MOVIE OF THE WEEK, March 9, 2018: CLAIRE’S CAMERA

motw logo 1-35Claire’s Camera is Cannes-centric. South Korean filmmaker Hong Sang-soo set his quirky character-driven, genre-defying drama in the sun-drenched seaside resort town as the festival is taking place, but never visits the event’s star-studded glamour or industry hustle — both of which actually surrounded the film’s premiere at the festival in 2017. And, since the story is about friendship between two women, Claire’s Camera is femme-centric, too. Continue reading…

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Areum Parkkang on AREUM

areum-parkkangIn her first documentary feature, South Korean teacher and filmmaker Areum Parkkang takes a look at her own difficulties in finding a boyfriend. When her numerous blind dates don’t lead anywhere, she asks her students for their advise. They tell her that it is her appearance that is off putting. They advise her to make herself more attractive by slimming down, dressing up in a more feminine way, and wearing makeup. Read her interview on THE FEMALE GAZE

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Park Chan Wook Discusses Genre Twists in THIRST – Jennifer Merin interviews

park chan wook jerusalem ff cropped160At his Jerusalem Film Festival Masterclass, the Korean master filmmaker talks about how his life in 1980s Korea inspired Thirst, his genre bending vampire movie. This, he says, is his personal favorite among all of his films to date. He comments that he identifies with the film’s central character, a priest-turned-vampire, because he’s always trying to justify his decisions and actions. His revelations about audience manipulation through sound design are particularly fascinating. Read more>>

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