MOVIE OF THE WEEK June 30-July 6: THE BEGUILED

motw logo 1-35With her sixth feature, director Sofia Coppola can no longer be denied the appellation of auteur… if she ever could. The lush visuals, sultry atmosphere, and almost serene sense of the sinister that infuses The Beguiled add intriguing new layers to the distinctive signature approach to cinematic storytelling Coppola has been developing since her debut with 1999’s The Virgin Suicides. Continue reading…

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MOVIE OF THE WEEK June 23-30: BAND AID

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“Love is hell” might very well be the title of one of the original songs featured in the new romantic comedy Band Aid, this week’s Movie of the Week. Although in the parlance of Zoe Lister-Jones’ directorial debut, calling the song “Love is heck” might actually be more fitting. Continue reading…

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MOVIE OF THE WEEK June 16 – 23: MAUDIE

motw logo 1-35 Director Aisling Walsh’s film Maudie centres around the life and work of Nova Scotia folk artist Maud Lewis. Lewis is familiar to Canadians and to art lovers around the world from her iconic paintings, made during the latter part of her life, but the film actually begins with the portrait of the artist as a young woman. Continue reading…

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MOVIE OF THE WEEK June 9 – 16: MEGAN LEAVEY

motw logo 1-35A film about a woman and a dog already has one at a distinct advantage. Critical faculties are of little avail against the soulful eyes of an adorable canine. Gabriela Cowperthwaite’s film Megan Leavey (opening June 9, 2017) pulls at the heartstrings with near shameless abandon, and for the most part it works. – Continue reading…

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MOVIE OF THE WEEK June 2 -9: SAMI BLOOD

motw logo 1-35“Sami Blood,” set primarily in 1930s Sweden, tells the heartbreaking and eye opening story of Elle-Marja (Lene Cecilia Sparrok), a teenage girl of the Sami, a semi-nomadic indigenous people whose highly sophisticated traditional culture and way of life are completely intertwined with the reindeer they herd and breed throughout Northern Scandinavia. Framed by contemporary scenes in which an elderly Elle-Marja (now known by the Swedish name of Christina) reluctantly returns to the homeland and traditions she fled as a girl, the film is a moving coming-of-age story about a young girl wrestling with issues of cultural identity and destiny in addition to all of her typical teenage angst. Continue reading…

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MOVIE OF THE WEEK, May 26 to June 2, 2017: THE FIFTH ELEMENT

motw logo 1-35Twenty years after it cleaned up at the box office while simultaneously polarizing critics, Luc Besson’s colorful, action-packed sci-fi extravaganza is as bonkers as ever. It has elements that are reminiscent of both “Total Recall” (1990) and “Stargate” (1994), but “The Fifth Element” is loudly, proudly its own beast — and it all hinges on Milla Jovovich’s iconic performance. Continue reading…

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MOVIE OF THE WEEK May 19-26: THE WEDDING PLAN

motw logo 1-35An earnest drama about faith and love, “The Wedding Plan” follows Michal (Noa Koler), a thirtysomething Orthodox Israeli woman who’s ready — more than ready, really — to get married and build a life with her new husband. Things seem to be on the right track until her fiance, Gidi (Erez Drigues), calls things off just a month before their wedding. To the surprise of her friends and family, Michal moves forward with plans to be married in 30 days; invitations are sent, the hall is booked, the dress is bought. Continue reading…

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AWFJ EDA Awards @ DOXA 2017: The Winners!

