REPRESENTING TRUMP

REPRESENTING TRUMP

The recent furor about Oskar Eustis’ open air production of Shakespeare’s Julius Caesar in New York City in which Caesar was dressed up to look like Donald Trump and Calpurnia had a Slavic accent started me thinking about the larger issue of imaginatively representing the current occupant of the White House. There is an obvious desire to reflect on the terrible plight of America under the Trump administration through humor and storytelling, and our friends around the world support that inclination.

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Movie Review — JACKIE: The Power of Cheap Music

Movie Review — JACKIE:  The Power of Cheap Music

Working within several time frames, Pablo Larrain’s new film, Jackie, starring Nathalie Portman in the title role, recounts the way Jacqueline Kennedy dealt with the terrible days right after the assassination of President Kennedy, and also how in retrospect she came to think about her role and that historical moment. The film adopts a low key, talking-head rhetoric about the woman, her trials and tribulations, and the ordeal the United States went through. But it ends with the (inordinately) triumphant strains of the final song from the Broadway musical Camelot, as Richard Burton sings, “Don’t let it be forgot/That once there was a spot/For one brief shining moment/ That was known as Camelot.” What are we to make of this ecstatic explosion of kitsch as the culmination of an essentially quiet film about one of the most wrenching episodes in modern American history?

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Three Trembling Cities, A Web Series

Three Trembling Cities, A Web Series

​Three Trembling Cities, written and directed by Arthur Vincie, is an innovative web series about immigrants in New York. Wait, don’t run for the exit. It’s not an earnest and/or sentimental diatribe about America as a country of immigrants; or a timely warning against the repulsive policies of Donald Trump, although this is a good time for America to consider its immigrant heritage. ​But the word “immigrant” has become heavy, fraught with anxiety, anger, and melancholy, and Three Trembling Cities is anything but that.

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Movie Review: A Cat’s Tale

Movie Review: A Cat’s Tale

A Cat’s Tale is an independent film. Very independent. It defies all the current norms of studio production. Recently debuted at the Chelsea International Film Festival in New York, it is the recipient of both Best Director and Best Ensemble Cast awards from the Best Actors Film Festival in San Francisco. And no wonder. For this story of a pair of middle-aged fraternal twins, Rob and Carla (Marty Grabstein and Lisa Barnes), Director Rick Mowatt has crafted a fluid cinematic style to create individual and shared spaces for the embattled siblings. Read on…

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EQUITY is an Economic Fable for Our Times – Movie Review

EQUITY is an Economic Fable for Our Times – Movie Review

Equity, directed by Meera Menon and written by Amy Fox, starring Anna Gunn, is an economic fable for our times, with the punch and cultural insight of The Big Short, without the faux celebrity razzle dazzle of The Wolf of Wall Street, and with much greater freshness than either. It’s a movie by and about women in the upper echelons of investment banking and the drinking, sex, and wheels and deals this entails that propels independent production with a female perspective to new heights of achievement.

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BROOKLYN: Or “The Girl” as Universal Solvent (New York Film Festival Review)

BROOKLYN:  Or “The Girl” as Universal Solvent   (New York Film Festival Review)

What’s not to like about Brooklyn? It’s a small, but polished, intentionally artful looking indie; moderate budget but not low enough to preclude multi-national locations—County Wexford Ireland; New York; and Montreal–and quiet, well-turned performances by Saoirse Ronan, Julie Walters, and Jim Broadbent. And it gives you an opportunity to learn about Irish culture and what America was like after World War II, which is when it is set. Well OK, maybe you don’t learn that much because if there was any reference to the war I don’t remember it, and there certainly was no attention paid to the equivocal shot in the arm that the destruction of European economies gave to the American GNP.

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THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Eight

THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Eight

THE REMOVED OBSERVER GETS THE LAST WORD is the final chapter in an eight part exploration of the failure of the American-East Indian co-production of >Hisss (2010), filmmaker Jennifer Lynch’s greatly anticipated third feature film. Despite Lynch’s previous cinematic successes, Hisss, a tale about the Indian snake goddess Nagin, turned into an artistic and box office disaster that derailed its talented director. The making of Hisss and the aftermath for Lynch are the subject of Despite the Gods, an intimate documentary by Penny Vozniak, whose feminist perspective offers rare insight about the troubled production and its outcome.

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THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Seven

THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Seven

IT ENDS BADLY is the seventh chapter in an eight part exploration of the failure of the American-East Indian co-production of >Hisss (2010), filmmaker Jennifer Lynch’s greatly anticipated third feature film. Despite Lynch’s previous cinematic successes, Hisss, a tale about the Indian snake goddess Nagin, turned into an artistic and box office disaster that derailed its talented director. The making of Hisss and the aftermath for Lynch are the subject of Despite the Gods, an intimate documentary by Penny Vozniak, whose feminist perspective offers rare insight about the troubled production and its outcome.

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THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Six

THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Six

THE SILENT WATCHER is the sixth chapter in an eight part exploration of the failure of the American-East Indian co-production of >Hisss (2010), filmmaker Jennifer Lynch’s greatly anticipated third feature film. Despite Lynch’s previous cinematic successes, Hisss, a tale about the Indian snake goddess Nagin, turned into an artistic and box office disaster that derailed its talented director. The making of Hisss and the aftermath for Lynch are the subject of Despite the Gods, an intimate documentary by Penny Vozniak, whose feminist perspective offers rare insight about the troubled production and its outcome.

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THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Five

THE JENNIFER-PENNY CHRONICLES: MAKING HISSS – Chapter Five

A SILENT WATCHER is the fifth chapter in an eight part exploration of the failure of the American-East Indian co-production of >Hisss (2010), filmmaker Jennifer Lynch’s greatly anticipated third feature film. Despite Lynch’s previous cinematic successes, Hisss, a tale about the Indian snake goddess Nagin, turned into an artistic and box office disaster that derailed its talented director. The making of Hisss and the aftermath for Lynch are the subject of Despite the Gods, an intimate documentary by Penny Vozniak, whose feminist perspective offers rare insight about the troubled production and its outcome.

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