MOVIE OF THE WEEK June 22, 2018: WOMAN WALKS AHEAD

motw logo 1-35History becomes “her”story (with a few factual tweaks) in Susanna White’s Woman Walks Ahead, which introduces audiences to Catherine Weldon (Jessica Chastain), a determined portrait artist who defies convention — and the U.S. government — in the late 1880s to fulfill her dream of painting legendary warrior Sitting Bull and learning about the Lakota people (who are part of the Sioux tribes). Chastain delivers another excellent performance as Weldon, who ultimately finds more than artistic inspiration on the open prairies. Continue reading…

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MOVIE OF THE WEEK June 8, 2018: NANCY

motw logo 1-35Fragile, unpredictable, and melancholy, the tone of writer/director Christina Choe’s debut feature Nancy is a lot like its main character, a lonely, rather purposeless and very sad woman who desperately needs meaning in her life. Played to perfection by Andrea Riseborough, the character of Nancy is complex, captivating, deliberately difficult to read and often hard to root for, but you can’t help getting caught up in her search for purpose and connection. Continue reading…

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MOVIE OF THE WEEK May 25, 2018: MARY SHELLEY

motw logo 1-35Saudi filmmaker Haifaa Al-Mansour‘s biopic about Frankenstein author Mary Wollstonecraft Godwin’s passionate romance with poet Percy Bysshe Shelley — and Godwin/Shelley’s struggle to be recognized as a female author — is a compelling, atmospheric drama with strong performances by a talented cast. It is the truth-based tale of a truly gifted woman who courageously rebelled against the repressive customs of her day. Continue reading…

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MOVIE OF THE WEEK May 18, 2018: SUMMER 1993

motw logo 1-35Unhurried, poignant, and extremely naturalistic, Catalan filmmaker Carla Simon’s debut feature “Summer 1993″ tells the story of 6-year-old Frida (Laia Artigas), whose world is turned upside down after her mother’s death. She leaves their home in Barcelona to go live with her uncle, aunt, and young cousin in the countryside; they welcome her with love, but the transition period isn’t easy for any of them. Continue reading…

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MOVIE OF THE WEEK May 11, 2018: MOUNTAIN

motw logo 1-35The word “majestic” doesn’t do justice to the stunning visuals in Jennifer Peedom’s documentary “Mountain” — but it’s quite possible that no word is up to the task of capturing this film’s sweeping, monumental imagery. When combined with the gravitas of Willem Dafoe’s narration and the power of the Australian Chamber Orchestra’s score (composed by Richard Tognetti), the result is a movie that begs to be seen on the largest, highest-definition screen available. Continue reading…

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MOVIE OF THE WEEK May 4, 2018: RBG

motw logo 1-35As the saying goes, not all superheroes wear capes. In fact, some might even be clad in black robes and lace collars. That’s the emotional takeaway from Julie Cohen and Betsy West’s excellent documentary “RBG,” which tells the story of iconic Supreme Court Justice Ruth Bader Ginsburg. Tracing her life from childhood through the present, the film both humanizes Ginsburg and cements exactly why she’s so beloved by those who are passionate about women’s rights and gender equality. Continue reading…

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MOVIE OF THE WEEK April 27, 2018: LET THE SUNSHINE IN

motw logo 1-35Claire Denis’ romantic dramedy Let the Sunshine In stars Juliette Binoche as Isabelle, a smart, sophisticated Parisian artist and divorcee who’s only missing one thing in her life: true love. She meets plenty of men who want to sleep with her, but there’s something off about all of them; some are married, some are too full of themselves to be able to properly nurture a partner, some are exes who should clearly stay that way. Continue reading…

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MOVIE OF THE WEEK April 20: LITTLE PINK HOUSE

motw logo 1-35Courtney Balaker’s “Little Pink House” is a compelling drama based on the true story of Susette Kelo (Catherine Keener), a nurse who isn’t looking for anything bigger than a quiet life in the pink cottage she renovated herself in a decidedly unglamorous part of New London, Connecticut. But she’s destined to become the national face of an emotional court battle over eminent domain after the city comes for her home — and those of her neighbors — in the early 2000s so that pharmaceutical corporate giant Pfizer can build a new facility on the land. \Continue reading…

