GERMANS AND JEWS — Review by Jennifer Merin

germansandjewsNow streaming online and available on DVD, Germans & Jews, a documentary by Janina Quint and Tal Recanati, is a revelation about the contemporary cultural connection between two groups of people with a devastating history of division. It compares current trends in personal identification, political expectations and social stereotyping to those which existed during the 1930s and 40s, as prelude and during the Nazi regime. Continue reading on CINEMA CITIZEN

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MOVIE OF THE WEEK September 8 to 15: STRONG ISLAND

motw logo 1-35Infuriating, fascinating, and deeply emotional, Strong Island is the deeply personal chronicle and commentary by documentary filmmaker Yance Ford about his search for an explanation of and accounting for why the man who killed his brother was never charged with the crime and walked away without any punishment. Yance’s brother, William Ford, a young African-American man, was shot and killed in 1992 by a White auto mechanic after a verbal altercation at the repair shop where the latter worked. William’s death shocked the Ford family and left them devastated. Continue reading…

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Yance Ford on STRONG ISLAND, Grief and Injustice — Jennifer Merin interviews

yance ford headYance Ford has been an influential member of the documentary film community for some years, working as a programmer for POV and commissioning the works of others. With Strong Island, he turns his smarts and skills to making in a highly personal documentary about the murder of his brother and the impact that heinous event had on his family. He sat down with me to discuss Strong Island, rage and grief, injustice and wonderment. Continue reading on CINEMA CITIZEN

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MOTHERLAND — Review by Nikki Baughan

motherland posterOnce a cloistered activity that went on behind firmly closed doors, childbirth has become a familiar activity on screen, from big-scale Hollywood drama to small-screen fly-on-the-wall factual series. Audiences are, however, unlikely to have experienced it as presented by Ramona S. Diaz’s Motherland, which follows the staff and patients of Dr Jose Fabella Memorial Hospital in the Philippine capital of Manila – the busiest maternity ward on the planet which caters to the country’s poorest women and where childbirth is more of a group activity than an intimate moment. Continue reading…

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STRONG ISLAND — Review by Cate Marquis

strongislandposterSTRONG ISLAND is a documentary that seems at first to focus on a murder never prosecuted more than two decades later. But as we gradually discover, the documentary is really about the impact of that injustice on family left behind. No reason for the failure to charge the killer with murder is given to the victim’s middle-class, suburban Black parents but the fact that the 19-year-old shooter was White raises questions. Continue reading…

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SCHOOL LIFE — Review by Cate Marquis

school life posterSchool Life, also known as In Loco Parentis, is a charming little documentary focused on an old Irish boarding school and particularly on a long-married couple who serves as teachers, John and Amanda Leyden, who guide and chide their students with dry wit, like somewhat eccentric but warm-hearted grandparents. Those who saw, and were charmed by, the 2002 French documentary To Have and To Be, which followed a teacher in a rural school, will recognize the same immersive, un-narrated style and an equal amount of warm appeal. Continue reading…

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MOVIE OF THE WEEK July 28-August 4: STEP

motw logo 1-35An inspiring documentary about a group of African-American teen girls who find success through a mix of hard work, grit, high expectations, and dedicated mentorship, Amanda Lipitz’s Step is both engaging and uplifting. It follows the competitive step-dancing team at the Baltimore Leadership School for Young Women, a public charter school with a very ambitious goal: that all of its graduates attend college. Continue reading…

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Chicago Documentary Program Empowers Female Filmmakers — Chaz Ebert reports

chaz filmmakers croppedFew programs inspire me more than those committed to empowering the voices of future filmmakers, and especially those that empower the voices of female filmmakers. That is the goal of the CHA (Chicago Housing Authority) Program in Documentary Filmmaking. Held during the summer at DePaul University’s School of Cinematic Arts, this five-week program is designed for female high school students living in Chicago’s CHA housing. The program prepares young women to become future documentarians by instructing them on everything from aesthetics to technical skills. Continue reading…

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MOVIE OF THE WEEK July 21-28: 500 YEARS

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500 Years is the third film in director Pamela Yates’ trilogy about Guatemala. Expansive in its coverage, and impassioned about its subject, the film is very much a classic social justice documentary, right down to the final scenes of enormous crowds thronging the city streets, demanding change. Continue reading…

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500 YEARS — Review by Jennifer Merin

pamela yates 500 years poster500 Years is the third  and final film in Pamela Yates‘ extraordinary documentary series about the Mayan people’s ongoing struggle for equality and justice in Guatemala. With her politically-charged trilogy, Yates has actually changed the course of history. 500 Years is the culmination of 35 years of filmmaker dedication to coverage of a pressing social and political issue. Stand alone or viewed with its companion films, it is a masterful example of how movies can make a difference. The film and its companion documentaries are must-sees for anyone who is interested in understanding current events and the role media can play in shaping them. Continue reading on CINEMA CITIZEN

