MOVIE OF THE WEEK, March 9, 2018: CLAIRE’S CAMERA

motw logo 1-35Claire’s Camera is Cannes-centric. South Korean filmmaker Hong Sang-soo set his quirky character-driven, genre-defying drama in the sun-drenched seaside resort town as the festival is taking place, but never visits the event’s star-studded glamour or industry hustle — both of which actually surrounded the film’s premiere at the festival in 2017. And, since the story is about friendship between two women, Claire’s Camera is femme-centric, too. Continue reading…

read more

CLAIRE’S CAMERA — Review by Cate Marquis

South Korean director Hong Sangsoo takes us to the Cannes Film Festival, not for a tale of red carpets and glittering parties but a quiet little contemplative drama about people on the fringes of the festival. Claire’s Camera is a South Korean/French production in Korean, English and a little French. Claire is Isabelle Huppert, playing a teacher from Paris who is attending the Cannes Film Festival with a friend who has a film in the festival. At loose ends, Claire meets and instantly bonds with another person on the other side of the velvet rope, a young South Korean film sales associate, Manhee (Kim Minhee). Continue reading…

read more

CLAIRE’S CAMERA — Review by Moira Sullivan

Claire’s Camera was featured at the 2017 Cannes Film Festival. French actress Isabelle Huppert meets South Korean actress Kim Min-hee, known for her role in Park Chan-wook’s The Handmaiden (2016 Vulcan award at Cannes). It is enough of a cinematic happening to drive South Korean director Hong Sangsoo to shoot Claire’s Camera in the environs of this festival, the most esteemed gathering for cinema achievements in the world. It took the protests at the May 1968 festival and the demands of festival critics like Jean-Luc Godard, Eric Rohmer and François Truffaut to not only close down the festival that year but create a parallel section of films – the directors’ fortnight (Quinzaine des Réalisateurs) where the reputation for auteur film was established. Rohmer’s Claire’s Knee (1970) comes to mind when viewing this contemplative impromptu film. Cannes inspires travelers, tourists and filmmakers alike to create films that capture its aura. This is Hong Sangsoo’s homage. Continue reading…

read more