MOONLIGHT Tops AWFJ EDA Award Winners 2016

moonlight-posterThe women of AWFJ have voted!

Moonlight is the big winner in this year’s tenth annual AWFJ EDA Awards, garnering awards in seven categories. AWFJ voters show love for esteemed director/activist Ava DuVernay with three EDAs. Manchester By The Sea won two. EDAs went to a diverse array of talents in 13 additional categories, including Bravest Performance, Actress Most in Need of a New Agent and the coveted AWFJ Hall of Shame Award. Read on…

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CERTAIN WOMEN — Review by Susan Granger

Kelly Reichardt is a feminist filmmaker, based in Portland, Oregon, known for her minimalism in “River of Grass,” “Old Joy,” “Meek’s Cutoff,” “Night Movies,” “Wendy and Lucy.” Adapting short stories by Maile Meloy, she has created a cinematic portrait of several disparate women set in desolate Livingston, Montana. Read on…

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Top Female Performances @ New York Film Festival 2016 — Liz Whittemore reports

nyff-54-previewWoman were out in  full force at this year’s festival. From directors like Ava DuVernay, Kelly Reichardt, Alison Maclean, Maren Ade, and Mia Hansen-Løve in the Main Slate section alone, to the star studded Hollywood performers we’ve come to love and respect throughout the years. Tackling subjects such as grief, injustice, rape culture, loneliness, fear and self actualization, this year’s selections were a strong representation of the complexities of  the female gender.  Read on…

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AWFJ Movie of the Week, October 10 – October 14: CERTAIN WOMEN

certain-women-poster-copyKelly Reichardt’s body of work, River of Grass (1994), Old Joy (2006), Wendy and Lucy (2008), Meek’s Cutoff (2010); and Night Moves (2013) has established her as a major American cineaste. Her latest film, Certain Women, maintains her masterful, yet quiet trajectory. The film, based on a series of short stories from Maile Meloy, features a remarkable quartet of women including Laura Dern, Kristen Stewart, Michelle Williams and newcomer Lily Gladstone. Set against the small town vistas of the American Northwest, captured in bone-dry beauty by Reichardt’s longtime cinematographer Christopher Blauvelt, Certain Women shares with her earlier films the same attention to truth, mediated by plainspoken compassion and humility. Read on…

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