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THE FEMALE GAZE: Pamela Yates talks THE RESISTANCE SAGA, documentary commitment and challenges — Jennifer Merin interviews

pamela yates reelPamela Yates makes documentaries that make a difference. Some 35 years in the making, Yates’ The Resistance Saga, a trilogy about the Mayan people’s human rights struggle in Guatemala, actually helped change the course of history in that country. Footage from the first film became forensic evidence to convict former Guatemalan dictator Efrain Rios Montt of crimes against humanity. Montt’s trial was covered in the second film, The final film, which updates us while setting the saga within the context of a long history of exploitation, abuse and genocide, opens theatrically on July 12. Read what Pamela Yates says about her career, and the challenges and opportunities inherent in documentary filmmaking on THE FEMALE GAZE.

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Filmmaker Interview: Directors Sabine Krayenbühl and Zeva Oelbaum on LETTERS FROM BAGHDAD

letters from baghdad headshot smallLetters from Baghdad is the story of Gertrude Bell, an extraordinary women, sometimes called the “female” Lawrence of Arabia. She was a British spy, explorer and political powerhouse. Bell traveled widely in Arabia before being recruited by British military intelligence during WWI to help draw the borders of Iraq. As a result, she helped shape the modern Middle East. Read what Letters from Baghdad directors Sabine Krayenbühl and Zeva Oelbaum have to say about Gertrude Bell, their compelling documentary and how it came to be, and the female perspective on filmmaking on THE FEMALE GAZE.

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LETTERS FROM BAGHDAD — Review by MaryAnn Johanson

letters from baghdad posterIf there was any justice in the world, T.E. Lawrence — aka Lawrence of Arabia — would be known as “the male Gertrude Bell,” instead of Bell being spoken of, when she is spoken of at all, as “the female Lawrence of Arabia.” Lawrence, 20 years her junior, was barely out of diapers when Bell first journeyed from England to the Middle East, and by the time he was traipsing around the desert, he was using intelligence on the local landscape — political and well as geographical — that she had gathered by living and working among the Arab tribes and gaining their enormous respect. By the post World War I period that saw the end of Ottoman rule of the Middle East and the beginning of the West deciding how to carve up the region, Bell — traveler, adventurer, diplomat, spy — was the one English person, of any gender, who knew the most about the region and who was best able to advise on how not to make a mess of it. When Lawrence of Arabia hit the desert, he used intelligence about the landscape that Gertrude Bell had gathered. And yet, a mess it quickly became, and still remains… which Bell foresaw, as we learn in the stunning Letters from Baghdad. Read full review.

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THE END OF AMERICA — Documentary Retroview by Jennifer Merin

end-of-america-posterReleased in 2008, Ricki Stern and Anni=e Sundburg’s compelling documentary is a still timely analysis and report about the ten step blueprint to establishing a dictatorship that Hitler and other dictators used to subvert democratic process and put an end to personal freedoms. The film compares, step by step, events leading up to establishment of the Third Reich with what has happened in the United States in recent years. Very convincing. Very scary. And, before it’s absolutely too late to take action, it should be required viewing for anyone old enough to vote, pay taxes or join the army. Continue reading on CINEMA CITIZEN…

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BLACKFISH – Documentary Retroview by Jennifer Merin

blackfishposterartThe theatrical release of Gabriela Cowperthwaite’s first feature, Megan Leavey, suggests it’s time for another look at her award-winning animal rights documentary, Blackfish. The titular Blackfish is named Tilikum. He is arguably the world’s best known killer whale, or orca, and currently resides at SeaWorld in Orlando, Florida. Tilikum, who’s been captive and on display at the theme park for more than two decades, is responsible for the deaths of three human beings, including Dawn Branceau, a whale trainer working closely with Tilikum until her death in February, 2010. Continue reading full review on CINEMA CITIZEN.

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MOVING MIDWAY — Documentary RetroReview by Jennifer Merin

moving midway posterGodfrey Cheshire, the noted and highly acclaimed film critic, uses his cinematic smarts and sensibility to good effect in Moving Midway, his first feature documentary about the relocation of his ancestral home, an antebellum North Carolina plantation named Midway, from its original location, now rapidly being encroached upon by Raleigh’s urban sprawl, to a more secluded and peaceful spot, still on family property, several miles away. The film is a fascinating study of family, location and changing times in the South. Continue reading on CINEMA CITIZEN.

