THE WEEK IN WOMEN: Clarkson to Helm STAR TREK 4, Swinton to Star in Weerasethakul Film, Khazanova’s directorial debut

S.J. Clarkson has been tapped to direct Star Trek 4, making her the first female to helm a film in the “Star Trek” franchise. Clarkson is known for her television work on Dexter, Bates Motel, Orange is the New Black, and the Marvel series The Defenders. Tilda Swinton will star in Memoria, the next feature film from Thai auteur Apichatpong Weerasethakul. Former Bolshoi ballerina Alisa Khazanova’s directorial debut feature film, a thriller titled Middleground, will get a theatrical and global VOD/Digital release beginning May 18. Read details on THE WEEK IN WOMEN.

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SPOTLIGHT April 2018: Lynne Ramsey, Glaswegian, Director of YOU WERE NEVER REALLY HERE

LYNNE RAMSAY HEAD 1Writer/director Lynne Ramsay is yet another confirmation that Scotland is one of the coolest places on the planet for cultivating artists. Ramsay has created a multi-hyphenate career as writer, director, producer, and cinematographer. A number of distinguished film world insiders have called her one of the greatest living filmmakers. As evidenced by her career and loyal fans, it appears that she stands squarely in the middle of those Scots who don’t suffer fools, and for better or worse, dance to their own drums. Continue reading…

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MOVIE OF THE WEEK July 7 – 14: LETTERS FROM BAGHDAD

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The word indefatigable may well have been fashioned for the likes of Gertrude Bell. At a time, when women were largely confined to the domestic sphere, Bell climbed mountains, rode camels, palled about with Lawrence of Arabia, and penned letters, mountains of them, all the while dressed in impeccable fashion.Continue reading…

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2014 EDA Award Winners

With sincerest appreciation for all the great work that’s been done in film DURING 2014, the Alliance of Women Film Journalists is pleased to announce the winners of the 2014 EDA Awards.

Congrats to all!

AWFJ EDA ‘BEST OF’ AWARDS
These awards are presented to women and/or men.

Best Film
BOYHOOD

Best Director (Female or Male)
Richard Linklater for BOYHOOD

Best Screenplay, Original
BIRDMAN – Alejandro Gonzales Inarritu, Nicholas Giacobone, Alexander Dinelaris, Armando Bo

Best Screenplay, Adapted
GONE GIRL – Gillian Flynn

Best Documentary
CITIZENFOUR – Laura Poitras

Best Animated Film
THE LEGO MOVIE – Phil Lord, Christopher Miller

Best Actress
Julianne Moore for STILL ALICE

Best Actress in a Supporting Role
Tilda Swinton for SNOWPIERCER

Best Actor
Michael Keaton for BIRDMAN

Best Actor in a Supporting Role
J.K. Simmons for WHIPLASH

Best Ensemble Cast (tie)
BIRDMAN – Francine Maisler, Casting Director
and
GRAND BUDAPEST HOTEL – Douglas Aibel (US), Antoinette Boulat (France), Simone Bar, Alexandra Montag (Germany), Debra Maxwell Dion (LA), Jina Jay (UK)

Best Editing
BIRDMAN – Douglas Crise, Stephen Mirrione

Best Cinematography
BIRDMAN – Emmanuel Lubezki

Best Film Music Or Score
BIRDMAN – Antonio Sanchez

Best Non-English-Language Film
IDA – Pavel Pawlikowski (Poland)

EDA FEMALE FOCUS AWARDS
These awards honor WOMEN only.

Best Woman Director
Ava DuVernay for SELMA

Best Woman Screenwriter
Gillian Flynn for GONE GIRL

Best Female Action Star
Emily Blunt for EDGE OF TOMORROW

Best Breakthrough Performance
Gugu Mbatha-Raw for BELLE

Female Icon of the Year (tie)
(a woman whose work in film and/or in life made a difference)
Ava DuVernay
and
Laura Poitras

EDA SPECIAL MENTION AWARDS

Best Depiction Of Nudity, Sexuality, or Seduction
UNDER THE SKIN – Scarlett Johansson

Actress Defying Age and Ageism
Tilda Swinton

Most Egregious Age Difference Between The Leading Man and The Love Interest
MAGIC IN THE MOONLIGHT – Colin Firth (b. 1960) and Emma Stone (b. 1988)

Actress Most in Need Of A New Agent
Cameron Diaz for SEX TAPE

Movie You Wanted To Love, But Just Couldn’t
INHERENT VICE

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ONLY LOVERS LEFT ALIVE – Review by Nikki Baughan

Just as he did with the Samurai genre in 1999’s Ghost Dog: The Way of the Samurai, writer/director Jim Jarmusch now gives us an entirely different perspective on the vampire movie. A sparkling script and charismatic cast injects a new burst of life into a genre that’s become pallid and toothless thanks to blood-sucking franchises and adolescent fantasies and, together with Neil Marshall’s recent Byzantium, resurrects the vampire as an entirely adult anti-hero. Read more>>

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AWFJ Movie of the Week, April 7-11: ONLY LOVERS LEFT ALIVE

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For this week’s pick, AWFJ Movie of the Week panelists found Jim Jarmusch’s Only Lovers Left Alive to be deeply romantic, stylishly delicious, hilarious, gloriously photographed, sublime and a bitingly perfect fresh take on a worn out genre.

All that, plus superb performances by Tilda Swinton and Tim Hiddleston as stunningly humane vampire soul mates who face the extinction of their species due to the toxic contamination of their essential and no longer pure liquid of life. This brilliant film infuses the vampire genre with new life, however, and will surely last through the ages. Read on…

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ONLY LOVERS LEFT ALIVE – Review by Kristy Puchko

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The surge of vampire film and television series has given us everything from sparkly undead dreamboats of Twilight, to sulky vamp-bro love triangles of The Vampire Diaries, and oversexed shenanigans of True Blood. But in Jim Jarmusch’s Only Lovers Left Alive, a new breed of the beguiling undead rises. The indie auteur behind such lauded films as Dead Man and Broken Flowers wades into the rich mythos of vampires to pick and choose what appeals to him. His vamps are a sophisticated yet feral breed with an intimidatingly chic yet hodgepodge appearance who—of course—love vintage rock ‘n’ roll. They are glorious. They are infinite. They are monsters, yet deeply and delightfully human. Read more>>

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WE NEED TO TALK ABOUT KEVIN – Review by Susan Granger

Lynne Ramsay’s bleak psychological thriller revolves around the relationship between a guilt-riddled mother and her troubled son. Based on Lionel Shriver’s best-selling novel of the same name, it explores nature vs. nurture with a different twist.

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AWFJ Women On Film – The Week in Women, July 3, 2009 – MaryAnn Johanson

Sixty-seven cents on the dollar would be an improvement, misogynist vampire stories suck, and Tilda takes the cinematic highroad.

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