DISOBEDIENCE — Review by Susan Granger

Chilean director Sebastian Lelio, who won this year’s Foreign Language Oscar for the transgender drama A Fantastic Woman, has adapted Naomi Alderman’s novel as his first English-language film, co-writing with playwright Rebecca Lenkiewicz (Ida). Set in Hendon, the north London suburb where the Alderman, a former Orthodox Jew, grew up, it begins as elderly, revered Rav Krushka (Anton Lesser) is giving what will be his last sermon – on the nature of free will, a divine gift bestowed only on humans. Continue reading…

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DISOBEDIENCE — Review by Martha K. Baker

Disobedience deals with a vow to obey. Sebastián Lelio has made a name for himself as a director not just of films about women but of films about women on the edge. In Gloria, Lelio looked at a woman d’un certain age, flirting with a younger man; in A Fantastic Woman, he looked at a woman, who was once a man. In Disobedience, he looks at two women, former lovers. They meet again when Ronit Krushka returns to her orthodox Jewish community for the funeral of her much revered father, a rabbi of rectitude. He acted as bailiff of his bailiwick when he kicked her out, and he continued to ostracize her after his death by not mentioning her in his obituary and in not leaving her his home in his will. Continue reading…

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