THE WEEK IN WOMEN: Golden Globes and Wonder Woman, Space and Women Win Box Office – Brandy McDonnell reports

At the Hollywood Foreign Press Association’s 74th annual Golden Globe Awards, La La Land took all seven awards for which it was nominated, while Meryl Streep, honored with the Cecil B. DeMille Lifetime Achievement Award, took on Donald Trump for mocking a disabled reporter during his campaign. Streep called on the press to keep the powerful in check and for the Hollywood community to support the Committee to Protect Journalists. Wonder Woman, finally fighting her way to the silver screen, will open June 2. Hidden Figures and the blockbuster prequel Rogue One: A Star Wars Story finished in a virtual tie for first at the domestic box office. Read all the details on THE WEEK IN WOMEN

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MOONLIGHT Tops AWFJ EDA Award Winners 2016

moonlight-posterThe women of AWFJ have voted!

Moonlight is the big winner in this year’s tenth annual AWFJ EDA Awards, garnering awards in seven categories. AWFJ voters show love for esteemed director/activist Ava DuVernay with three EDAs. Manchester By The Sea won two. EDAs went to a diverse array of talents in 13 additional categories, including Bravest Performance, Actress Most in Need of a New Agent and the coveted AWFJ Hall of Shame Award. Read on…

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Three powerful movies this year reflect Virginia’s troubled racial history — Stephanie Merry comments

Loving shows Virginia at its most romantic and picturesque. Toward the beginning of the drama, a man takes his pregnant wife-to-be to an empty field and tells her in a slow drawl, “I’m going to build you a house right here.” The couple stand on a patchy, tree-lined stretch of grass, the rhythmic buzzing of cicadas pulsing around them. Low-hanging clouds pass languidly overhead, and the grass flutters in the breeze; humidity practically radiates off the screen. Read more>>

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AWFJ Movie of the Week, October 31 – November 4: LOVING

loving-posterThe landmark case of Loving v. Virginia challenged the anti-miscegenation laws in the US, and arguably changed the country. But at the centre of the story were two people who, quite simply, were in love and wanted to be married.

Director Jeff Nichols’s previous film Midnight Special was a world away from the homespun, deeply humble reality of Richard and Mildred Loving. But the two films share a common attention to the reaction of people caught up in something larger that fractures and shatters their understanding of the world. In all of Nichols’s work it is the primacy of family and love that drives the story. Read on…

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