AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Justine Harbonnier on ANDREW KEEGAN IS MOVING

AWFJ EDA Award @ DOXA 2017 Filmmaker Interview:  Justine Harbonnier on ANDREW KEEGAN IS MOVING

Filmmaker Justine Harbonnier takes us to Montreal, where the city’s oldest house is being moved to make way for posh modern condos. Her profound and poetic film reflects her questions about how such moves impact a neighborhood and its residents, and others who pass by without even noticing these changes that effect the future of their city. Read what she has to day about making the film and her future plans.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Julia Hechler on LES CLOYS

AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Julia Hechler on LES CLOYS

In a particular Parisian neighborhood, residents have devised a means of establishing their own cultural identity and reclaiming their person power through the creation of a slanguage they call Verlan (back to front). American filmmaker Julia Hechler captures their trending tongue on film. Read what she has to say about the importance of language, getting to know your subjects and her next career moves.

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AWFJ EDA AWARD @ DOXA 2017 Filmmaker Interview: Yan Su Chun on DROKPA

AWFJ EDA AWARD @ DOXA 2017 Filmmaker Interview: Yan  Su Chun on DROKPA

Filmmaker Yan Chun Su’s gorgeous observational film captures life on the Tibetan Plateau. The last of Tibet’s drokpa (nomads) lead herds of yak and sheep over hilly grasslands. No longer limitless and free- ranging, they move across sections of pasture, now allotted to them by the Chinese government. Read what Yan Chun Su has to say about the changing environment, nomadic life, organic filmmaking and her career.

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AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Clara van Gool on VOICES OF FINANCE

AWFJ EDA Award @ DOXA 2017 Filmmaker Interview: Clara van Gool on VOICES OF FINANCE

Dutch filmmaker Clara van Gool’s short dance documentary takes us to London’s bleak financial district, where traders, bankers, and hedge fund managers describe an atavistic society, blood red in tooth and claw. As they move through the city streets, bodies become a metaphor for the extremity of an industry that twists and bends human nature into torturous form. Read what Clara van Gool has to say about making the film, dance as metaphor and her career.

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Cady McClain on making SEEING IS BELIEVING: WOMEN DIRECT

Cady McClain on making SEEING IS BELIEVING: WOMEN DIRECT

Cady McClain has traveling the globe, speaking to female directors and documenting their stories for her serialized documentary, Seeing is Believing: Women Direct. Not yet complete, the documentary is intended to elucidte the skills and tools needed to succeed as a woman in the directing field . Here, McClain writes about her own filmmaking process, why she’s making this documentary series and what she’s learning from doing so. Read on…

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AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Mette Carla Albrechtsen and Lea Glob on VENUS

AWFJ EDA Awards @ IDFA 2016 Filmmaker Interview: Mette Carla Albrechtsen and Lea Glob on VENUS

Danish filmmakers Mette Carla Albrechtsen and Lea Glob explore the subject of young women’s sexuality by setting up an open ‘casting call’ at which they interview the film’s subjects about their sexual experiences and attitudes towards sexuality and their bodies as they develop from adolescence to womanhood. Through this compilation of interviews, the filmmakers contemplate their own attitudes towards sex, and offer the opportunity for women who see the film to do as, as well. Read the interview

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EBERTFEST 2016: WOMEN IN FILM PANEL — Report by Shalayne Pulia

EBERTFEST 2016: WOMEN IN FILM PANEL — Report by Shalayne Pulia

“How can you make an Oscar worthy film with one tenth of the budget? It’s an uneven playing field to begin with,” Darrien Gipson said in addressing the amazing disparity between the stats regarding the numbers of women compared to men from the very start of the hierarchical ladder to achievement in noviemaking. Gipson was a member of EBERTFEST’s Women in Film panel, moderated by Chaz Ebert. Read more>>

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AWFJ to Present EDA Awards @ SLIFF 2015 – Michelle McCue Reports

AWFJ to Present EDA Awards @ SLIFF 2015 – Michelle McCue Reports

The Alliance of Women Film Journalists will present juried AWFJ EDA Awards @ St Louis International Film Festival 2015 (SLIFF) for Best Female-Directed Narrative and Documentary Feature Films. The 24th Annual Whitaker St. Louis International Film Festival takes place Nov. 5-15. This is the third year AWFJ partners with SLIFF to recognize outstanding achievements of women filmmakers. Read on…

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Digging deeper into Toronto festival films – an overview by Janice Page

Digging deeper into Toronto festival films – an overview by Janice Page

Toronto International Film Festival was overrun with big movies about and by Bostonians. While headlines were grabbed by predictable awards-season contenders, there were just as many smaller films worth noting. A number of them were femme-helmed and femme-centric flashes of genius. Think Laurie Anderson, Julie Delpy, Charlotte Rampling, Sarah Silverman and others. Read more>>

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Michael Sheen on FAR FROM THE MADDING CROWD and Female Focus in Film – Jennifer Merin interviews (Exclusive Video)

Michael Sheen on FAR FROM THE MADDING CROWD and Female Focus in Film – Jennifer Merin interviews (Exclusive Video)

In Far From The Madding Crowd, Michael Sheen portrays one of three male suitors to the fiercely independent Bathsheba Everdene (Carey Mulligan), and he’s played opposite strong leading female characters in other films, as well. In this exclusive, uncut interview, Sheen talks about the female focus of Far From The Madding Crowd, the need for balance and complexity in women’s roles in movies and a living female icon he’d like to see portrayed on screen. Watch the video…

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Sundance Female Filmmaker Initiative: New Stats for Women Directors