As DOXA 2017 draws to a close, the Alliance of Women Film Journalists is delighted to announce the winners of this year’s EDA Awards for Best Female-Directed Feature and Best Female-Directed Short’ both presented at the festival’s awards ceremony on Saturday, May 13 in Vancouver. Continue reading…

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MOVIE OF THE WEEK May 12- 19: PARIS CAN WAIT

motw logo 1-35If you’re looking for an escape from the stress of everyday life (especially these days) — and who isn’t? — you could do far worse than joining star Diane Lane and director Eleanor Coppola for a food-, wine-, and scenery-filled road trip through France in “Paris Can Wait.” Reminiscent of both “A Good Year” and Lane’s own “Under the Tuscan Sun,” this is the kind of sun-kissed cinematic respite that we all need sometimes. Continue reading…

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MOVIE OF THE WEEK May 5 – 12: CASTING JONBENET

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At first glance, Kitty Green’s documentary Casting JonBenét seems a rather high concept conceit — a recreation of the infamous child murder that riveted the US, and was the grist for countless tabloid stories, films, books, as well as a few lawsuits. What could possibly be left to say, one might well ask? Continue reading…

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MOVIE OF THE WEEK April 28 – May 5: TOMORROW EVER AFTER

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The notion of time travel is almost as old as time itself. Ever since we humans invented the idea, we’ve been struggling against it, wanting to go forwards, and then backwards, anywhere but the oppressive present. Director Ela Thier takes this conceit, and tips it gently on its head in her remarkable new film Tomorrow Ever After. Continue reading…

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MOVIE OF THE WEEK April 21-27, 2017: CITIZEN JANE: BATTLE FOR THE CITY

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The street fight between Robert Moses and Jane Jacobs is the subject of Director Matt Tyrnauer’s new film Citizen Jane: Battle for the City. The film, which premiered at the Toronto Film Festival, and opened the DOC NYC Festival, is now entering theatres across the country. Despite the fact that the majority of the action took place more than 50 years ago, it could not be more timely. Continue reading…

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MOVIE OF THE WEEK: April 14-21, 2017: HEAL THE LIVING

motw logo 1-35Melancholy and moving, Heal the Living is a quiet, affecting French drama about organ donation. It weaves multiple characters’ stories together as it explores both the heartbreaking loss and the heady promise of renewed life. Continue reading…

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MOVIE OF THE WEEK March 31- April 7, 2017: THE ZOOKEEPER’S WIFE

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The Zookeeper’s Wife is a powerful, emotional ​fact-based ​drama about both the depth of human suffering experienced during World War II and the remarkable courage and strength of character that ordinary women and men demonstrated when their friends’ and neighbors’ lives were in danger. Jessica Chastain stars as Antonina Zabinska, a warm, gentle wife, mother, and animal lover who helps her husband, Jan (Johan Heldenbergh), run the Warsaw Zoo in late-1930s Poland. Read on…

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MOVIE OF THE WEEK March 24 – 31, 2017: THEIR FINEST

motw logo 1-35Mix a few dashes of “Argo,” a smidge of “Monuments Men” (admittedly, there’s not all that much worth taking), and a hearty dollop of “Hope and Glory,” and you’ll start to get an idea of what to expect from “Their Finest.” This World War II-set romantic dramedy follows a scrappy group of British filmmakers/propagandists who find themselves scrambling to make a morale-boosting movie based on an inspiring true story … sort of. Read on…

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MOVIE OF THE WEEK March 17-24, 2017: BEAUTY AND THE BEAST

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It may be a “tale as old as time,” but there’s plenty that’s new and fresh in Disney’s live-action take on one of folklore’s most enduring opposites-attract stories. First and foremost is Emma Watson as Belle, the independent, book-loving French girl who dreams of “adventure in the great wide somewhere” and ends up the captive of the surly, bitter, cursed Beast (Dan Stevens) after trading her own freedom for her father’s (Kevin Kline). Watson’s Belle is smart, confident, courageous, and feisty — she adds a welcome dash of our beloved Hermione to a character who was already considered one of Disney’s more admirable, self-sufficient princesses. Read on…

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MOVIE OF THE WEEK March 3 – 10: THE LAST WORD

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Where would we be without Shirley MacLaine? Ever since her first appearance in cinema (Hitchcock’s The Trouble with Harry), the woman has proven to be a wild card in the best sense of the term. Think of the jilted office girl that captivates Jack Lemmon in The Apartment, the ripeness and sass of Sweet Charity, or the remarkable mother from hell in Terms of Endearment. La MacLaine injects a tartness, intelligence and slyness into her performances that elevates even the most well-trod of narrative tropes. Read on…

