DETROIT — Review by Cynthia Fuchs

detroit posterDetroit‘s focus on the 11 hours at the Algiers doesn’t expose racism as deviance as much as it displays its patterns. Like the other two movies in Kathryn Bigelow and Mark Boal’s war film trilogy, Detroit lurches occasionally, from journalism to sensationalism, from personal experiences to cultural critique. Less invested in any particular character than The Hurt Locker or Zero Dark Thirty, the new film poses a compelling challenge to that framework as a way to interrogate systems. Its focus on racism, the driving force of this war (as it is of most wars) presents it as a pathology and a system, alive in a past that is hardly over. Continue reading…

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