MOVIE OF THE WEEK June 2 -9: SAMI BLOOD

motw logo 1-35“Sami Blood,” set primarily in 1930s Sweden, tells the heartbreaking and eye opening story of Elle-Marja (Lene Cecilia Sparrok), a teenage girl of the Sami, a semi-nomadic indigenous people whose highly sophisticated traditional culture and way of life are completely intertwined with the reindeer they herd and breed throughout Northern Scandinavia. Framed by contemporary scenes in which an elderly Elle-Marja (now known by the Swedish name of Christina) reluctantly returns to the homeland and traditions she fled as a girl, the film is a moving coming-of-age story about a young girl wrestling with issues of cultural identity and destiny in addition to all of her typical teenage angst. Continue reading…

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MOVIE OF THE WEEK May 19-26: THE WEDDING PLAN

motw logo 1-35An earnest drama about faith and love, “The Wedding Plan” follows Michal (Noa Koler), a thirtysomething Orthodox Israeli woman who’s ready — more than ready, really — to get married and build a life with her new husband. Things seem to be on the right track until her fiance, Gidi (Erez Drigues), calls things off just a month before their wedding. To the surprise of her friends and family, Michal moves forward with plans to be married in 30 days; invitations are sent, the hall is booked, the dress is bought. Continue reading…

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MOVIE OF THE WEEK May 12- 19: PARIS CAN WAIT

motw logo 1-35If you’re looking for an escape from the stress of everyday life (especially these days) — and who isn’t? — you could do far worse than joining star Diane Lane and director Eleanor Coppola for a food-, wine-, and scenery-filled road trip through France in “Paris Can Wait.” Reminiscent of both “A Good Year” and Lane’s own “Under the Tuscan Sun,” this is the kind of sun-kissed cinematic respite that we all need sometimes. Continue reading…

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MOVIE OF THE WEEK March 31- April 7, 2017: THE ZOOKEEPER’S WIFE

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The Zookeeper’s Wife is a powerful, emotional ​fact-based ​drama about both the depth of human suffering experienced during World War II and the remarkable courage and strength of character that ordinary women and men demonstrated when their friends’ and neighbors’ lives were in danger. Jessica Chastain stars as Antonina Zabinska, a warm, gentle wife, mother, and animal lover who helps her husband, Jan (Johan Heldenbergh), run the Warsaw Zoo in late-1930s Poland. Read on…

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MOVIE OF THE WEEK March 24 – 31, 2017: THEIR FINEST

motw logo 1-35Mix a few dashes of “Argo,” a smidge of “Monuments Men” (admittedly, there’s not all that much worth taking), and a hearty dollop of “Hope and Glory,” and you’ll start to get an idea of what to expect from “Their Finest.” This World War II-set romantic dramedy follows a scrappy group of British filmmakers/propagandists who find themselves scrambling to make a morale-boosting movie based on an inspiring true story … sort of. Read on…

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MOVIE OF THE WEEK March 17-24, 2017: BEAUTY AND THE BEAST

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It may be a “tale as old as time,” but there’s plenty that’s new and fresh in Disney’s live-action take on one of folklore’s most enduring opposites-attract stories. First and foremost is Emma Watson as Belle, the independent, book-loving French girl who dreams of “adventure in the great wide somewhere” and ends up the captive of the surly, bitter, cursed Beast (Dan Stevens) after trading her own freedom for her father’s (Kevin Kline). Watson’s Belle is smart, confident, courageous, and feisty — she adds a welcome dash of our beloved Hermione to a character who was already considered one of Disney’s more admirable, self-sufficient princesses. Read on…

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Oscars 2017: A Compendium of AWFJ Members’ Views — Jennifer Merin reports

oscar trophyOur goal is to present a compendium of AWFJ members’ perspectives on Oscars 2017. Not surprisingly, the views vary widely from utter enthusiasm to complete dismay, with mix of meh in between. Quite a few of our members opted out of the project, claiming awards burn out, indicating frustrations with the Academy’s new press procedures and/or stating that this year’s entire awards campaign and media buildup was either too political or not political enough. Read what Jeanne Wolf, Susan Wloszczyna, Moira Sullivan, Diana Saenger, Sheila Roberts, Nell Minow, Brandy McDonnell, Michelle McCue, Karen Martin, Kimberly Lindbergs, Leba Hertz, Candice Frederick, Marilyn Ferdinand, Chaz Ebert, Katherine Brodsky, Liz Braun, Betsy Bozdech and Erica Abeel have to say about Oscar 2017 on AWARDS INTELLIGENCER…