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MOVIE OF THE WEEK Feb 27 to Mar 3: FROM NOWHERE

motw logo 1-35From Nowhere has the peculiar timing of being released in theatres in the midst of the current maelstrom around immigration in the US. The film premiered last year at the SXSW Festival, where it picked up an audience choice award. Back in those innocent and unsuspecting days of yore, the film was relevant and topical, but now it is essential. As the US president threatens to muster the National Guard to round up  the undocumentedFrom Nowhere offers up a portrait of three young lives caught up in this Kafkaesque situation. Read On….

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MOVIE OF THE WEEK February 17-21: AMERICAN FABLE

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Horror and fantasy film have long been a birthplace for emerging talent. Steven Spielberg, Sam Raimi, Peter Jackson, James Cameron, Ridley Scott, Kathryn Bigelow, and Gareth Edwards – all cut their teeth in genre cinema before moving onto other things. Director Anne Hamilton is in fine company, and her new film American Fable emerges from this august tradition, trailing references aplenty. Read on…

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AWFJ Movie of the Week, Jan 27 to Feb 3: SOPHIE AND THE RISING SUN

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Director Maggie Greenwald’s film Sophie and the Rising Sun is distinctly old-fashioned, sturdy in its construction, stolid even, but with fine details of time and place that add depth and grain to the action. The film is a handsome affair about interracial romance and racial prejudice, and although it occasionally traffics in sentiment, the solidity and strength provided by the female cast keeps it focused on rational tolerance, womanly solidarity and a little old thing called love. Read On…

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AWFJ Movie of the Week, January 6 to 12: HIDDEN FIGURES

hiddenfigures-pHistory has a way of disappearing women. This is particularly true when it comes to women of colour. Based on the book by Margot Lee Shetterly, Hidden Figures interweaves the stories of Katherine Johnson, Dorothy Vaughan, and Mary Jackson. The film’s title is a gentle nod to the math necessary to plot the orbital trajectory of a rocket, but also to the women who helped to build the American space program. Read on…

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AWFJ Movie of The Week December 2: JACKIE

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Mythmaking has long been a staple of American movies. Pablo Larraín’s film portrait Jackie tackles one of the greatest of American myths — that of first lady Jacqueline Kennedy. In the week following her husband’s assassination, Mrs. Kennedy granted an interview to Life Magazine. The film uses this as a framing device, and as an almost surgical means to dissect the psyche of its titular character. Read on…

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AWFJ Movie of the Week, August 8 – August 12: Florence Foster Jenkins

florence_foster_jenkins_poster Meryl Steep adds another character in her pantheon of infamous dames — be it Margaret Thatcher, Julia Child, or Emmeline Pankhurst. This time it is an actual operatic grande dame in the form of Florence Foster Jenkins. The indomitable Jenkins came to fame (or more correctly, infamy) as an operatic soprano of highly dubious talent but soaring amounts of hubris and delusions of grandeur on a Wagnerian scale. Read on…

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AWFJ Movie of the Week, April 4 – April 10: DEMOLITION

DEMO_1SHEET_27x40_MECH_FINAL2_ONLINE.inddOpening April 8, AWFJ’s Movie of the Week is Demolition, which stars Jake Gyllenhaal (Prisoners, Nightcrawler) as an investment banker struggling to cope after the tragic death of his wife. Read on…

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AWFJ Movie of the Week, March 28 – April 3: MILES AHEAD

milesahead_poster copyOpening April 1, AWFJ’s Movie of the Week is Miles Ahead, an exploration of the life and music of legendary jazz musician Miles Davis, directed by and starring Don Cheadle. Cheadle takes the director’s chair for the first time, as well as the lead role of Miles Dewey Davis III who, as a jazz musician, expert trumpet player, band leader and composer, reshaped the landscape of American music and continues to be one of its greatest influencers. Cheadle also co-wrote the screenplay with Steven Baigelman, who previously penned James Brown biopic Get On Up (2014). Read on…

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