MOVIE OF THE WEEK July 28-August 4: STEP

motw logo 1-35An inspiring documentary about a group of African-American teen girls who find success through a mix of hard work, grit, high expectations, and dedicated mentorship, Amanda Lipitz’s Step is both engaging and uplifting. It follows the competitive step-dancing team at the Baltimore Leadership School for Young Women, a public charter school with a very ambitious goal: that all of its graduates attend college. Continue reading…

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500 YEARS — Review by Cate Marquis

Director Pamela Yates well-made, affecting 500 YEARS is the third and final film in her documentary series on Guatemala and the Mayan people’s ongoing struggle for democracy and justice in that country. Although the film is the third in the series, it stands well on its own, recapping critical points from the first two films. Clips from the first two films, WHEN THE MOUNTAINS TREMBLE and GRANITO: HOW TO NAIL A DICTATOR, are included in this final one. The first film, in 1983, actually provided evidence in the trial of former military leader and president Montt, that trial being the subject of the second film. Continue reading…

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500 YEARS — Review by Jennifer Merin

pamela yates 500 years poster500 Years is the third  and final film in Pamela Yates‘ extraordinary documentary series about the Mayan people’s ongoing struggle for equality and justice in Guatemala. With her politically-charged trilogy, Yates has actually changed the course of history. 500 Years is the culmination of 35 years of filmmaker dedication to coverage of a pressing social and political issue. Stand alone or viewed with its companion films, it is a masterful example of how movies can make a difference. The film and its companion documentaries are must-sees for anyone who is interested in understanding current events and the role media can play in shaping them. Continue reading on CINEMA CITIZEN

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THE MIDWIFE — Review by Cynthia Fuchs

THE MIDWIFE POSTER‘We’ll never understand each other.” Claire (Catherine Frot) stands abruptly, ready to leave the restaurant where she’s just sat down with Béatrice (Catherine Deneuve). A long shot near the start of Martin Provost’s The Midwife (Sage Femme) reveals other diners, oblivious to the drama at center screen. Béatrice gazes up at Claire, surprised at her upset: “We were just starting to be friends again.” Continue reading…

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MOVIE OF THE WEEK July 14-21: THE MIDWIFE

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Two women, one old wound, and a whole lot of wine. Boiled down to its essential ingredients, Martin Provost’s new film The Midwife is diverting enough, filled with small pleasures, and sometimes that is enough. Especially when the two women are so beautifully portrayed by Catherine Deneuve and Catherine Frot. Continue reading…

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THE MIDWIFE — Review by Cate Marquis

THE MIDWIFE POSTERTwo great Catherines – Deneuve and Frot – star in THE MIDWIFE, a thoughtful French-language tale of family, childhood memories, and changing life in modern France. As the title suggests, one of the central characters is a midwife, a profession with a long and honorable history bringing the next generation into this world. Claire (Catherine Frot) is a really good one, the best at the little clinic near Paris where she works, but the small old-fashioned clinic is closing down, unable to compete with the big modern hospital nearby. Claire resists the idea of going to work for the big hospital, as she resists so many other changes. At home, Claire put aside her own personal life to concentrate on raising her son, now a student in medical school. Continue reading…

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THE MIDWIFE — Review by MaryAnn Johanson

Director Martin Provost wrote Midwife’s script specifically for his stars, French legends Catherine Frot and Catherine Deneuve, and he is beautifully attuned to each actor’s strengths. Frot (Marguerite, La Nouvelle Eve) is the titular midwife, Claire, and the most important birthing she needs to attend to at the moment is the next stage of her life. Continue reading…

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MOVIE OF THE WEEK July 7 – 14: LETTERS FROM BAGHDAD

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The word indefatigable may well have been fashioned for the likes of Gertrude Bell. At a time, when women were largely confined to the domestic sphere, Bell climbed mountains, rode camels, palled about with Lawrence of Arabia, and penned letters, mountains of them, all the while dressed in impeccable fashion.Continue reading…

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MOVIE OF THE WEEK June 30-July 6: THE BEGUILED

motw logo 1-35With her sixth feature, director Sofia Coppola can no longer be denied the appellation of auteur… if she ever could. The lush visuals, sultry atmosphere, and almost serene sense of the sinister that infuses The Beguiled add intriguing new layers to the distinctive signature approach to cinematic storytelling Coppola has been developing since her debut with 1999’s The Virgin Suicides. Continue reading…

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THE BEGUILED – Review by Cate Marquis

Sophia Coppola’s atmospheric period thriller THE BEGUILED is a re-make of a 1971 psycho-sexual thriller starring Clint Eastwood. Coppola re-frames the Civil War story from a woman’s viewpoint, where a wounded Union soldier is taken in by a house full of Southern women and girls at a young ladies’ boarding school in the rural South. What looks like a sexual fantasy come true for the soldier turns out less than dreamy. Continue reading…

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BAND AID — Review by Martha Baker

‘Band Aid’ trembles before troubles. They argue. They bicker. They fight and bare their claws. They are a young married couple with issues. Anna’s a writer who feels like a failure because lesser writers she knows have solid careers. Ben feels maligned by life, and he leaves dirty, filthy, crusty dishes overflowing in their sink. Continue reading…

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Zoe Lister-Jones on BAND AID and Her All Female Crew — Nell Minow interviews

“Band Aid” is a quirky indie with a charming premise, endearing performances, and surprising emotional power. Zoe Lister-Jones is the film’s writer, director, producer, lyricist, and star in the story of an estranged married couple who begin to reconnect by turning their arguments into rock songs. She even used some of her own clothes as wardrobe. Lister-Jones talks about being inspired by her artist parents and why it was important to her to have an all-female crew. Continue reading…

