Oscars 2017: A Compendium of AWFJ Members’ Views — Jennifer Merin reports

oscar trophyOur goal is to present a compendium of AWFJ members’ perspectives on Oscars 2017. Not surprisingly, the views vary widely from utter enthusiasm to complete dismay, with mix of meh in between. Quite a few of our members opted out of the project, claiming awards burn out, indicating frustrations with the Academy’s new press procedures and/or stating that this year’s entire awards campaign and media buildup was either too political or not political enough. Read what Jeanne Wolf, Susan Wloszczyna, Moira Sullivan, Diana Saenger, Sheila Roberts, Nell Minow, Brandy McDonnell, Michelle McCue, Karen Martin, Kimberly Lindbergs, Leba Hertz, Candice Frederick, Marilyn Ferdinand, Chaz Ebert, Katherine Brodsky, Liz Braun, Betsy Bozdech and Erica Abeel have to say about Oscar 2017 on AWARDS INTELLIGENCER…

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Oscars 2017: The Academy Makes History — Chaz Ebert comments (Exclusive)

oscar logoThe Oscars continue to be on my “must see” list and this year’s 89th edition was not only immensely enjoyable, but historic for many reasons. It was the first time in history that an African-American director won for Best Picture; it was the first win for Supporting Actor for a Muslim; it was the first win for a picture about someone in the LGBTQ community, and the first Best Foreign Film win for someone who was not there in protest of a travel ban instituted by the President of the United States. Sometimes it is difficult to remember from year to year who won Best Picture, but the “Moonlight” – “La La Land” flub will forever be in our collective memories. Read more on AWARDS INTELLIGENCER

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Oscars 2017: Opportunity for More Creativity on Stage — Katherine Brodsky comments (Exclusive)

oscar logoThis year had several worthy nominees and they were well-recognized. Although as a whimsical musical fan, I was rooting for “La La Land” as Best Picture, having finally caught up on “Moonlight” a few nights prior, I recognized what a great film it was as well. But here’s a sad fact: This year’s Oscar ceremony will be remembered most for the hiccup at the end rather than anything in between. Every year, I tune in to the Oscars telecast hoping for a great show, thinking that this year will be the one. Read more on AWARDS INTELLIGENCER

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Oscars 2017: Poise Under Pressure — Sheila Roberts comments (Exclusive)

oscar logoEtched indelibly in my mind about the Oscars this year is how graciously the presenters and the filmmakers from “La La Land” and “Moonlight” handled the confusion that ensued on stage after the wrong Best Picture was announced. Noteworthy was the leadership of “La La Land” producer Jordan Horowitz who took charge and stepped in to clarify what had gone wrong, even when it meant acknowledging his own loss. It was done with a lot of class, dignity, and poise under pressure. Read more on AWARDS INTELLIGENCER

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OSCARS 2017 Predictions — Susan Granger

oscar logoEvery film year acts as a mirror & reflects the tenor of the times. When the Oscars began in 1929 to celebrate the motion picture industry, the winner was William Wellman’s anti-war “Wings.” The subsequent Depression years celebrated character studies like “Grand Hotel,” “The Great Ziegfeld” and “Rebecca.” After the turmoil of Kennedy’s assassination, the Academy chose light-hearted fare like “Tom Jones,” “My Fair Lady,” and “Oliver!” And in 2000, the last time a Republican won the White House, after losing the popular vote, “Gladiator” won the Oscar. Read more on AWARDS INTELLIGENCER

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