THE WEEK IN WOMEN: Taymor Hired, Weinstein Fired and Cameron is Still at It — Brandy McDonnell reports

Julie Taymor will helm a coming-of-age biopic about feminist journalist and activist Gloria Steinem, based on Steinem’s bestselling memoir My Life on the Road, adapted for the screen by Tony Award- and Pulitzer Prize-nominated playwright Sarah Ruhl. Harvey Weinstein was terminated from The Weinstein Company Sunday following last week’s New York Times expose detailing decades of sexual abuse allegations made against the Oscar-winning producer by employees and actresses including Ashley Judd and Rose McGowan, among others. James Cameron is still trying to terminate feminist positivity about Wonder Woman, asserting that bustier-clad Gal Gadot is too beautiful to be groundbreaking. Read details on THE WEEK IN WOMEN…

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THE WEEK IN WOMEN News: McGowan @ Tallgrass FF, Gerwig @ Austin FF, Payday for Jenkins, Curtis and HALLOWEEN — Brandy McDonnell reports

Rose McGowan is being honored by the Tallgrass International Film Festival in Wichita, Greta Gerwig’s well-reviewed ‘Lady Bird’ has been selected to open the Austin Film Festival, Patty Jenkins has sealed a deal for ‘Wonder Woman 2′ that makes her the highest paid female director in history, and , and Jamie Lee Curtis returns to the ‘Halloween’ franchise. Read all the details on THE WEEK IN WOMEN.

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THE WEEK IN WOMEN: Gadot Seeks Gold, Chastain Joins X-MEN, Woodard Becomes Lionesque and Lamarr Gets Documentary — Brandy McDonnell reports

Warner Bros. will mount an Oscar campaign for Wonder Woman, Gal Gadot and director Patty Jenkins, striving to get first-ever comic book film nominations. Jessica Chastain joins the X-Men: Dark Phoenix cast as Lilandra Neramani, Princess-Majestrix of the Shi’ar Empire, a humanoid species with birdlike attributes. Alfre Woodard will be the voice of Simba’s mom in director Jon Favreau’s remake of Disney’s The Lion King. And, come November, Hedy Lamarr returns to silver screens with the release of Bombshell: The Hedy Lamarr Story, a documentary directed by Alexandra Dean and distributed by Zeitgeist Films, in association with Kino Lorber. Read more in THE WEEK IN WOMEN.

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THE WEEK IN WOMEN: Jenkins and Coppola Make Movie History

Between Patty Jenkins’ Wonder Woman and Sofia Coppola’ The Beguiled, the past two weeks have been benchmark for female filmmakers. Wonder Women is the highest earning female director, and The Beguiled won prizes for Coppola at Cannes. Read the details on THE WEEK IN WOMEN.

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THE WEEK IN WOMEN – Image Update: Like Yourself As You Are! — Brandy McDonnell Comments

penelope2The message that women should love their looks even if their features aren’t magazine perfect was central to Penelope (2006), the Christina Ricci starrer about a girl born with a pig snout nose. A decade later, the issue still resonates in the media flap about Carrie Fisher’s appearance in Star Wars: The Force Awakens. When can women stop trying to look perfect? Let’s declare, as Penelope does, “I like myself the way I am!” and stop letting billion-dollar industries decide who and what is beautiful in movies, and in life. Plus news about Reese Witherspoon, Amy Adams, Lily Collins, Gal Gadot and have YA series run their course in Hollywood? Read more in THE WEEK IN WOMEN…

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BATMAN vs. SUPERMAN: DAWN OF JUSTICE — Review by Susan Granger

One truth is self-evident: DC comic book movies make money! It doesn’t matter if they’re bad or good – scowling superheroes rule! Back when Christopher Nolan made his grim “Dark Knight” trilogy, he laid the groundwork for the somber, emotionally tortured vigilante hero. Now, director Zack Snyder (“Man of Steel”) seriously pushes the envelope even further. Read on…

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THE WEEK IN WOMEN: Switching genders in OUR BRAND IS CRISIS, ROADHOUSE and more – Brandy McDonnell comments

When filmmakers start casting women in roles originally written for men, it gives real hope that Hollywood might just be changing its sexist ways. Hopefully, the idea of taking roles written for men and looking for opportunities to cast women instead will catch on with both male and female power-players in Hollywood – and even extend to switching out male directors and screenwriters with females. Then, we’ll start to see some progress. But I believe it has to become a conscious, deliberate choice until we narrow the gender gap.Read on…

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