Sundance Female Filmmaker Initiative:  New Stats for Women Directors

New research shows films by women and men are equally likely to receive distribution out of the Sundance Film Festival U.S. Dramatic Competition, but gap widens from there. Industry perceptions of a gendered marketplace, scarcity of talent pool, lack of ambition, as well as gender imbalance among gatekeepers, help explain broken pipeline for female filmmakers. The new study was conducted at the Annenberg School for Communication and Journalism, University of Southern California, Read on…

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Susanne Bier on Directing in Hollywood and Other Challenges – Interview by Julide Tanriverdi

Susanne Bier on Directing in Hollywood and Other Challenges – Interview by Julide Tanriverdi

Susanne Bier’s In A Better World won the Academy Award for Best Foreign Film in 2011, putting the Danish filmmaker into that very small circle of women who’ve won Oscars for directing. It also won her a place on Hollywood’s A-List and an invitation to move from indies to studio films. But transitioning from Copenhagen to Hollywood has been challenging. Here’s what she has to say about it. Read on…

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Negotiating Unfamilar Places: Girls Respond to Programming @ Berlinale 2015 – Essay by Monty Majeed

Negotiating Unfamilar Places: Girls Respond to Programming @ Berlinale 2015 – Essay by Monty Majeed

The magic of movies lies in the fact that they evoke in children — girls and boys, alike — a horde of emotional responses to onscreen images. Young women, in particular, are profoundly influenced by films that follow girl protagonists whose stories transport them to new cultures, environments and character circumstances outside of their personal experiences within their familiar realm. As Indian critic Monty Majeed discovered while interviewing girls at Berlinale 2015, this year’s festival’s expanded programming of films with young women protagonists projected horizon-broadening images that were as transformative and enlightening as they were disturbing. Read on…

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Flat Stats Indicate Hollywood is Still A Man’s World – Jennifer Merin Reports on Martha Lauzen’s Latest Study

Dr. Martha Lauzen, who heads San Diego State University’s Center for the Study of Women in Film and Television, has just released her latest study about on-screen representations of female characters in the top 100 grossing films of 2014. Dr. Lauzen has been tracking the disparity in roles for women for decades. Year after year, her exacting studies show that there is little change in the stats. Gain a few points one year, lose a few the next. Progress is flat, and that’s always the disappointing non-news. Read on…

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Salem Film Fest Honors Female Documentarians

Salem Film Fest Honors Female Documentarians

Salem Film Fest, the docs-only festival that takes place annually in Salem, Massachusetts, has invited the Alliance of Women Film Journalists to present the EDA Award for Best Female-Directed Film at the 2015 festival, scheduled for March 5 to 12. Partnering with AWFJ for the fourth consecutive year, SFF programmers have nominated six outstanding female-directed films for EDA Awards recognition. Read on…

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AWFJ @ Whistler Film Fest Presents EDAs to Three Women Filmmakers — Jennifer Merin reports

AWFJ @ Whistler Film Fest Presents EDAs to Three Women Filmmakers — Jennifer Merin reports

Returning to Whistler Film Festival for the second year, AWFJ presented EDA Awards to women filmmakers represented in the 2014 program. Of the eight festival-nominated female-directed films, five were narratives and three were documentaries. Honoring the high quality of films in both genres, AWFJ decided to level the fic/nonfic playing field by combining the two categories, and assigning all jurors to vote on all films. That decision resulted in the selection of three EDA Award winners. Read on…

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Canada’s Women In the Director’s Chair Participants Celebrate Each Other’s Work – Filmmaker Rebecca Gibson Bears Witness

Canada’s Women In the Director’s Chair Participants Celebrate Each Other’s Work – Filmmaker Rebecca Gibson Bears Witness

My name is Rebecca Gibson, and I am a filmmaker. A writer, director, producer, and actor. On November 25, 2014, I came from Winnipeg, Manitoba to Vancouver, British Columbia to join a group of eight carefully-selected female filmmakers from across Canada to participate in the nineteenth annual Women In the Director’s Chair program, an internationally respected Canadian professional development offering, specially designed to advance the skills, careers and screen projects of women directors. Read on…

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Women Rule Whistler Film Festival – Literally! — Katherine Brodsky reports

Women Rule Whistler Film Festival – Literally! — Katherine Brodsky reports

Ffounded some 14 years ago by Shauna Hardy Mishaw, who is currently its executive director. WFF, is a significant player within the Canadian film fest circuit,i known for its intimate, casual environment, set by Mishaw’s loyal and tireless admin team, consisting mostly of women, most of whom have been with the festival for years, setting the stage for high-quality film-centric hospitality through which filmmakers and industry honchos mingle, and deals are made not only via scheduled one-on-one meetings, but also in the hot tub or on the ski slopes. The festival continues to grow, and to shine the spotlight on women in film. Read on…

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Doc Watcher Chris Campbell’s Male Perspective on The Female Gaze

Christopher Campbell, who covers documentaries at NonFics.com, has written an interesting report and commentary focusing on one important aspect of The Femsle Gaze discussion — that is whether the filmmaking industry — or to be more specific, the documentary film industry — requires the use of a Bechdel Test to establish equal opportunity for women. Do you agree with his accessment?

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The Female Gaze @ IDFA: AWFJ Presents EDA Awards to Two Female-Directed Documetaries

The Female Gaze @ IDFA: AWFJ Presents EDA Awards to Two Female-Directed Documetaries

The Alliance of Women Film Journalists Inc. (AWFJ) presented juried AWFJ EDA Awards to two female-directed film at the 2014 International Documentary Film Festival Amsterdam (IDFA), the world’s leading documentary film festival. The awards were presented in conjunction with this year’s The Female Gaze program, which included a strand of 28 female-directed feature length documentaries and a panel discussion with 15 leading female filmmakers from around the world.

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