MOVIE OF THE WEEK March 23, 2018: MADAME

motw logo 1-35Despite its (mostly) posh characters and haute Parisian dinner-party-centric premise, “Madame” isn’t just a zinger-filled drawing-room comedy. Rather, director/co-writer Amanda Sthers’ film is a cleverly satirical and easy to swallow examination of class, privilege, self worth, and the bone-deep insecurities that plague us all, whether we’re hosting luminaries or serving them coffee. Continue reading…

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MOVIE OF THE WEEK February 16, 2018: THE PARTY

motw logo 1-35Sally Potter’s “The Party” is an atmospheric, rapid-fire dark comedy about a celebratory dinner party where unexpected revelations come as quickly as bon mots. With its sophisticated script and minimalist setting (the whole thing takes place nearly in real time, in just a couple of rooms), “The Party” has the feel of a play adapted for the big screen. The fact that the all-star cast includes powerhouse actresses Kristin Scott Thomas, Patricia Clarkson, Cherry Jones, and Emily Mortimer — all of whom can dominate a stage with the best of them — underlines that impression. Continue reading…

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MOVIE OF THE WEEK February 2, 2018: A FANTASTIC WOMAN

motw logo 1-35Chile’s Oscar-nominated “A Fantastic Woman” is a modern twist on the kind of Douglas Sirk or Joan Crawford movies of the 1950’s about women in torment. Those were stories of women forced to suffer indignities but who never lost their own dignity and glamour. In the mid-century, “the problem that has no name” described by Betty Friedan had not yet led to the women’s movement, and women in film and in real life often felt invisible, as though all women cared about was keeping the house clean and the children happy. In this film, our heroine is a trans woman named Marina, played by a trans actress, Daniela Vega. The story is about her struggle to be seen for who she is and for all that she is. Continue reading…

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MOVIE OF THE WEEK January 26, 2018: MARY AND THE WITCH’S FLOWER

motw logo 1-35Take a lonely British child, add an unexpected discovery and a previously unknown world of magic — including a special school run by powerful wizards — and what do you have? Nope, not Harry Potter. It’s Mary and the Witch’s Flower, director Hiromasa Yonebayashi’s lovely anime take on prolific British author Mary Stewart’s 1971 children’s novel The Little Broomstick. Continue reading…

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MOVIE OF THE WEEK December 29: Best Female Characters of 2017

motw logo 1-35With thanks to all of the movie industry women and men who’ve birthed them and brought them into our consciousness, Team #MOTW focuses attention on some of the brilliant female characters who’ve joined our pantheon of feminist film goddesses during 2017. A legion of strong, complex, and compelling fictional, truth-based and real life women have shared their struggles, aspirations and accomplishments with us. Their various stories represent every aspect of feminist activism for equality and justice. They give us insight, strength and inspiration. Browse our #MOTW roster for an overview of this year’s list of great female characters, and for Team #MOTW favorites, continue reading….

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MOVIE OF THE WEEK November 17: THE BREADWINNER

motw logo 1-35The Breadwinner is a powerful, gorgeously animated film about Parvana, a remarkable little girl caught in untenable circumstances in Taliban-controlled Kabul, Afghanistan. From the studio and filmmakers who previously gave us The Secret of Kells and other animated gems, “The Breadwinner” isn’t your typical mainstream “cartoon” fare. Based on the same-named novel by Deborah Ellis (who has co-screenwriting credit with Anita Doron), director Nora Twomey’s remarkable film tells a deep, thoughtful story replete with elements of both pain and joy, despair and hope. Continue reading…

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MOVIE OF THE WEEK: October 27: NOVITIATE

motw logo 1-35If your idea of life in mid-20th-century convents is all about kindly nuns solving problems like Maria and climbing every mountain, Novitiate will be a real eye-opener. Writer/director Margaret Betts’ first feature-length drama tells the sometimes-bleak story of Cathleen (Margaret Qualley), an earnest young woman from Tennessee who decides to take the veil in the early 1960s, on the eve of the far-reaching Vatican II reforms that would change traditional church life forever. Continue reading…

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MOVIE OF THE WEEK September 22 – 29, 2017: BATTLE OF THE SEXES

motw logo 1-35Battle of the Sexes takes its name from the historic 1973 grudge match between tennis superstar Billie Jean King (Emma Stone) and former champ Bobby Riggs (Steve Carell). But the movie is about so much more than that singular game, no matter how big that game turned out to be. It’s about acknowledging and accepting who you are, standing up for what you believe, and using your voice to fight for the people who need you. Continue reading…