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MOVIE OF THE WEEK Feb 27 to Mar 3: FROM NOWHERE

motw logo 1-35From Nowhere has the peculiar timing of being released in theatres in the midst of the current maelstrom around immigration in the US. The film premiered last year at the SXSW Festival, where it picked up an audience choice award. Back in those innocent and unsuspecting days of yore, the film was relevant and topical, but now it is essential. As the US president threatens to muster the National Guard to round up  the undocumentedFrom Nowhere offers up a portrait of three young lives caught up in this Kafkaesque situation. Read On….

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MOVIE OF THE WEEK February 17-21: AMERICAN FABLE

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Horror and fantasy film have long been a birthplace for emerging talent. Steven Spielberg, Sam Raimi, Peter Jackson, James Cameron, Ridley Scott, Kathryn Bigelow, and Gareth Edwards – all cut their teeth in genre cinema before moving onto other things. Director Anne Hamilton is in fine company, and her new film American Fable emerges from this august tradition, trailing references aplenty. Read on…

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AWFJ @ IDFA: Juried EDA Awards Presented to Two Documetaries

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The Alliance of Women Film Journalists Inc. (AWFJ) presented juried AWFJ EDA Awards to two female-directed film at the 2014 International Documentary Film Festival Amsterdam (IDFA), the world’s leading documentary film festival. The awards were presented in conjunction with this year’s The Female Gaze program, which included a strand of 28 female-directed feature length documentaries and a panel discussion with 15 leading female filmmakers from around the world. Read more…

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AWFJ Presents EDA Awards @ IDFA 2014

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The Alliance of Women Film Journalists Inc. (AWFJ) is pleased to announce the presentation of juried AWFJ EDA Awards at this year’s International Documentary Film Festival Amsterdam (IDFA), the world’s leading documentary film festival.

IDFA 2014 takes place in Amsterdam from November 19 to 30. The EDA Award for Best Female-Directed Documentary at IDFA 2014 will presented at the festival on November 26.

AWFJ, a nonprofit organization of leading female film journalists with active members in the United States, Canada and the United Kingdom, recognizes outstanding achievements by women filmmakers by presenting its prestigious EDA Awards at select film festivals around the world, and at year’s end. Read on…

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AWFJ Women On Film- Sarasota Film Festival – Susan Wloszczyna reports

USA TODAY’s Susan Wloszczyna, a founding member of AWFJ, found the topic of women in film alive and well and much discussed at the 13th Sarasota Film Festival this year. Her exclusive report:

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Women On Film – Is ‘Bridezilla’ Our Future? – Susan Wloszczyna comments – Exclusive!

Bridezillas Hudson and Hathaway

Bridezillas Hudson and Hathaway

Is it me, or are romantic comedies of late not only tragically unfunny but virulently anti-women as well?

Take Bride Wars. Please! How Anne Hathaway could go from her playing the raw and riveting rehab sis in Rachel Getting Married to a clichéd Bridezilla out to upstage Kate Hudson’s dreadful blonde wig is beyond me.

At least the public rightly decided during the film’s opening weekend that their time would be better spent watching Clint Eastwood as a tobacco-spewing, arms-bearing bigot of a geezer.

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Susan Wloszczyna – Top Ten – Exclusive!

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Women in Film in USA Today – Susan Wloszczyna

One of our main goals in writing these pieces was to refocus at least some of the attention this summer on other box office achievements besides the bazillions The Dark Knight is collecting. And on how the success of both “Sex and the City” and “Mamma Mia!” are considerable achievements given that much of their grosses were contributed by female moviegoers, proving we aren’t just a niche group.

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