at this weekend’s domestic box office. The musical comedy reprise about an all-girls a cappella group surpassed industry expectations to gross some $70.3 million in the US and Canada, making it the highest opening weekend earner in Hollywood history for a first time director — Elizabeth Banks, who also produced and gives a stunningly funny performance as an acid-tongued a cappella commentator. The ensemble is mostly women, and Kay Cannon wrote the script. So, Pitch Perfect scores big as a film by and about women. But there’s a feeling of deja vu…Read more>>

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AWFJ Women On Film – The Week in Women, May 29, 2009 – MaryAnn Johanson

Put a woman in charge of film school, but make sure the females are degraded on film. It’s all about balance, you see…

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