HEAL THE LIVING — Review by Cynthia Fuchs

Katell Quillévéré’s Heal the Living opens with the sound of breathing. Seventeen-year-old Simon (Gabin Verdet) wakes to see his girlfriend sleeping beside him, as their breathing together creates a soothing, essential rhythm. It’s before dawn, and Simon is soon out of bed and on his way to the beach, where he and his friends will surf: as he rides his bicycle, the camera hovers and follows him, creating another rhythm, swift and lovely, when Simon’s friend — riding a skateboard — comes up beside him on the street. Together, they make their way to a van driven by a third friend, and they’re off, to the deep blue, early morning waves. Continue reading…

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MOVIE OF THE WEEK: April 14-21, 2017: HEAL THE LIVING

motw logo 1-35Melancholy and moving, Heal the Living is a quiet, affecting French drama about organ donation. It weaves multiple characters’ stories together as it explores both the heartbreaking loss and the heady promise of renewed life. Continue reading…

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HEAL THE LIVING — Review by Cate Marquis

heal the living poster frenchThree narrative threads – parents facing with the accidental death of their 17-year-old son, the medical staff of an organ transplant team, and a middle-aged female musician dying of heart failure – are woven together in French director Katell Quillévéré’s medical drama HEAL THE LIVING. This is the third and most polished of her films, her previous works being SUZANNE AND LOVE LIKE POISON. Read on…

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SPOTLIGHT April, 2017: Katell Quillévéré, Filmmaker, HEAL THE LIVING

awfjspotlightsmallsmallWhen Katell Quillévéré was awarded France’s Jean Vigo Prize in 2010 for her first feature film, Love Like Poison, the cinematic community knew they had an exciting and original new filmmaker to follow. Quillévéré, who studied philosophy and cinema at the University of Paris, shows a unique talent for asking big questions through the lives of her characters. Read on…

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