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MOVIE OF THE WEEK April 13, 2018: THE RIDER

motw logo 1-35Sweeping vistas and earnest, ultra-realistic performances are at the heart of Chloe Zhao’s moving drama “The Rider,” which follows the struggles of a modern cowboy after his promising rodeo career is cut short by a grave injury. The drama was filmed almost entirely on the Pine Ridge Indian Reservation in South Dakota and features Pine Ridge residents — members of the Lakota tribe — playing thinly fictionalized versions of themselves. Continue reading…

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MOVIE OF THE WEEK, March 30: OUTSIDE IN

motw logo 1-35Lynn Shelton’s “Outside In” is a delicately rendered, poignant drama about the power of human connection. It centers on Chris (Jay Duplass, who co-wrote the screenplay with Shelton), who’s just spent 20 years in prison after being convicted of a crime that wasn’t really his fault (wrong place, wrong time). Out on parole largely due to the tireless advocacy and research work of his former English teacher, Carol (Edie Falco), Chris returns to a small Pacific Northwest town that welcomes him back but doesn’t really have any idea what to do with him. Continue reading…

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MOVIE OF THE WEEK March 23, 2018: MADAME

motw logo 1-35Despite its (mostly) posh characters and haute Parisian dinner-party-centric premise, “Madame” isn’t just a zinger-filled drawing-room comedy. Rather, director/co-writer Amanda Sthers’ film is a cleverly satirical and easy to swallow examination of class, privilege, self worth, and the bone-deep insecurities that plague us all, whether we’re hosting luminaries or serving them coffee. Continue reading…

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MOVIE OF THE WEEK, March 16, 2018: IN THE LAND OF POMEGRANATES

motw logo 1-35Anyone who’s ever wondered why the possibility of peace in the Middle East seems permanently out of reach should watch “In the Land of Pomegranates,” Hava Kohav Beller’s thoughtful, thought-provoking documentary about the bitter Palestinian/Jewish conflict. Beller, an octogenarian who previously earned an Oscar nomination for 1991′s “The Restless Conscience: Resistance to Hitler Within Germany 1933-1945,” spent more than a decade making this new film, and her patience pays off. Continue reading…

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MOVIE OF THE WEEK March 2, 2018: OH LUCY!

motw logo 1-35A poignant ode to the need for human connection, Atsuko Hirayanagi’s Oh Lucy! (based on her own 2014 short film) is a quirky dramedy about a Tokyo office worker named Setsuko (Shinobu Terajima). When her solitary life is disrupted by a rather unusual English class taught by hug-happy American John (Josh Hartnett) — who gives her a curly blonde wig and an American name, Lucy — Setsuko starts down a path she never would have anticipated. Continue reading…

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MOVIE OF THE WEEK February 16, 2018: THE PARTY

motw logo 1-35Sally Potter’s “The Party” is an atmospheric, rapid-fire dark comedy about a celebratory dinner party where unexpected revelations come as quickly as bon mots. With its sophisticated script and minimalist setting (the whole thing takes place nearly in real time, in just a couple of rooms), “The Party” has the feel of a play adapted for the big screen. The fact that the all-star cast includes powerhouse actresses Kristin Scott Thomas, Patricia Clarkson, Cherry Jones, and Emily Mortimer — all of whom can dominate a stage with the best of them — underlines that impression. Continue reading…

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MOVIE OF THE WEEK February 9: THAT’S NOT ME

motw logo 1-35Alice Foulcher does triple duty in “That’s Not Me,” starring as both aspiring Australian actress Polly and her identical twin sister, Amy (also an actress), as well as co-writing with director Gregory Erdstein. The result is an appealing exploration of ambition, identity, and the whims of showbiz. The movie’s focus is mainly on Polly, who’s wanted to be an actress her whole life and dreams of getting her big break, even while she’s working a day job at a local cinema. Continue reading…

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AWFJ Welcomes Ten New Members in 2018

At the beginning of each year, the Alliance of Women Film Journalists invites several women to join our organization. In 2018, we are delighted to welcome a diverse group of nine outstanding women film journalists to our organization. Please visit their AWFJ Member Pages and Archives to get to know each of them and sample their work. Continue reading…

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