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AWFJ EDA Awards @DOXA 2017 Filmmaker Interview: Justine Harbonnier on ANDREW KEEGAN IS MOVING

JUSTINE HARBONNIERFilmmaker Justine Harbonnier takes us to Montreal, where the city’s oldest house is being moved to make way for posh modern condos. Her profound and poetic film reflects her questions about how such moves impact a neighborhood and its residents, and others who pass by without even noticing these changes that effect the future of their city. Read what she has to day about making the film and her future plans on THE FEMALE GAZE.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Heather White on COMPLICIT

HEATHER WHITEWhile people in the West use smartphones to live healthier, happier lives, the construction of such devices has horrific health effects on the people who actually make them. Complicit shines a light on the dark irony of the global electronic manufacturing industry in China, where 90% of the world’s consumer electronics are produced, including 70% of its cell phones. Read what Complicit co-direcxtor Heather White has to say about her compelling expose on THE FEMALE GAZE.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Jessica Kingdon on COMMODITY CITY

JESSICA KINGDON DOXA HEADChina’s Yiwu Market is one of the largest shopping complexes in the world. Gorgeously shot, thematically focused and politically resonant, Jessica Kingdon’s ethnographic essay film blurs the boundary between consumer goods and the humans who sell them. Malls consume more than they are consumed, Small spaces, time lost,immersion in distraction. Read what Jessica Kingdon has to say about the making and meaning of her film on THE FEMALE GAZE.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Clara van Gool on VOICES OF FINANCE

van gool doxa short 2017 filmmakerDutch filmmaker Clara van Gool’s short dance documentary takes us to London’s bleak financial district, where traders, bankers, and hedge fund managers describe an atavistic society, blood red in tooth and claw. As they move through the city streets, bodies become a metaphor for the extremity of an industry that twists and bends human nature into torturous form. Read what Clara van Gool has to say about making the film, dance as metaphor and her career on THE FEMALE GAZE.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Alexandra Gaulupeau on LIFE AT A SNAIL’S PACE

alexandra gaulupeau for doxa2017.Filmmaker Alexandra Gaulupeau takes us into the unique world of Marla Coppolino, a malacologist (snail expert), artist and self-proclaimed spokesperson for the largely misunderstood diminutive species of land snails. Through the creation of elaborate miniature scenes and cello scores, Coppolino displays her own mighty appreciation for the tiny, slimy (and surprisingly sexy) creatures! Read what Alexandra Gaulupeau has to say about making her first film, microphotography and mini-budgeting and connecting people to the natural world on THE FEMALE GAZE

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AWFJ EDA AWARD @ DOXA 2017 Filmmaker Interview: Yan Chun Su on DROKPA

yan_chun_su_headshot 2Filmmaker Yan Chun Su’s gorgeous observational film captures life on the Tibetan Plateau. The last of Tibet’s drokpa (nomads) lead herds of yak and sheep over hilly grasslands. No longer limitless and free- ranging, they move across sections of pasture, now allotted to them by the Chinese government. Read what Yan Chun Su has to say about the changing environment, nomadic life, organic filmmaking and her career on THE FEMALE GAZE.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Claire Simon on LE CONCOURS

claire simon 275Le Concours, translated as “The Entrance Exam,” is an in-depth and intimate look at the students applying to La Fémis, one of the world’s most famous and prestigious film, where filmmaker Claire Simon was Head of Directing Studies. As the budding cinéastes struggle to find a place, the narrative spends a good deal of time with their interlocutors, pulling back the curtain to reveal the depth of seriousness and care that is extended to the students. Impassioned arguments about merit, and the very nature of cinema are hurled into the air. Read what Claire Simon has to say about her most recent project on THE FEMALE GAZE.

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CASTING JONBENET — Review by Jennifer Merin

casting jonbenet posterCasting JonBenet is a deeply disturbing documentary that delves into the still unsolved murder mystery in the case of JonBenet Ramsey, and how the story of the six-year old beauty pageant queen whose short life was apparently filled with abuse has impacted America’s psyche. Rather than representing the circumstances surrounding the actual murder or attempting to solve the mystery, filmmaker Kitty Green plumbs public opinion and explores the social impact of the case by “auditioning” prospective cast members for a proposed truth-based drama about JonBenet and the infamous murder. Read the full review on CINEMA CITIZEN.

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MOVIE OF THE WEEK April 21-27, 2017: CITIZEN JANE: BATTLE FOR THE CITY

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The street fight between Robert Moses and Jane Jacobs is the subject of Director Matt Tyrnauer’s new film Citizen Jane: Battle for the City. The film, which premiered at the Toronto Film Festival, and opened the DOC NYC Festival, is now entering theatres across the country. Despite the fact that the majority of the action took place more than 50 years ago, it could not be more timely. Continue reading…

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