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BAND AID — Review by Cate Marquis

A young married couple who just can’t stop arguing decide to turn their fights into songs, in the indie comedy BAND AID. Writer/director/producer Zoe Lister-Jones also stars in this film, her directorial debut. BAND AID is lifted by its well-done musical sequences, tuneful and surprisingly enjoyable, but the humor is more uneven. Continue reading…

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MAUDIE — Review by Cynthia Fuchs

“Slim pickins applied for the job.” Everett (Ethan Hawke) is disappointed. A fishmonger in Nova Scotia, he’s put up an advertisement in search of a live-in housecleaner. Times are hard during the 1930s, and as he insists more than once, Everett doesn’t plan to pay much or change his routine. The one person who does apply is Maud (Sally Hawkins), looking to support herself for the first time, after her brother Charlie (Zachary Bennett) sold their house without consulting her. Neither Everett nor Maud can imagine the future they’re about to share. Continue reading…

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MOVIE OF THE WEEK June 16 – 23: MAUDIE

motw logo 1-35 Director Aisling Walsh’s film Maudie centres around the life and work of Nova Scotia folk artist Maud Lewis. Lewis is familiar to Canadians and to art lovers around the world from her iconic paintings, made during the latter part of her life, but the film actually begins with the portrait of the artist as a young woman. Continue reading…

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MOVIE OF THE WEEK June 9 – 16: MEGAN LEAVEY

motw logo 1-35A film about a woman and a dog already has one at a distinct advantage. Critical faculties are of little avail against the soulful eyes of an adorable canine. Gabriela Cowperthwaite’s film Megan Leavey (opening June 9, 2017) pulls at the heartstrings with near shameless abandon, and for the most part it works. – Continue reading…

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SAMI BLOOD — Review by Susan Wloszczyna

sami blood 4When a film transports you to a society you never knew existed, it can prove magically transcendent while incredibly moving. Add an adolescent female discovering what she is capable of and you have me hooked. That happened last year with The Eagle Huntress, a documentary about a Mongolian girl’s singular feats with her regal bird of prey. And it happens again in a far different arena with the 14-year-old female Laplander who is the focus of Sami Blood, a Swedish coming-of-age drama handled with an impressive delicacy of purpose by first-time filmmaker Amanda Kernell. Continue reading…

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PARIS CAN WAIT — Review by Jennifer Merin

paris can wait posterParis Can Wait is a rich repast for Francophiles and foodies, and women who are hungry for more romance in their marriages. Writer/director Eleanor Coppola serves up her first feature at age 81 — a remarkable and inspiring achievement, especially since she does it so deliciously. Replete with with elegant character development, a superb cast and stunning cinematography, Paris Can Wait is a delightfully satisfying escape into a lifestyle that is for most of the world’s women pure fantasy. Take time to savor it. Read the full review on CINEMA CITIZEN.

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CASTING JONBENET — Review by Jennifer Merin

casting jonbenet posterCasting JonBenet is a deeply disturbing documentary that delves into the still unsolved murder mystery in the case of JonBenet Ramsey, and how the story of the six-year old beauty pageant queen whose short life was apparently filled with abuse has impacted America’s psyche. Rather than representing the circumstances surrounding the actual murder or attempting to solve the mystery, filmmaker Kitty Green plumbs public opinion and explores the social impact of the case by “auditioning” prospective cast members for a proposed truth-based drama about JonBenet and the infamous murder. Read the full review on CINEMA CITIZEN.

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MOVIE OF THE WEEK April 28 – May 5: TOMORROW EVER AFTER

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The notion of time travel is almost as old as time itself. Ever since we humans invented the idea, we’ve been struggling against it, wanting to go forwards, and then backwards, anywhere but the oppressive present. Director Ela Thier takes this conceit, and tips it gently on its head in her remarkable new film Tomorrow Ever After. Continue reading…

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MOVIE OF THE WEEK March 31- April 7, 2017: THE ZOOKEEPER’S WIFE

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The Zookeeper’s Wife is a powerful, emotional ​fact-based ​drama about both the depth of human suffering experienced during World War II and the remarkable courage and strength of character that ordinary women and men demonstrated when their friends’ and neighbors’ lives were in danger. Jessica Chastain stars as Antonina Zabinska, a warm, gentle wife, mother, and animal lover who helps her husband, Jan (Johan Heldenbergh), run the Warsaw Zoo in late-1930s Poland. Read on…

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THE ZOOKEEPER’S WIFE — Review by Cate Marquis

The Zookeeper’s Wife is not only an inspirational true story told through a lush historical film but a women’s cinema trifecta: A female star in the lead role, a woman director and a woman author. The director is Niki Caro, who rose to fame with Whale Rider, another film with a determined female central character, and the film is adapted from Diane Ackerman’s book of the same name. The star is Jessica Chastain, who plays Antonina Zabinska, a little-known hero during the Holocaust, who ran the Warsaw zoo alongside her husband Jan in pre-World War II Poland. When the Nazis invade their country, Antonina and her husband sheltered hundreds of Jewish men, women and children in their home on the zoo grounds, and therefore saved their lives. Read on…

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AWFJ Movie of the Week, Feb 3 – 10: I AM NOT YOUR NEGRO

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Raoul Peck’s impeccable and rigorous film I Am Not Your Negro comes at a moment when cinema is creating new conversations about race. Ava DuVernay’s 13TH, Barry Jenkin’s Moonlight, Denzel Washington’s Fences, Hidden Figures, and Loving – all contend in different ways with oppression, prejudice, and racial hatred. Read On… 

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