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MOVIE OF THE WEEK September 15 to 22, 2017: DOLORES

motw logo 1-35It’s a safe bet that many folks, if asked to name someone associated with the United Farm Workers of America union (originally the National Farm Workers Association), would draw a total blank. Some might come up with Cesar Chavez. But very few are likely to mention Dolores Huerta, despite her countless contributions to the UFW beginning in the 1960s and her continuing role as an outspoken intersectional activist who fights for feminism, civil rights, environmentalism, and more. Continue reading…

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MOVIE OF THE WEEK August 11 to 18, 2017: PATTI CAKE$

motw logo 1-35Opening August 18, Patti Cake$ tells the story of aspiring New Jersey rapper Patricia “Killa P” Dombrowski, portrayed by Australian actress Danielle Macdonald in a breakout perfomance. Patti lives with her single mom, Barb (Bridget Everett), and grandmother, Nana (Cathy Moriarty), in near squalor in urban New Jersey. Barb spends her evenings getting drunk and bitterly reveling in memories of her youthful days of near-stardom as a pop singer — a dream that fell by the wayside when she got pregnant with Patti. Patti, without outbursts of rebellion or resentment, sustains the family with menial jobs, while literally dreaming every night of stardom, as over-the-top visions of famous rapper O-Z (Sahr Ngaujah) float through her sleeping mind. Continue reading…

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MOVIE OF THE WEEK July 14-21: THE MIDWIFE

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Two women, one old wound, and a whole lot of wine. Boiled down to its essential ingredients, Martin Provost’s new film The Midwife is diverting enough, filled with small pleasures, and sometimes that is enough. Especially when the two women are so beautifully portrayed by Catherine Deneuve and Catherine Frot. Continue reading…

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MOVIE OF THE WEEK June 30-July 6: THE BEGUILED

motw logo 1-35With her sixth feature, director Sofia Coppola can no longer be denied the appellation of auteur… if she ever could. The lush visuals, sultry atmosphere, and almost serene sense of the sinister that infuses The Beguiled add intriguing new layers to the distinctive signature approach to cinematic storytelling Coppola has been developing since her debut with 1999’s The Virgin Suicides. Continue reading…

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MOVIE OF THE WEEK June 16 – 23: MAUDIE

motw logo 1-35 Director Aisling Walsh’s film Maudie centres around the life and work of Nova Scotia folk artist Maud Lewis. Lewis is familiar to Canadians and to art lovers around the world from her iconic paintings, made during the latter part of her life, but the film actually begins with the portrait of the artist as a young woman. Continue reading…

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MOVIE OF THE WEEK June 9 – 16: MEGAN LEAVEY

motw logo 1-35A film about a woman and a dog already has one at a distinct advantage. Critical faculties are of little avail against the soulful eyes of an adorable canine. Gabriela Cowperthwaite’s film Megan Leavey (opening June 9, 2017) pulls at the heartstrings with near shameless abandon, and for the most part it works. – Continue reading…

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MOVIE OF THE WEEK, May 26 to June 2, 2017: THE FIFTH ELEMENT

motw logo 1-35Twenty years after it cleaned up at the box office while simultaneously polarizing critics, Luc Besson’s colorful, action-packed sci-fi extravaganza is as bonkers as ever. It has elements that are reminiscent of both “Total Recall” (1990) and “Stargate” (1994), but “The Fifth Element” is loudly, proudly its own beast — and it all hinges on Milla Jovovich’s iconic performance. Continue reading…

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MOVIE OF THE WEEK March 31- April 7, 2017: THE ZOOKEEPER’S WIFE

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The Zookeeper’s Wife is a powerful, emotional ​fact-based ​drama about both the depth of human suffering experienced during World War II and the remarkable courage and strength of character that ordinary women and men demonstrated when their friends’ and neighbors’ lives were in danger. Jessica Chastain stars as Antonina Zabinska, a warm, gentle wife, mother, and animal lover who helps her husband, Jan (Johan Heldenbergh), run the Warsaw Zoo in late-1930s Poland. Read on…

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Oscars 2017: A Compendium of AWFJ Members’ Views — Jennifer Merin reports

oscar trophyOur goal is to present a compendium of AWFJ members’ perspectives on Oscars 2017. Not surprisingly, the views vary widely from utter enthusiasm to complete dismay, with mix of meh in between. Quite a few of our members opted out of the project, claiming awards burn out, indicating frustrations with the Academy’s new press procedures and/or stating that this year’s entire awards campaign and media buildup was either too political or not political enough. Read what Jeanne Wolf, Susan Wloszczyna, Moira Sullivan, Diana Saenger, Sheila Roberts, Nell Minow, Brandy McDonnell, Michelle McCue, Karen Martin, Kimberly Lindbergs, Leba Hertz, Candice Frederick, Marilyn Ferdinand, Chaz Ebert, Katherine Brodsky, Liz Braun, Betsy Bozdech and Erica Abeel have to say about Oscar 2017 on AWARDS INTELLIGENCER…

