CLAIRE’S CAMERA — Review by Moira Sullivan

Claire’s Camera was featured at the 2017 Cannes Film Festival. French actress Isabelle Huppert meets South Korean actress Kim Min-hee, known for her role in Park Chan-wook’s The Handmaiden (2016 Vulcan award at Cannes). It is enough of a cinematic happening to drive South Korean director Hong Sangsoo to shoot Claire’s Camera in the environs of this festival, the most esteemed gathering for cinema achievements in the world. It took the protests at the May 1968 festival and the demands of festival critics like Jean-Luc Godard, Eric Rohmer and François Truffaut to not only close down the festival that year but create a parallel section of films – the directors’ fortnight (Quinzaine des Réalisateurs) where the reputation for auteur film was established. Rohmer’s Claire’s Knee (1970) comes to mind when viewing this contemplative impromptu film. Cannes inspires travelers, tourists and filmmakers alike to create films that capture its aura. This is Hong Sangsoo’s homage. Continue reading…

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