THE WEEK IN WOMEN: Alfre Woodard Talks Inclusion, ‘Luke Cage’ and What’s Next — Brandy McDonnell interviews

alfre woodardAlfre Woodard, named one of the deadCenter Film Festival’s 2018 Oklahoma Film Icon Award winners, considers herself an “original gangster,” saying that after four decades in show business she has seen plenty of trends come and go. That includes the trend of including women or people of color in movies and television shows just because it happens to be fashionable at the moment, or because someone else had success doing it. Continue reading on THE WEEK IN WOMEN.

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Créteil Films de Femmes 2018: The 40th Anniversary — Moira Sullivan reports

creiteul festival logoThe “Créteil Films de Femmes” International Women’s Film Festival is an ongoing showcase of films made by women since 1978. This year the 40th anniversary event was held from March 9-18. Through the years guests such as Agnès Varda, Delphine Seyrig, Maria Schneider, Rachel Perkins, Bernadette LaFont, Chantal Akerman, Irene Papas, and Jeanne Moreau have met the public, showed their films and discussed their work. Although attendance has shrunk considerably since its inception, it is an important cultural event sponsored by the French government and municipality of Créteil. There is no struggle for inclusion as in Cannes: women’s films are selected to be honored 100%. Credit is due to Jackie Buet and her “equipe” (team), a phenomenal artistic director whose dynamic testimony is read up on opening night and summarized at the closure of the festival. Buet is an astute cultural critic and outstanding feminist whose work through 40 years of festivals is exceptional. The Créteil Festival celebrates inclusion whereas Cannes Film Festival is known for institutional exclusion. Continue reading…

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THE WEEK IN WOMEN: Inclusion tops box office with BLACK PANTHER and A WRINKLE IN TIME — Brandy McDonnell reports

Ignore the headlines about Black Panther dominating A Wrinkle in Time at the box office. Yes, the commercial and critical juggernaut that is Ryan Coogler’s Black Panther has topped earnings on the domestic cinema release list for the fourth consecutive week, relegating Ava DuVernay’s much-hyped adaptation of Madeline L’Engle’s beloved femme-centric young-adult book into second place. But both movies are from Disney, which thus far has winning tickets in the inclusion category for 2018. Continue reading on THE WEEK IN WOMEN.

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