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AWFJ Movie of the Week, January 6 to 12: HIDDEN FIGURES

hiddenfigures-pHistory has a way of disappearing women. This is particularly true when it comes to women of colour. Based on the book by Margot Lee Shetterly, Hidden Figures interweaves the stories of Katherine Johnson, Dorothy Vaughan, and Mary Jackson. The film’s title is a gentle nod to the math necessary to plot the orbital trajectory of a rocket, but also to the women who helped to build the American space program. Read on…

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AWFJ Movie of the Week, Jan. 26-Feb. 1: BLACK OR WHITE

Opening Jan. 30, the AWFJ Movie of the Week is Black or White, which reunites star Kevin Costner with writer/director Mike Binder (Man About Town, Reign Over Me) a decade after The Upside of Anger. Here, Costner takes the role of Elliot Anderson, a recently widowed lawyer who finds himself drawn into a brutal custody battle for his (mixed-race) granddaughter Eloise (newcomer Jillian Estell), who he has helped raise since her mother died during childbirth and her drug addict father proved incapable, Going up against Eloise’s iron-willed paternal grandmother Rowena (Octavia Spencer), Elliot must pull himself together and use his professional arsenal if he is to keep hold of the only family he has left. Read on…

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AWFJ Movie of the Week, Jan. 12-16: PADDINGTON

Opening Jan. 16, the AWFJ Movie of the Week is Paddington, the live action adaptation of the beloved children’s stories by Michael Bond. Written and directed by Paul King (TV’s The Mighty Boosh, Bunny and the Bull), the film combines his irreverent sense of humour with the books’ inherent charm to entirely wonderful effect. Read on…

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AWFJ Movie of the Week, Oct. 27-Nov. 2: NIGHTCRAWLER

Opening Oct. 31, the AWFJ Movie of the Week is Nightcrawlerthe blistering directorial debut of screenwriter Dan Gilroy (The Fall, The Bourne Legacy). Gilroy also penned this rapid-fire satire in which the unending demands of the 24 hour news cycle are the catalyst for some seriously questionable behaviour from those who report it. One such man is former drifter – and confirmed sociopath – Lou Bloom (Jake Gyllenhaal) who, after accidentally discovering his natural talent for nocturnal crime journalism, trawls the dark streets of LA searching for increasingly salacious content to satisfy network news boss Nina (Rene Russo). Read on…

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AWFJ Movie of the Week, Aug. 25-31: THE CONGRESS

The CongressOpening Aug. 29, the AWFJ Movie of the Week is The Congress, from visionary writer-director Ari Folman, whose 2008 animated film Waltz with Bashir was nominated for Best Foreign Language Film. The Congress, based on Solaris author Stainslav Lem’s The Futurological Congress, combines live action and animation to present a unique premise set in a world in the not-too-distant future. It stars Robin Wright, Harvey Keitel, Kodi Smit-McPhee, Danny Huston, Paul Giamatti, and Jon Hamm. Wright, playing a version of herself, accepts a deal brokered by her loyal, longtime agent (Keitel) whereby her digital image will be controlled by one studio for use in any films of their choice, in perpetuity. The compensation allows her to care for her ailing son, but her decision has unforeseen consequences. Read on…

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AWFJ Movie of the Week, June 9-15: HOW TO TRAIN YOUR DRAGON 2

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Opening June 13, the AWFJ Movie of the Week is How to Train Your Dragon 2, the epic second chapter in a planned trilogy that returns to the fantastical world of the heroic Viking Hiccup and his faithful dragon Toothless. This time around the inseparable duo must protect the future of men and dragons from the power-hungry Drago. New cast members Kit Harington, Cate Blanchett and Djimon Honsou join the original cast—Jay Baruchel, Gerard Butler, Craig Ferguson, America Ferrera, Jonah Hill, Christopher Mintz-Plasse, T.J. Miller, and Kristen Wiig in this rousing follow up based on the novels by Cressida Cowell. Read on…

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AWFJ To Present EDA Award at Salem Film Fest

The Alliance of Women Film Journalists (AWFJ) is pleased to announce that we will present a juried EDA Award for the Best Female-Directed Film at the 2012 Salem Film Fest.

The jury for the EDA Award includes AWFJ members Cynthia Fuchs (Popmatters.com), Jennifer Merin (Documentaries.About.com and Womens eNews), Erin Trahan (The Independent), Susan Wloszczyna (USA Today) and Jeanne Wolf (JeanneWolfsHollywood.com and PARADE Magazine).

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AWFJ Women On Film – Jodie Foster on “The Beaver” – Jeanne Wolfe interviews

Does Mel Gibson’s performance make up for his controversial behavior? Jeanne Wolf got surprising answers from Jodie Foster. Plus, see extended scenes from “The Beaver” that haven’t been shown anywhere else. Watch the interview

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